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The sharing and exchange meeting of the movie "The Legend of Feng Menglong" was held in Shenzhen, and Yan Weiwen and his party all appeared

author:Window of Shenzhen

On the afternoon of December 19th, the "Cross-border and Integration of Chinese Internet Finance and Chinese Films and the Sharing and Exchange Meeting of "Feng Menglong Films", hosted by Shenzhen Mainland Culture Communication Company, was held at Futian Shangri-La Hotel, Shenzhen, where elites from Internet finance and China's film industry gathered together to share "cross-border and integration", exchange "innovation and vitality", and achieve profound view sharing and ideological collision.

The sharing and exchange meeting of the movie "The Legend of Feng Menglong" was held in Shenzhen, and Yan Weiwen and his party all appeared

Ming Zhenjiang, vice chairman of the China Filmmakers Association and executive chairman of the China Film Producers Association, Yan Xiaoming, executive vice chairman of the China Film Foundation, Yang Yubing, chairman of the big screen (Shanghai) Film Investment Co., Ltd. and vice president of the Television Production Committee of the China Broadcasting Association, attended the meeting and delivered wonderful speeches one by one. Mr. Wang Jian, General Manager of Shenzhen Mainland Culture Communication and Development Co., Ltd., also made a wonderful speech on behalf of the main body of cross-border and integration of Internet finance and film culture industry. There are also the main creators of "Feng Menglong Movie" collectively appeared on the scene, and director Gao Feng brought Yan Weiwen, a famous tenor singer who played the core character Feng Menglong in the play, and actress Hu Zhexing to tell the story behind the film.

The film "The Legend of Feng Menglong" is based on the historical sage Feng Menglong as the prototype, telling his legendary experience from Suzhou to Shouning and entering politics from Literature to Literature, with his experience in Shouning as the main performance content, focusing on the deeds of resisting the Wokou, eliminating tiger plagues, banning drowning of baby girls, advocating culture and education, etc., showing his image of loving the people, being pragmatic and incorruptible. It is reported that General Secretary Xi Jinping also praised Feng Menglong's diligence and love for the people, and mentioned Feng Menglong many times. In March 2014, when investigating and guiding the party's mass line education and practice activities in Lankao County, General Secretary Xi Jinping once said with a heavy heart: "Feng Menglong went to office for half a year. At that time, I sighed that a county in the feudal era of eight buckets of talent, how to go to all kinds of hardships, are we Communists not as good as an official in the feudal era? ”

In the nearly one-hour dialogue session, the host interviewed the film's creators face-to-face on several issues that the audience was particularly concerned about, and the creators also answered them one by one. The following is a partial transcript of the conversation.

Q: As a famous director in China, you have directed many excellent films and TV series such as "Camel Guest", "Lao Zhai", "Scratch years", "Wang Changxi is coming", "Judge Lao Zhang Anecdotes of the Trial of niu" and many other excellent films and TV series, you have won the TV Film Lily Award Director Award five times, and you are a senior director with a very profound insight into life.

Gao Feng: Mainly impressed by the great personality of Feng Menglong, an ancient sage, what he has done in the past few hundred years is very valuable now, when he was 60 years old, he put aside the age of retirement, and he also took office to go to an official so far away from home, and he also conscientiously did a lot of practical things for the people, which I think is very remarkable.

Q: Teacher Yan Weiwen crossed from the singing stage to the film and television stage, and Miss Hu Zhexing crossed from the Kunqu opera stage to the film and television stage, both of them are still newcomers in the film and television industry, why do you trust the male and female protagonists to give them the two film and television newcomers? What potential do you see in them?

Gao Feng: I also had a brief cooperation with Teacher Yan Weiwen before, and I also had a good impression of him, and later in "The Legend of Feng Menglong", I think that from his elegant appearance, and positive style, and the feeling that the characters in the film want to convey are also in line with it, and I believe that the art is all the same, his singing career is so good, acting will certainly not be bad. It turned out that my judgment was correct. Miss Hu Zhexing, herself is a Kunqu opera actor, it just so happens that the female number one in the play needs to have a lot of Kunqu performance sections, and when she contacts her, she finds that her comprehensive conditions in all aspects are also good, and then choose her.

Q: Judging from the current shooting situation, how do you evaluate the performance of these two film and television newcomers in the play? Still satisfied?

Gao Feng: All very good. Although Mr. Yan Weiwen is the first time to star this time, from the perspective of the whole performance, he is already a professional actor and has completely integrated himself into the role. I think that acting is not learned, it is all enlightened, and Teacher Yan Weiwen has reached a certain realm, so he can understand more deeply. Teacher Yan Weiwen is already a very senior artist, but in the process of filming, there is no shelf at all, he is very peaceful, very modest and studious, and then he thinks and judges himself. His serious and studious attitude and hard-working spirit are also very rare in the show business circle. Miss Hu Zhexing is also very cooperative, and the artistic expression ability is becoming more and more mature in the end, more and more into the state, that is, the shooting is also nearing the end, which is also a regret that art is accustomed to!

Q: Just now, the senior director talked about Miss Hu Zhexing's performance, we would like to know how you crossed from a Kunqu performer to the big screen, how do you evaluate your performance in the play? If the perfect score was 10, how many points would you rate yourself?

Hu Zhexing: This is the first time I have played such an important role, and I also like this role in the play, playing The admirer of Feng Menglong, and playing a lot of opponents with Teacher Yan Weiwen. In the past, when I was acting, I was often nervous and forgot my words, but this time the whole shooting process was smooth and I enjoyed the process. As for how many points can be scored, I said it doesn't count, it still depends on how the director judges!

Q: Teacher Yan Weiwen, who has brought us countless popular songs such as "Mother", "Little Poplar", "When Homesick", has always been known as a "warrior singer", this time choosing "The Legend of Feng Menglong" as your first personal leading film and television work, I believe it is also very important consideration, can you briefly talk to us about what is particularly attractive to you or touch you in this play, so that you want to participate in its creation and interpretation?

Yan Weiwen: To tell you the truth, I knew very little about Feng Menglong before, I only knew that he was a great literary hero of the Ming Dynasty, but I especially didn't know anything about his experience as a county commander, but after reading the whole script, I was completely shocked, and the talent and ambition in him deeply attracted me, it can be said that Feng Menglong's life experience is the true portrayal and highest realm of the Chinese tradition of "meritorious service", which makes me especially want to bring the story of this sage and this positive energy spirit to more people through my interpretation.

Q: This time, you starred in the film and television male number one leading actor Feng Menglong, from the singing stage to the film and television stage, it may still be different, for example, the form of artistic expression, the special requirements for actors, for you where do you think the most rare place? How did you adapt? Is there any special insight in this that you can briefly share with us?

Yan Weiwen: Although I have been in the arts for more than 40 years, I am still a complete newcomer to the film and television field, although the singing career is also very hard at the beginning, but after all, it is easy to get acquainted with the road, the psychological pressure will not be too big, but the movie is different, the movie will be amplified, including your eyes, your actions, you need to put down a lot of inherent things, to adapt to the character characteristics of the character, which is difficult for a new actor. But I can't drag down the overall progress of the crew because of this, I can only try to improve and improve to the maximum extent, my idea is that although I am a newcomer, I can't let the audience feel that you are a newcomer when enjoying the film, otherwise it will be unforgivable.

This time I played a particularly large role in "The Legend of Feng Menglong", the light lines are a thick one, and this line is different from modern dramas, they are all very difficult vernacular texts, not only to remember, but also to express the charm of costume drama, which is particularly challenging and stressful for me. I usually get up at five o'clock in the morning and start to prepare lines while making up, and at night before going to bed, I have to familiarize myself with the next day's script and lines, feeling particularly stressful, and I can especially appreciate the difficulty of film and television shooting. Fortunately, for more than 40 days, the post-shooting has also adapted to this rhythm, but more will enjoy the sense of achievement behind this hard work.

Q: "The Legend of Feng Menglong", as a main theme film that will be released nationwide, may face competition with other ordinary commercial films, as the lead actor, will you feel pressure from the box office or word of mouth during the entire shooting process?

Yan Weiwen: The box office is actually not the problem I am most concerned about, maybe the investor will be more concerned about the point, I as the lead actor, more concerned about the performance itself, thinking that I can live up to the trust of the director, and in this process, I have also received a lot of support and help from many people inside and outside the crew, I believe that as long as you enter the cinema, you will not be disappointed.

After the end of the dialogue session on the stage, more than 30 media present still felt that they were not happy enough, and they threw out more questions one after another, and the main creative staff was also infected by the enthusiastic atmosphere of the scene, saying that they would continue to work hard and must live up to everyone's ardent expectations.

The "Cross-border and Integration of Chinese Internet Finance and Chinese Films and the Sharing and Exchange Meeting of "Feng Menglong Film", which lasted nearly two hours, came to a successful conclusion. As an excellent output of Shenzhen Internet finance and cross-border cooperation with Chinese films, the movie "The Legend of Feng Menglong" is another innovative measure of China's film industry cooperation model. This cross-border has a rich and three-dimensional connotation, from the perspective of the film itself, the cross-border of the film's core character Feng Menglong from a literati to a scholar, and the cross-border of Feng Menglong's actor Yan Weiwen from a singer to a film and television actor; from the perspective of industry cooperation, this is also a cross-border integration of the film industry and Internet finance. No matter from what level and angle, it is a new attempt to forge ahead, and it is the best annotation to "cross-border". Especially in the current environment of the great development of China's cultural industry and Internet finance, the realization of cross-border cooperation between industries is more conducive to stimulating the vitality and motivation of innovation!

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