Reminiscent of the classic: mountain travel to stay guests

Zhang Xu (Tang Dynasty)

The mountain light is in the form of chunhui, and Mo is light and yin.

Even if it is clear and rainy, it is also wet in the depths of the clouds.

Zhang Xu (c. 685 – c. 759), courtesy name Bogao, Yizi Jiming, was a Han Chinese native of Wu County (present-day Suzhou, Jiangsu) during the Tang Dynasty. Former official Changshu County Lieutenant, Kingo Changshi. Good cursive, good sex wine, known as Zhang Qian, is also one of the "Eight Immortals in Drinking". At that time, his cursive writing was called "Three Absolutes" together with Li Bai's poetry and Pei Min's sword dance, and his poems were also unique, known for their seven absolutes. Together with Li Bai, He Zhizhang and others, he was one of the eight immortals in the drink. Emperor Wenzong of Tang issued an edict to take Li Bai's poetry, Pei Min's sword dance, and Zhang Xu's cursive writing as the "three absolutes". He Zhizhang, Zhang Ruoxu, and Bao Rong are known as the "Four Soldiers of Wuzhong". The handwriting includes "Belly Pain Thesis" and "Four Ancient Poems".

This poem closely follows the word "stay" in the title of the poem, borrowing guests in the spring mountains, depicting a landscape painting with a quiet artistic conception.

"Mountain light and physical state make spring glow", writing the premise of staying guests - everything in the mountain is competing in the spring sun, presenting an intoxicating beauty. A "lane" character is fascinating, giving the mountain scenery a human character and depicting the vigorous vitality of all things. The entire poem has only one positive description of mountain scenery. Because there is only one sentence, the poet does not depict a spring and a stone, a flower and a tree, but starts from the whole, focuses on the entire appearance of Spring Mountain, and renders a vibrant and fascinating artistic conception from the updated weather of Vientiane. Because only when this sentence is written very strongly, and it is preemptive and forms an overwhelming advantage, "staying" makes sense, and the problems that guests are worried about seem insignificant.

"Mo is light yin and intend to return", is the poet's exhortation to the guests, just when you are in the middle of the day, the sky suddenly floated a piece of "light yin", there is a great potential for heavy rain, which is the only objective reason for the guests to reduce the number of guests, suggesting that the guests subjectively do not love the mountain view of the spiritual information. The second sentence is closely related to the first sentence. Because the first sentence is rich and weighty, the second sentence, although it negates the guest's idea, seems to go down the river and effortlessly.

"Even if there is no rain in the clear and clear, the depths of the clouds are also stained", adopting the pen method of retreating into the advance and wanting to capture the old and indulgent, further exhorting the guests to come, then be safe, do not miss the beautiful spring light, and wade forward. Because the guests are afraid of the "light shade" that will cause rain and wet clothes, the poet gently assumes a problem of spring swimming on a sunny day--in the sunny day, because the spring rain is abundant, the mountains with deep clouds and fog will also be watery, walking on the grassy mountain paths, and the clothes and shoes will also be wet with dew and fog. That is to say, when you visit the mountains on a rainy day, you must "dip your clothes"; on sunny days, you must also "dip your clothes", "dipping clothes" is an unavoidable problem in the spring mountains, from a certain point of view, this is a great pleasure of spring days to visit the mountains, then there is no need to hesitate for a "light yin". These two sentences are not only passive to dispel the doubts of the guests, but cleverly in a euphemistic way, with the fascinating artistic conception, to actively induce and ignite the fire in the hearts of the guests to appreciate the beauty of spring mountain.

Through the overall depiction of the beauty of Spring Mountain and the denial and persuasion of the guests' desire to leave, this poem expresses the author's love for the beautiful scenery of nature and his desire to enjoy the beautiful scenery with friends, and contains the philosophy that if you want to appreciate the most beautiful scenery, you can't stop tasting it. Although the length is short, the scenery, emotion, and rationality are blended and blended, and they are integrated. The language of the whole poem is simple, between virtual reality, ups and downs, shallow meaning, intriguing.

It tells people that things are complex and should not be viewed one-sidedly, and the same is true for difficulties. On the road of people's progress, we must face up to the difficulties, bravely move forward, "do not be light and yin to plan to return"; the beautiful scenery ushered in in overcoming difficulties is more pleasing to the eye and endlessly enjoyable. It is precisely because the meaning of the poem is rich and profound, so this poem has a more leisurely charm than the same kind of mountaineering spring travel poems. (Excerpt from the Appreciation Dictionary of Tang Poetry)

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