In the infinite time loop, the adventure and daydreaming of the net text [The Paper's Ask Bar Podcast 19]

【Introduction to this issue】

I don't know when, online literary adaptations have continuously triggered phenomenal discussions, bringing some emerging concepts into the public eye every year. For example, the recently exploded online adaptation "Beginning" used the "time loop" creation motif, which became a pioneer in domestic film and television dramas; "Son-in-law" in 2021 and "Qing Yu Nian" in 2019 also made the male frequency network article successfully break the circle, and words such as "Goldfinger" and "赘婿文" attracted much attention. After more than 20 years of development, online literature, which was once only a "enclosure and self-germination" of grassroots writers, has now become a form that cannot be ignored in the field of Chinese literature, and has shown extremely considerable commercial value.

Born in the grass, to the year of weak crown, why does online literature have such a great charm? How is it affecting the cultural consumption habits of today's readers? How are male and female frequencies divided? From harem literature to concubine literature, how many rich genres are there in online literature? This issue of the surging question bar "Floating Enlightenment" podcast, invited Wang Yujie, assistant researcher of the China Academy of Arts and doctor of the Department of Chinese of Peking University, to talk about online literature and our times.

【Audio】Infinite time loop, the adventure of the net text and daydreaming

【Music of this issue】

开头结尾：For Another Day-Colors of Illusion

插 曲：Every Reason I Know-Bireli Snow

【Timeline】

02:43 How to define "online literature"?

18:26 Does literature have a gender? How to divide the male frequency and female frequency

24:50 The "Nu Zun Wen" is a reversal of the "Hegemonic Text"

28:02 The self-contained model of "Farming" is in line with the psychology of contemporary women

44:15 The free reading model has increased the number of middle-aged and elderly readers

50:00 Two "gamification" processes of online literature

56:10 "Parallel Worlds" and Borges's Garden of Bifurcation of the Trail