Do you prefer female characters in male dramas?
With the popularity of "Knife Line in the Snow", the market preference of male frequency group portrait dramas has been verified again. From "Langya List", "Qing Yu Nian", "Son-in-law" to "Snow In the Sword Line", the male frequency drama harvesting market is simply an unstoppable rhythm, creating one after another explosive dramas.
Male frequency originally referred to as "boys' channel", which means that the main audience here in the section of online novels is boys. But the success of today's male frequency drama is that it attracts a lot of female audiences.
"Big pattern, brotherly righteousness, no love, new stories, workplace success, you think I have other plays to watch?" The group portrait is plump, the power plot is many, the people are not uniform, and the male protagonist does not accept the harem. ”
Women also see the variety of female characters in male frequency plays.
The women in the male frequency drama are all women among women? Non also.
Huang Rong's delicate and smart, Zhao Min's petite and domineering, are the classic hostesses in the male frequency text, and the youthful spirit on them is also very sufficient, so that they will not be weak willow wind.
But the women of male frequency drama are often the ideal women in the eyes of boys, and Mu Qiang, who satisfies the male group, such as Ye Qingmei in "Qing Yu Nian".
Ye Qingmei was too powerful, because she had a concept of civilization and democracy that was ahead of all people, and both soldiers and princes followed her, and her language was carved on stone tablets to record. Ye Qingmei was not necessarily blind to the world, but everyone had a sense of admiration for her.
But if it is all Mu Qiang's heart, this story will become more and more like a big female protagonist, so the female protagonists in male frequency dramas still need to be "protected" to meet their desire for protection.
For example, Lin Wan'er in "Qing Yu Nian". In addition to your beautiful and lovely temperament, which is a princess, a kind heart but a sick bone, a beautiful and lovely disposition, but the voice of the heart is deplorable: "I dare not be close to people, because I am afraid that suddenly one day I will die of illness, and people will be sad and sad." ”
Fan Xian treated Lin Wan'er, and her smile increased, and they saved each other as a light in each other's lives. This love comes with a cause and effect, and it is really moving. Or like Jiang Ni in "The Sword In the Snow", a princess of a subjugated country descended from heaven, Xu Fengnian's "main line mission" was not opened.
However, no matter how self-reliant female characters are, in male frequency dramas, they are often suspected of being "tool people". Su Tan'er in "Son-in-law" is shrewd and capable, and with Ning Yi, she has become a "Xianneisuke".
The female group portraits in a good male frequency IP must be very rich, and they are often prestigious and different. They are powerful, and the male protagonist's sense of compatibility is also higher. However, they are very strong and have a real sense of truth about the male protagonist, but they will leave the stage to him alone.
Compared with the big female protagonist, the portrayal of female group portraits by male frequency dramas with good grades must not be bad.
In "Langya List", the lord of the Phoenix County, portrays a soul that is both strong and soft. She has the ability to defend her family and the country, but in the face of the haunting brother Lin Shu, she also gives up her children's love. The female lineup in "Celebrating the Rest of the Year" has its own layers.
On the other hand, the big female protagonist often goes to highlight the brilliance of the heroine, and secretly suppresses the excitement of the female group portrait, giving people the feeling of the stars arching the moon. As a result, the big female protagonist, which should have been aimed at the female audience, became a wonderful one, and the male frequency drama had a group portrait portrayal. But market tastes have changed, and screenwriters are slowly changing.
The brilliant Ti Lan in "Lady Huo Zhu" and the good Li Leyan in "Long Song Line" are the blessings of eating the group portrait portrayal. And this pair of works is a kind of perfection in itself.
Image source
Sina Weibo
﹀