The new program "Xi Di Wants to Talk" recorded by Xiao S back to Taiwan has been broadcast.
The first issue was full of scales.
Invited her ex-boyfriend Huang Ziling, who had turned against each other, in order to create a laughing fruit, she did not hesitate to poke herself the whole time.
The third issue invited Jia Jingwen to deliberately choose to record in a foot massage shop with a delicate atmosphere
Easy to force the peach gossip after the shadow.
Since "Kangxi", I have not seen such a happy little S for a long time.
However, most viewers did not pay.
The new program Douban 6.2, a few more than a thousand people rated, this reputation and popularity can be compared with the pile she hosted in the mainland.
It was clear that she was caught up in a dilemma
Tuck away the edges? Not funny. Do back to small S? Still not funny.
Is the audience's taste changed, or is the little S powerless?
As a long-time fan of "Kangxi Lai", I thought about it and suddenly found a fact that happened quietly:
#屎尿屁, it is not good for a long time #
Where did they all go?
It has been six years and five days since "Kangxi" was discontinued.
For this article, I deliberately spent some time looking up: what did the "Kangxi" variety artists who laughed at us in those years do later?
The answer to this question may explain the root cause of the little S dilemma.
The first, Chen Handian.
In 19 years, he appeared in the fifth season of "Glee Comedians".
This performance of imitating a Chihuahua soon gave him the first and only Weibo hot search with more than 100 million views.
Unfortunately, it is not a good thing
The comedians who come from the class offstage and the mainland audience who are not familiar with him in front of the screen cannot be amused by his performance of selling ugly treasures.
Instead, it is like witnessing some large-scale confused scene, not understanding, feeling embarrassed and bored.
But when we change the scene to 14 years of "Kangxi".
When Chen Handian performed the bullfighting dance, he was caught off guard by imitating a chihuahua and won a full house.
Chihuahua thus became one of his personal classic imitation shows.
Why are the laughs of the two performances so different?
Is it taiwanese variety show coffee that comes to the mainland to develop water and soil?
This question will be put aside for the time being, and we will look at Shen Yulin.
He seems to be luckier than Chen Handian, and as early as 18 years, he received an invitation to the fifth season of the domestic entertainment blockbuster variety show "Strange Story".
The debate is
Dad spends less than 12 hours a week with his child, should the title of "Dad" be removed?
Shen Yulin spoke as a square defense. As soon as he opens his mouth, you know that something is wrong... This "Scare King" was planning to talk nonsense again.
Sure enough, he went from playing cockroach nonsense to the child asking, "Daddy, does a cockroach have a father?" ”
Notice the expression on yousbin's expression in the back seat
Not a word cue question.
It is not so much to argue, but to simply be funny. This nonsense style of play is good in "Kangxi", but this is the territory of the debater, and it must be logical.
In the end, his encounter was even more mushy than Chen Handian's, and even the splash of the hot search was not aroused.
Follow the "South Yulin" to see the "North Xiping" Cao Xiping.
In the early years, these two people relied on their comparable ghost-pulling kung fu and were known as the "east evil and west poison" in the Taiwan comprehensive circle.
In a certain issue, Cao Xiping said that he wanted to complete the shape of Li Hongji, a Korean love bean.
Before he finished speaking, Shen Yulin next to him spat out three big words without any cover: Li Hongzhang?
Cao Xiping was angry and took Shen Yulin for nothing.
Shen Yulin has no bottom line, Cao Xiping is poisonous, but he still can't lose the idol baggage of his youth.
Just by watching these two old poisons hate each other, the audience can't laugh.
In 17 years, Cao Xiping came to the mainland to develop, and as soon as he appeared in the third season of "Mars Intelligence Bureau", he was crazy about the guests.
After killing Shen Yulin's "ugly eight monsters", he also intimidated Chen Weimin and Yang Di, and offended the men in the audience.
This practice was criticized by the mainland audience for being unqualified on the side of the Taiwanese who went out of the circle by madness.
In such a small place as Taiwan, the entertainment industry basically knows each other and can complain with peace of mind. But in the vast continent, many stars do not know each other.
An unfamiliar person came up and scolded, how to see how abrupt.
Then looking down, I also saw Xiao Tiantian, Zhao Zhengping, the bearer of the "Jingxing Hall", Kou Naixin and Huang Guolun of the "Kangxi" husband and wife file...
Xiao Tiantian still uses the "self-destruction" of "Kangxi" in internal entertainment
After the suspension of "Kangxi", they all marched into the mainland one by one.
But just like the situation of Xiao S and the above several people, not to mention the unfamiliar audience, even the old fans of "Kangxi" feel it
These variety show cafes who once made fun of us are no longer funny.
Why aren't they funny?
Cai Kangyong once described himself as the "air" of Kangxi.
Invisible and untouchable, but without "air", the show's "fireworks": little S and the guests, may not burn in the best shape.
I quite agree with that statement.
Unlike the particularly distinctive presence of Xiao S, it seems that Cai Kangyong is only responsible for being gentle and elegant on the side.
In fact, the rhythm and scale of the show are controlled by him.
While guiding Xiao S to "flirt" with the male guest, he pulled her back to a decent position in time when Xiao S was about to play.
For example, when she was ready to show Xie Tingfeng her breasts... (Of course she won't be real)
The two played back and forth to allow "Kangxi" to proceed to a comfortable beat.
Cai Kangyong's reading temperament and background also make this show full of entertainment gossip not vulgar to the end.
So here's the problem
"Kangxi" variety show coffee is no longer funny, the root is that there is no Cai Kangyong bottom?
If only four years ago, I might have been able to answer that way.
But since playing 18 years of playing the two people's variety show "Truth! When "Flowers and Flowers" was broadcast, this statement no longer holds.
For example, you will understand in seconds. The guest of the period is Lin Update, and Xiao S will inquire into the guest gossip as usual:
Have you ever chased your ex back?
This question is for male stars in internal entertainment... Well, the touch.
Therefore, what appears in front of the audience is a scene that is awkward enough to cut out the castle
The guest could not answer, and the moderator could not ask further questions.
The three people were stunned to play Tai Chi around the question of "Lin Xinxin is not red, is there any money", and the focus was perfunctory.
Changing to "Kangxi", Xiao S said "what bullshit" earlier to dismantle the other platform, and then directly dug out the guest's heart.
What about in this show? Also cue the audience to give the guests a round field, and awkwardly add flattering flower words in the later stage...
The scale cannot be opened, and the guests cannot afford to play. The bottom line is high and the pestle is there, what bottom does Cai Kangyong need?
Such a combination, not to mention the memory killing, is simply ruining the old dream of "Kangxi" fans.
New problems arise
The "Kangxi" variety artists are no longer funny, and the root cause is that the internal entertainment environment restricts their release?
Since the launch of Xiao S's new program "Xi Di Wants to Talk", this answer can no longer be established.
For example, it is like a location version of Kangxi without Cai Kangyong.
The producer is Chen Yanming, the B2 of Kangxi. Or that old recipe, there are ugly green leaf variety shows:
There is a small S who consistently disregards the image and has no mouth:
Jia Jingwen directly implemented the yellow policy in this issue, which is more liberating than the scale of "Kangxi".
But that's about it.
Not only is it not funny at the end, you may also frown
Except for being vulgar enough, it really has nothing left.
Who has changed?
Did the little S change? No, she didn't change at all.
Looking back now, why did "Kangxi" become famous as soon as it was broadcast, and later became a TV program that affected the entire Chinese pop culture?
Isn't it just because it dares to be lower than others?
In 2004, a group of female stars were still wrapped up very tightly, what did Little S host show wear?
Small suspender + miniskirt, if you are not careful, you will reveal a little bit of that.
At that time, the whole social atmosphere was still relatively conservative, and most of the programs only dared to chat in a serious way.
What about Kangxi?
Whether the guests are literati politicians, entertainment stars, or unknown celebrities, they all talk to people about the and.
Li Ao's prostate cancer had just finished surgery, and they talked to the master about sexual ability.
The phrase "can't look up again"... You say that the damage is not damaged
Fei Xiang came to promote the new album, and Cai Kangyong instigated Xiao S to cut people's chest hair.
What vulgar comes what.
However, the vulgarity at this time was a cultural symbol of that time.
These out-of-the-ordinary and farts were enough to make a splash in the conservative era at that time and set off a feminist boom.
This is the fundamental answer that Uncle Meat wants to say.
Why are the "Kangxi" variety artists no longer funny?
It's the times that have changed, but they haven't.
When did the change begin? About eight years ago, the internal entertainment came out with a "Strange Story". Not necessarily high-level fun, not necessarily more groundbreaking, but it is said
For the first time, the funny variety show that broke away from low-level fun became popular among the whole people.
At that time, Wang Weizhong, the producer of "Kangxi", had realized that the best time had passed.
In the next eight years, the tide of funny variety shows did not stop turning.
From the launch of "Happy Comedians" seven years ago, to the "Spit Conference" and "Talk Show Conference" and a number of funny variety shows with a higher viewing threshold than "Kangxi" have become popular one after another.
Then last year's "Drama New Life" and "Annual Comedy Competition" broke and went out of the circle.
The public has realized that fun can be a high-level mockery of the spirit, not a vulgar insult to taste.
It is the upper limit of talent, not the lower limit of character.
Did you find it?
The threshold for funny variety shows is getting higher and higher.
Audiences fed by the "feast" will no longer look at the instant noodle entertainment like "Kangxi".
Cai Kangyong has long been aware of the crisis. Before "Kangxi" stopped broadcasting, he once introspected himself in an interview:
If I were a man of courage
"Kangxi" should be stopped
At that time, "Kangxi" was already in jeopardy. All the stars who can be collected have been collected, and the topics that can be done have been done. Most of the time, it is supported by announcing artists and innocuous makeup and dressing topics.
Both of them couldn't hide their fatigue on the show.
The later "Kangxi" is no longer funny
The reason why we have entered the dead end of the mountain is actually the drawbacks buried at the beginning.
What to say? "Kangxi" made a homeopathic choice.
Think about the guests and topics of the year it started.
Li Ao, Chen Wenqian, Ma Yingjiu and other literati politicians;
Luo Dayou, Qi Yu, Jacky Cheung and other benchmark figures in the Chinese music scene.
It has also made unpopular topics such as corpse makeup artists and the legend of the Guoguang Gang into social hotspots.
Even if you talk about and, it may not take you to observe and learn how the following people have advanced self-deprecating abilities
It wasn't vulgar to the end, but it only lasted a year or two.
Later, it was found that the more vulgar and the higher the ratings, "Kangxi" began to transform. There are fewer pure character interviews, and noodle entertainment without nutrition occupies a large number of pages.
The main audience at the time wanted to see what they wanted to see, and they made whatever.
Over time, the independence of the program group was also swallowed up.
Since staying the same can bring high ratings, why bother to seek a new breakthrough?
They choose to follow the direction of the tide and win a short dividend from the trend.
The result?
The tide always has a turning day.
When the new tide rushed in, there were no people who turned the rudder in time.
Eventually it will be submerged by the tide.
Today's workers: section chief of the fake seal engraving center