Central Japan International 2022 Chinese New Year Auction - (1) Special Session 1 Kiln Treasure Collection; (2) Special Session 2 Ming and Qing Jia cui; (3) Special Session 3 Long Things · (4) Special Session 4 Bronze Mirror Liu Zhen · Beiyue Lou Zangyan; (5) Special Session 5 Yong En Gu Jing; Simultaneous Auction at Yi Auction. Yi Auction will be broadcast live online and provide real-time synchronous bidding technology and service support.
Auction time
Session 1 Collection of Kiln Treasures; Session 2 Ming and Qing Dynasties Jiacui; Session 3 Long Objects · Court jade
25 January 2022 (Tuesday)
Beijing time 10:00- (Tokyo time 11:00-)
Session 4 Fun · Bronze Mirror Liu Zhen · Beiyue Lou Zangyan; Special Session 5 Yong En Ju Jing
26 January 2022 (Wednesday)
Exhibits of selected lots
Session 2 Ming and Qing Dynasty
LOT2029 Early Ming Dynasty Longquan Blue Glazed Pomegranate Zun Size: H: 36cm D: 25cm
Total box, shrinking glaze on the edge of the mouth Bottle body has burst glaze, see Christie's Hong Kong Spring Auction 2017
The Ming Dynasty Longquan kiln is rich in large utensils, and the pomegranate zun can be described as its classic shape, which is named for its skimming, long neck, round belly, and shaped like a pomegranate fruit.
This piece is open, wide edge valgus, breast nails at the edge of the mouth, convex edges in the middle of the neck, round abdomen, and decorated with craft such as carving and engraving stickers. The circle foot is wide and thick, the fetal bone is thick, the instrument is thick and upright without losing grace and generosity, the whole body is applied with a turquoise glaze, the glaze water is rich and moist, and the ornamentation is exquisite and simple, which is a fine porcelain. Source: Kansai Private Collection
LOT2181 Qing Tongzhi ~ Guangxu No style official kiln Blue and white banana bamboo stone jade pot spring bottle
Size: H: 31cm D: 19cm total box, full product
This vessel has a long neck, a bulging lower abdomen, a circle foot, a white glaze throughout, a banana leaf pattern, a tangled branch pattern and a reishi cloud pattern on the neck, and a banana bamboo stone figure painted in blue and white on the abdomen. This lot type Zhou Zheng Junxiu, the shape of the line is smooth and beautiful, the glaze is smooth and lustrous, the blue and white hair color is thick and deep, the ornamentation is delicate, and the banana orchid bamboo is born between the strange stones, all of which are full of vitality and vitality. It has high artistic value and collection value. Source: Kansai Private Collection
LOT222 Qing Tongzhi Pink Blue Glaze Bagua Chun Type Bottle Size: H: 28cm D: 13cm
Common box, full product, model recognition
The Qun-style bottle is a classic vessel type of the Official Kiln of the Qing Dynasty, which has been fired since the Song Dynasty, and is a special vessel type that imitates the changes of Shang and Zhou Yuchun. Its outer wall has the difference between the plain surface and the pile of Bagua patterns, the decorative pattern of this lot is the latter, also known as the "Four Square Bagua Bottle", and its inner circle is round and outer, in order to resemble the heavenly circle place.
This piece of the lot has a round mouth, short neck, flat folded shoulders, square body, circle foot. The shape is dignified and thick, the carcass is thick, the abdomen is protruding on all four sides of the bagua pattern, the whole body is powdered and glazed, the color is condensed, the enamel is thick, the nature is elegant, quite official kiln style, and the bottom falls on the "Great Qing Tongzhi Year System" six-character double-line calligraphy. Source: Nagoya Private Collection
LOT2228 Early Ming Dynasty Longquan Kiln Green Magnetic Jade Kettle Spring Bottle Size: H: 31cm D: 15cm
Double box, kiln seal
This piece of jade pot spring bottle, skimming, straight neck, slippery shoulders, pear-shaped round abdomen, the bottom is circled feet, the feet are flattened out of the exposed tire. This bottle is full of shape, smooth curves and beautiful lines. The whole apparatus is glazed with green glaze, the tire quality is delicate, and the glaze color is lustrous as jade. Judging from the glaze texture and fetal bone characteristics, it is a Ming Dynasty Longquan kiln product. Its exquisite production, all-american appearance, preserved to this day, extremely precious.
The shape of the jade pot spring vase was fixed in the Northern Song Dynasty, which was a practical instrument for holding wine at that time, and gradually evolved into ornamental decorative porcelain, which is a typical instrument shape in the Chinese porcelain modeling. Compared with the previous generation, the jade pot spring bottle of the Ming Dynasty gradually became more fruitful, the neck was lengthened, and the center of gravity moved downward. At the beginning of the Ming Dynasty, the quality of Longquan celadon was still high, and the court sent people to Chuzhou many times to supervise the burning of Longquan celadon for use by the imperial family. Longquan celadon in this period, in addition to domestic use, but also a large number of exports, was one of the main export porcelain at that time, of which the jade pot spring bottle is a relatively large type of utensils. Source: Kansai Private Collection
Session 3 Long Things · Court jade
LOT3011 Qing Canglong Godson Emerald, White Jade with Hook Two Points
Total box, two, good
尺寸:H:12cm L:2.5.cm W:2.5cm
LOT3059 Qing Court Imperial Agarwood Jade Eighteen Sons Jewelry Handheld
Size: H: 1.5cm L: 27.5cm total box, full product
Eighteen sons, generally using eighteen round beads, the middle of the exquisite atmosphere of the mother beads, three links and falling feet composition, so also known as eighteen sons. Originally, it was a tool for chanting and counting in the hand, which is a kind of Buddha bead. Since the Qing Dynasty, due to the exquisite materials, colors and carvings, the bracelet has become a treasured thing for the literati to pray for blessings and treasures, and it is also a gift for each other.
This eighteen-piece is held by agarwood beads, jadeite beads, pearls and tourmaline pendant angles in series, the main bead is a fine agarwood, the beads are round, similar in size, there are two jadeite beads between them, and the lower beads are connected to the jade Buddha's head. The left and right sides of the Buddha's head are bolted with silk threads connecting the crystal back cloud and the horns, and its ornamentation is delicate and unique. This piece of handheld texture is deep and crystalline, moist and clear, the texture is thick, simple and elegant, exquisite and unworldly, rare. Source: Nagoya Private Collection
Session 4 Fun · Bronze Mirror Liu Zhen · Beiyue Lou Hidden Stone
LOT4024 Meiji period no-kuku-made Meiji Seiko Hollow floral pattern gilded gold and silver smoked balls
春:球體 H:22.5cm D:21cm
The common box model is well recognized
A hollowed-out silver lavender ball is a silver spherical lavender. In the center of the ball there is an incense bowl that burns incense, supported by two flat rings, which are installed so that the shaft through the bowl and the axis of the inner and outer rings are perpendicular to each other and intersect at one point. Under the action of the weight of the incense bowl itself, the lump body always remains in a horizontal state, no matter how the lavender ball is rolled, the incense will not be poured, and its principle of action is the same as the three-degree-of-freedom universal bracket of modern aviation gyroscopes. According to the "Xijing Miscellaneous Records", at the end of the Western Han Dynasty, Chang'an Qiaogong Ding slowly produced a "bedding incense burner", which was made of "set up a machine ring to be transferred around, and the furnace body was always flat, which could be placed on the futon", which showed that its structure was similar to that of the lavender ball.
This lot is a Meiji Seiko carved hollow peony flower pattern, the flower bud is silver gilded, very exquisite, has a high artistic value. Source: Shiga Private Collection
LOT4071 Qingqianlong Heaven and Earth Mahogany Cover Inlaid Jade Shanzi Picking Button Bronze Strange Bird Pattern Table Several Furnaces
尺寸:H:35cm L:32cm W:18cm
Good quality, with heaven and earth cover
LOT4114 Qingqianlong Gilded gold can eat empty line mother common box, full product
尺寸:H:13.5cm L:10.5cm W:10.5cm
The Mother of The Void Is actually the top of the Furnace of Guardians, roaring at the heavens, and it is said that this figure can devour all impurities and create a pure realm, thus blessing people. The empty mother wears a five-skull crown on her head, faces the sky on her back, opens her fangs, has three round eyes, has an exaggerated expression, and her muscle performance is realistic and vivid. There are S-shaped ribbons flowing between the ears, shoulder straps, a beautiful body, hands crossed in front of the chest, a bell in the left hand, a pestle in the right hand, and a squat with bent legs. Lower bearing round ascending lotus seat. The overall shape is vivid, well-made, the gilding process is fine, the gold water is brilliant, the pulp is thick and natural, and the offerings are good and worth collecting. Source: Kansai Private Collection
Session 5 Yong En Sutra
LOT5009 Tenpyo Era Yong-enshu Signature Kofukuji Eiongu Sutra Tenpyo Sutra
L: 773cm D: 25.2cm 8th century Japanese Balance Dynasty scriptures
The Three Tibetan Masters Xuanzang were summoned to translate the 1 axis of the Tibetan scriptures
synopsis:
This volume is a classic of the Ei eun Sutra of Kofuku-ji Temple in Kyoto, the 156th volume of the Great Prajnaparamita Sutra, with a complete beginning and end, and a length of 773 cm. At the end of the volume, there is a Zhu Pen inscription "Sentence Cut Yong En". Inside the volume, there are sand sentence readings, sound points, and Japanese pronunciations marked with ink pens. The whole volume of the book is rigorous and meticulous, the writer is familiar with the pen, the change is rich, the twists and turns are particularly flexible, and the knot is dignified and beautiful. According to the Japanese Tenpō Dynasty, it belongs to the era of Emperor Shengmu of the Nara period, which roughly coincides with the reign of Emperor Xuanzong of Tang. At that time, Japan was fully Tang-oriented, and efforts were made to learn from the Tang Dynasty of the same era of Chinese culture and political system, reaching the peak of culture. Therefore, this balance scripture presents the magnificent style of the era of advocating the tang dynasty, and is a fine work of writing the balance.
The so-called "Yong En Ju Sutra" refers to "the Collection of various Prajnaparamita Sutras written during the Tianping Period and the Early Heian Period to complete the collection of various Prajnaparamita Sutras." During the Zhenyong period, he circled all the six hundred volumes of the Great Prajnaparamita Sutra collected, including Zhu Sentence Cutting Point, Zhu Sheng Point, and Character Sound Ink Pen Famous Point. "There is a detailed catalogue of the Compendium of The Ancient Japanese Writings. Later generations referred to it as "Yong En Ju Jing" or "Yong En Jing". Unfortunately, at that time, the six hundred complete volumes of the "Great Prajnaparamita Sutra", due to the long age and the disaster of war, such complete ancient scriptures were not more than forty in the world today, and many of them were hidden in major museums, and the folk collection was very rare. The two volumes of the Nagato Sutra (522nd volume of the Ōpāra Rakyō Sutra and 514th volume of the Ōpāra Rakyō Sutra) currently in the Kyoto Museum are designated as important cultural properties in Japan.
Kofuku-ji Temple originated in the eighth year (669) of Emperor Tenchi during the Daiwa period of Japan, when Queen Fujiwara Kamakura established the Temple in The Yamashiro-sanji Village (present-day Higashino, Yamashina District, Kyoto) to house the statue of Shōroku Shakya. This is the temple's indiscriminate visit. In the first year of Emperor Tenmu's reign (672), the temple was moved to Yamato Takashi Gun's stables and renamed it Stablesan-ji Temple. In the third year of Washo (710), when the capital was moved to Heijo-kyo, Fujiwara Nobi and others relocated the temple site to the current place, and renamed it Kofuku-ji Temple. Since then, with the prosperity of the Fujiwara clan, it has become one of the seven major temples in Nandu, and it has become a central dojo for the teaching of Hokage and Kusha, and talents have emerged. During the Heian period, he was also in charge of the Kasuga Shrine, and his power was even greater, with a huge manor and monks. There are more than 100 pieces of national treasures and valuable cultural relics of important cultural properties in the temple. The Tibetan priest refers to the owner who manages the temple, see Ding Fubao's Great Dictionary of Buddhist Studies. The Zhenyong period refers to the Yongguan period (976-984) from Emperor Zhenyuan to Emperor Huashan in the late Heian Dynasty, which is equivalent to the early years of the Northern Song Dynasty in China. Source: Kansai Private Collection
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