preface
In the creation of poetry, we must pay attention to many poetry diseases. One of them is repetition.
For example, the up-and-down palm is a common repetition.
Cai Kuanfu's "Poetry" lists several famous works, which were more common during the Southern Dynasty period, and even famous sentences that have been passed down through the ages have not been avoided. It can be seen that learning from the ancients should not mud the ancients.
First, the cicada noise forest is more quiet, and the birdsong mountain is more quiet
Cai Kuanfu's "Poetry" Yun: "Poets between the Jin and Song Dynasties, although the language is beautiful, it is more or less than one intention in the upper and lower sentences." ”
Two of his poems are very famous: the cicadas are noisy and the mountains are more quiet. These two poems are from the "Into the Evil River Poem", written by the poet Wang Yuan of Southern Liang. Its poetry cloud:
The sternwheeling is extensive, and the empty water is leisurely.
Yin Xia was born far away, and the yang scenery flowed back one by one.
The cicadas are noisy, and the birdsong mountains are more quiet.
This place moves back to the memory, and the long-term sadness travels.
The poem was widely praised at the time, and was even evaluated as "unique outside the text", and legend has it that the poet Emperor Liang Jianwen Emperor Xiao Gang also often chanted it.
However, these two poems are often used as representatives of the palm in later commentaries. Because the upper and lower links are metaphors made to represent seclusion. The content and the way of expression are exactly the same, just the difference between cicadas and birds and mountains and forests.
Couplets are too neat and tidy, and it is often easy to suspect a palm.
Second, Xuanni mourned and was captured, and the west hunted and wept Kong Qiu
There is also Liu Kun's famous work, "Re-gift lu chen", there is also this disease:
..... Previously omitted
I have been in decline for a long time, why don't I dream of the week?
Who clouds the Festival of Sunda, knows the fate and does not worry.
Xuanni was sadly captured, and the west hunted KongQiu.
..... After omitted
Xuanni was sadly captured, and the west hunted KongQiu. Confucius was saddened to learn that Lu Guo had hunted the Qilin, and Confucius wept over it. Xuanni is Kong Qiu, which refers to Confucius. Xi Hunting refers to the matter of obtaining Lin.
These two poems, in fact, have the same meaning, and they both use the allusion of "Xi Hunt and Obtain Lin". And the same character's name is used in both sentences.
Third, although it is as good as it is, it is not as good as it is, and it is not as good as it is
Putting the same person's name in the opposite upper and lower links, the Southern Dynasty poets did not seem to think that they were sick, and used it quite a lot. For example, Xie Huilian's "Autumn Huai" poem reads:
There is no ambition in life, and there are few children who are worried.
How to take advantage of the painstaking heart, and restore the value of autumn Yan.
The sky and the moon are bright, and the Yiyi River is rotten.
Xiao Ser contained wind cicadas, and few clouds and geese.
The cold merchant moves the bride, and the lone lamp is ambiguous.
Gengsuke was worried and accumulated, and the exhibition turned around for a long night and a half.
It is difficult to hesitate to plan, and it is difficult to rely on the front of the precarious.
Although it is as good as it is, it is not as good as it is, and it is not as good as it is. ..... After omitted
Although it is as good as it is, it is not as good as it is, and it is not as good as it is. I like the same open-mindedness, but I don't agree with his arrogance. Sima Xiangru (c. 179 BC – 118 BC), courtesy name Changqing.
These two poems, similar to Liu Kun's two poems written by Confucius, both put the same person's name in the upper and lower sentences. The difference is that Liu Kun's two sentences are repetitive, while Xie Huilian's two sentences are not duplicated.
Fourth, the repetition of adjacent diptychs
Li Bai's poem "Gift to Meng Haoran" reads:
I love Mengfuzi, and the world hears of it.
The red face abandons the crown, and the white head lies in the pine cloud.
Drunken moon frequent saints, lost flowers do not matter.
The mountains are safe and admirable, and the qingfen is in vain.
The red face abandons xuan crown, and the white head lies in Songyun, which means that Meng Haoran refuses to be an official, and later writes: "Lost flowers are not a king." It is not uncommon to repeat.
Ming Xie Hazel's "Poetry of the Four Mings" mentions:
As for Taibai's poem "Gift to Haoran", the two meanings of the former cloud "red face abandoning the Xuan Crown" and the latter cloud "Lost Flowers Do Not Matter" are quite similar. Liu Wenfang's "Former Residence of linghu shangren" counts that both the cloud "floated for a few days to cry for the deceased" and the cloud "rain and flowers weeping and weeping together", which is the same disease as Taibai. Boom, out of control. The intention is heavy and the law cannot be followed; the two intentions are heavy, and the law cannot be followed.
In Liu Changqing's "The Former Residence of the Monk with the Title Of Lingyou", the lower link of the jaw and neck joint mentions that he wept for the undead:
Sighing and turning over sorrow has this body, and the zen room is lonely and dusty.
For a long time, the behavior is empty and autumn grass, and a few days are floating and crying for the deceased.
The wind and bamboo groaned into the chime, and the rain flowers were wiped with tears.
It is still under the window of the remnant scriptures, and I remember the inquiry in the mountains.
Conclusion
The repetition of the upper and lower links in a league is called the palm of the hand, which is a problem to be avoided when fighting. The repetition in one article is the problem of chapter scheduling. What was said earlier should not be repeated later.
In the "Poetry of Cai Kuanfu", it is said that this kind of problem began to disappear only after knowing Du Fu's pen:
At the beginning of the Tang Dynasty, the afterglow was still not dead, and the cultivation reached Du Zimei, and the beginning was complete.
@Old Street Taste
What is the will of the wind and man? In the creation of poetry, how to have the purpose of the wind and man?