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"Writer Shinkansen Essay" Wang Zhiying | to visit the "Three Officials Temple Drama Stage"

"Writer Shinkansen Essay" Wang Zhiying | to visit the "Three Officials Temple Drama Stage"

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Admire the "Three Officials Temple Stage" record

"Writer Shinkansen Essay" Wang Zhiying | to visit the "Three Officials Temple Drama Stage"

A few days ago, I and Comrade Lu Jianbo visited the stage of the Three Officials Temple of the Yuan Dynasty.

The Sanguan Temple Stage was built in the original Sanguan Temple on the east side of the North and South Avenues of Sanluli Village.

Sanguan Temple, sitting east and facing west, covers an area of more than 400 square meters, destroyed in the war, and no longer exists. Only the Yuan Dynasty opera stage still stands majestically in the original Sanguan Temple.

The stage of the Three Officials Temple, the date of construction is unknown. According to the fragmentary records, it was founded before the Yuan Dynasty and was a key cultural relics protection unit in Shanxi Province.

The front of the platform is supported by two wooden pillars and two buttressed ashlar columns, so that the overall building plan is convex, coordinated front and back, and integrated.

The entire building is three rooms wide and two deep. The front rest of the mountain, the back of the hard mountain. Under the eaves of the bucket bucket mouth jump. The front cornice is wooden and round, and the finches between the columns are interspersed, and the reliefs are carved with patterns such as cloud dragons, several cases, and treasure vases. Above the platform, the Mingjian shizhu stone plaster square, the secondary column stone round, carved plate dragon, between the columns flat carved tangled branches and floral patterns.

On each side of the platform, there is a relief of a dragon stone pillar embedded in the wall, which is particularly eye-catching, the golden scales of the dragon's body are rolling and claws are flying, and the dragon's eyes are sharp and majestic. Dragon heads, dragon tails, dragon claws, clouds, come to life.

Two square beams and stone pillars are engraved with a couplet: "The magic dance is dancing, the red sleeve shadow is fluttering green trees and moons; the song is gentle, and the purple whistle breaks the blue cloud sky." ”

Standing in the middle of the stage, looking up, you will be greeted by a simple algae well, and the lotus-shaped wooden pillar in the center of the algae well hangs steadily. Further up is the Beam Tablet, which records the time of repeated repairs. The beams were originally painted with intricate color decorations, the colors have long been weathered, and the lines outlined by the ink are still clear.

The beam structure of the stage is five beams with two columns for the eaves, and the five beams are supported by clouds and humps on the three beams; the center is a weeping lotus pillar bucket, which is connected to the four corners by the beams, and the two sides are carved with floral patterns, which reflect the surrounding paintings. Looking up, the painting beams are carved, and the weeping lotus seems to be sleeping, like a drunkard.

In the middle of the stage, there are still seven big characters written in red lacquer in traditional Chinese, "Singing for Socialism", and on the two stone pillars in front of the stage are written "Mao Zedong Thought follows the journey of thousands of miles, and revolutionary books are all over the motherland" Simplified couplet, although it is somewhat peeled off. However, the handwriting is still legible, which proves the two major uses of the stage during the Cultural Revolution and the distinct epochality.

The stage of the Three Officials Temple has been repaired many times. According to history, the fifteenth year of Ming Zhengde (1520), the twenty-seventh year of the Ming Wanli calendar (1599), the tenth year of Chongzhen (1637), the fifth year of Qing Kangxi (1666), and the twenty-second year of Daoguang (1842) have all been repaired, and there are still many confirmations:

First, it is recorded on the beam plate of the roof. The earliest restoration date is the fifteenth year of Ming Zhengde (1520 AD).

2. On the inside of the nanshan wall of the opera stage is a stele of the reconstruction of the Sanguan Temple in the 27th year of the Ming Wanli Calendar (1599). On the book: "... Nai is old, there is no entrance to the world, the main hall is ruined, and the wind and rain are damaged and leaked. There are elderly People in this village, such as Lü Dengyun, Dong Sigong, and Lü Jinxiao, who have compassion for their ruins, and who have the ambition to rebuild, and who have the same view as the people of the village. In the spring of the Wanli Calendar Year, each of them collected their assets and wealth, which is said to be a fortunate occasion. The day of peace, the time of the year. If we do not rebuild the work of the predecessors who created and built the temple, we will now damage our own things, thinking that the resources for repairing the temple are the standard of goodness in Ichigo. Bu Qi's measurement, counting the cost of his civil engineering and stones, and the rich and courteous people of the townspeople also lost their wealth and wished to increase their repairs, and the ancient temple was renewed, and it was enough to raise the admiration of the population..."

Third, there is a "Monument of Merit" outside the south gable, which was engraved in March of the eighteenth year of Jiajing (1539).

Fourth, the inscription of the three repairs to the Lelou (that is, the three official temple stages) in the Qing Dynasty is still there.

V. After liberation, the people's government paid more attention to the protection of cultural relics. On January 1, 1960, the People's Committee of Yuncheng County carved a stone stele of "Cultural Relics and Monuments Protection Marker" for the Sanguan Temple Stage: "The Three Officials Temple Theater Stage has three wide rooms and two deep rooms, which are Ming Dynasty architectures, excellent art, and are important cultural relics and monuments in our county and valuable materials for studying the history of the motherland." In recent years, under the attention of the local party, oil paintings have been carried out, and the ancient appearance has been restored, and protection needs to be strengthened. If construction is carried out within five meters of the stage, it must be approved by the county people's committee. "In April 1983, strong winds blew down the roof ridge of the stage, and the houses were cat-headed and dripping, and the yuncheng (now Salt Lake District) government allocated funds for repairs. In 2004, due to the disrepair of the SanguanMiao Opera Stage, the roof leaking, the cracks in the walls and other reasons, the Salt Lake District Government sought more than 400,000 yuan in funds, and the cultural relics department carried out comprehensive maintenance of its roof, roof, tiles, etc. in 2009, and the north wall was veneered to restore the old style of the ancient opera stage.

During the Cultural Revolution, the Sanguan Temple Theater Stage also made the site of the "Three Roads Library". At that time, the second half of the stage was divided into huts, where books were placed, and Mr. Wang Xiqing was responsible for managing them. During the period, the library was rated as an advanced unit of national rural library management, and Wang Xiqing was rated as a national outstanding rural librarian. It was not until 1984, after the completion of the new stage and cultural venue in Sanluli, that the library was moved from the Sanguan Temple Theatre to the new site.

SanguanMiao Opera Stage is a cultural landmark of Sanluli Village in Sanluli Town, it has a demeanor, a spirit, both classical style and modern enlightenment, in the final analysis, is an excellent place to teach and educate people, we must respect it, love it, praise it, inherit it!

"Writer Shinkansen Essay" Wang Zhiying | to visit the "Three Officials Temple Drama Stage"

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