In the backstage of the stage play "Love in the City", I visited wan qian late at night, the white tassel on the stage is a weak woman who is "good at bowing her head", and Wan Qian in life is a "big girl" who takes a big step. Tonight at 21:20 Jiangsu Satellite TV "Hello! "Big Girl" brilliantly presents the life story of mainland film and television actress and singer Wan Qian.
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Compared with Zhang Ailing's weak white tassel, Wan Qian in life is a stubborn modern woman with a stubborn personality and a fiery style, in the face of the role challenge of great contrast, how does Wan Qian balance two different personalities in one and interpret a white tassel of her own?
Wan Qian on the stage has a variety of styles, but she is heroic in "Sister Riding the Wind and Waves", Wan Qian recalls the variety show journey of "fire out of the circle", defining it as an experience of "adventure". When she is faced with being questioned because of her injury, how does she balance the trade-offs, face the expectations of herself and the expectations of others?
A "big girl" who rushes at work will also face the curse of "one pregnancy and three years of stupidity", how to solve the dilemma, how to use specific time to "stuck" the boundary between life and work, and because of what give up playing the heroine and prefer to play a supporting role, what are the interesting stories behind this about "balancing" multiple identities?
How does Ye Jintian, the general director of "Love in the City", view the white tassel played by Wan Qian? Why did he surprise me with his comments? More wonderful content about "big girl" Wan Qian, just tonight Jiangsu Satellite TV 21:20, Thursday Mango TV noon 12:00 "Hello! Big Girls"!
