"The Wind Rises in Luoyang" spreads traditional culture in modern ways and is more accepted by young people

A few days ago, the TV series "Wind Rises Luoyang" produced by iQIYI, Liubai Film and Television and Luoyang Cultural Protection Group was successfully concluded. On January 7, the symposium on the web drama "Wind Rises in Luoyang" sponsored by the China Television Arts Commission was held in Beijing.

Since its broadcast, "Wind Rises in Luoyang" has won high praise from the audience for its interlocking plot and real and meticulous setting. Dai Ying, senior vice president of iQIYI and chief producer of "Wind Rises Luoyang", revealed that during the creation of "Wind Rise Luoyang", it took a year and a half to create the script, and in this process, the entire screenwriting team led by Qingmei and Wu Cong completed 27 drafts. ”

The breathtaking scenes in the play also praised the audience. In particular, the distinctive Nanshi City is built by the main creative team covering an area of 14,000 square meters in Hengdian, and the bad well that impressed many audiences is a place built by the team in an indoor area of 4,500 square meters, just to show the audience a more realistic living environment at the bottom of society. At the seminar, Xu Kang, founder of Liubai Film and Television and chief producer of "The Wind Rises in Luoyang", recalled the creative process and felt a lot: "In the creative process, various departments have spent a lot of effort to create a luoyang city with a distinct sense of substitution and let everyone remember. ”

With the popularity of "Wind Rises Luoyang", the traditional culture of Luoyang presented in the play has attracted the attention of many viewers. Ma Boyong, the original author of "Wind Rises in Luoyang", believes that "China's long history has bred a profound culture in the ancient capital, and each ancient capital is a good IP and a good story." The screenwriter of the play, Qing Ming, also continues Ma Boyong's respect for traditional culture, and constantly injects the content of national self-confidence when creating, "Excellent cultural traditions, including the traditional spirit of benevolence, righteousness, and wisdom, have been polished in the revision of the script over and over again, making it more in line with the aesthetic and spiritual demands of young people today." ”

"Wind Rises in Luoyang" spreads traditional culture, but it cannot help but be stuck in tradition, and it is more modern in the expression method of character creation, attracting the audience with contemporary aesthetics, and then accepting the influence of traditional culture. Wang Yichuan, vice chairman of the China Literary and Art Critics Association and professor at the Research Center for Literature and Art studies at Beijing Normal University, believes that "the role of the play is different from the growing protagonists in the modern Chinese literary and art tradition in the past, but a governance protagonist who highlights his outstanding social governance talents." ”