Huai Su's brushwork has been imitated by later generations, and appreciating the calligraphy of the ancients has a common feature, especially a master like Huai Su, everyone can feel the charm of traditional pen and ink from their calligraphy.
The structure of traditional calligraphy, as well as the rules, are summarized from the calligraphy of these famous masters. So there is a reason why everyone thinks their calligraphy is good.
Compared with today's so-called calligraphy masters, the calligraphy of the ancients is beautiful, and the appreciation of the beauty of the knot is very prominent, let's take a look at the Tang Dynasty calligraphy master Huai Su's thousand-character cursive text.
Since it is a small grass script, it must be different from the traditional wild grass, how is the word "small" reflected? In Huai Su's pen, let's enjoy it together.
This work of Huai Su was treasured in the Taipei Museum, becoming the strongest representative of Cursive Calligraphy in the Tang Dynasty, and Huai Su's works are already very precious, plus it is a small grass that belongs to his representative works, which is the level of treasure.
The small grass with a fine taste of Huai vegetarian can be described as rare with one word and one gold, so as early as the Qing Dynasty, he had already called his thousand-character text a thousand gold thesis.
The whole post is written very laissez-faire, and the so-called laissez-faire is full of incomparable confidence, especially in the penmanship, which can be said to be very distinctive. This one thousand gold post can be said to be not crazy, and it is easy to retract. It is also okay to say that he is not impatient, and there is a certain rule to say that he is not impatient, and there is a certain rule to say in the penmanship.
This is also very rare, and its different tonal sense is highlighted between retraction and release. In addition, the sense of ease of this kind of grass is also jumping on the paper, why everyone thinks that Huaisu's grass thousand-character text is beautiful, because he does not have a snake-like pen and ink, but every word is reflected in the norm, and the font size is the same, which shows the binding force of Huaisu on the grass.
It seems that the brushwork is simple and casual, especially some pen and ink seem to be careless. But in fact, every stroke is in line with the law, shedding the feeling of madness and anger, and focusing on the plain and elegant atmosphere.
Fortunately, here, like this feeling of freedom of retraction, is not the height that ordinary calligraphers can reach.
In particular, the euphemistic and tortuous brushwork elevates the sense of artistic conception of Xiaocao. The penmanship is ancient and beautiful, such as a master of heavy metal rock, and occasionally comes to a small lyric. The brush and ink are pleasing to the eye and give people the feeling of a spring breeze.