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The 11th National Literary Congress held in December put forward a four-character direction for the ecology of literature and art: the beauty of mountains and rivers. What is the literary and artistic ecology of the mountains and rivers? In the fifth question of CCTV News's "Relativity: New Year's Question", reporter Zhuang Shengchun talked with Tian Qinxin, president of the National Theatre of China, Han Tongsheng, an "old drama bone", and Zhang Tong, the actor of Li Dazhao in "The Age of Awakening".
Zhang Tong: The blow of "traffic theory" to actors is devastating
Seventeen years ago, Zhang Tong became famous for the TV series "Bright Sword", and this year's "Awakening Age" "broke the circle", and people changed his title from "Wei Monk" to "Mr. Shouchang".
As an actor, "traffic" is both desirable and shackled. Zhang Tong said that there was a period of "traffic theory" in the literary and art circles, and for actors like them, the blow was devastating. "We're going to be unemployed because without 'traffic,' no one is going to use you." A friend advised Zhang Tong to buy "fans", but he did not agree.
Today, Zhang Tong feels the earth-shaking changes. The Eleventh National Literary Congress put forward requirements for practitioners of virtue and art, and also put forward requirements for future creative content and creative direction. "Now as long as it is a good work, even if there is no 'traffic' star, everyone will still like it."
Han Tongsheng: The life span of art is limited, and the input of bad works is equal to "folding life"
Because of the epidemic prevention and control, the previous actors could not participate, and 66-year-old Han Tongsheng appeared at the rehearsal scene of the National Drama Theatre's celebration drama - "Live Broadcast founding ceremony". He said that such an emergency rescue field is called "drilling pot" in the jargon.
However, even the "old drama bone" who has just won the title of "Glory Artist" of the National Drama Theatre, "Drill Pot" will be nervous. Memorization, rehearsals... Han Tongsheng's script is not out of hand. "I have to do my best, the old actors can't come up with a certain level, and they can't get past their faces."
"What does the title of 'old drama bone' mean to you?" The reporter asked.
"It means always reminding yourself that you deserve to be more vivid and vivid than a young actor." Han Tongsheng replied that this title is pressure, which brings a sense of urgency.
Han Tongsheng said that literary and art workers should not be opportunistic, and when picking a script, they must first pass the hurdle of their own, and they must consider whether this thing can be picked up and whether it is worth picking up. "The artistic life span is limited, and investing in a bad work is 'folding life' - the artistic life of the actor is damaged."
What kind of literature and art do the people need?
Tian Qinxin: It is necessary to embody the spirit of thinking and Chinese of Chinese
"The Great Journey", "China in the Story"... Tian Qinxin, president of the National Theatre of China, has created a number of main melody performances and works in succession, and she believes that the three words "main melody" should not be limited by herself. "The creation of the main theme of the work should start from the 'flat ground', what this person is like, what this story is like, what kind of scenery is naturally formed."
Regarding character building, Tian Qinxin talked about the two protagonists of "China in the Story". When reshaping Jiao Yulu, Tian Qinxin's first reaction was: very handsome, with personal charm. "He loves literature and art. There were two white turtleneck pullovers, always worn in a different way. I told the actors that they must show this side of their personal charm. Seeing Zhang Guimei's photo, she was surprised by the principal's thinness, and was even more moved by the principal's spirit of being as hardy as a plum blossom in his hard life, "with compassion and strong self-confidence."
Tian Qinxin said that he is full of respect for people with noble personalities, and when he creates dramas based on them, he will be moved every time. In the gradually formed clean literary and artistic air, the creators were able to lay down a lot of baggage and focus on expressing and portraying characters more purely.
What kind of literature and art do the people need? "As the president of the National Theatre of China, I feel that if I want to produce 'peak works', I can't always be on the plateau or even the plain." The peak work is to be professional, and the national team level of the 'national character' should be excellent. In Tian Qinxin's view, China's creation should reflect the thinking of Chinese, the spirit of Chinese, the composition of Chinese society, and The cultural thinking of China.
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▌Source of this article: CCTV News WeChat public account (ID: cctvnewscenter)