Fu Shan (1607-1684) was a Taoist thinker, calligrapher, and physician during the Ming and Qing dynasties. The original name was Dingchen, the word Qingzhu, changed to the word Qing lord, and there are aliases such as Zhenshan, Hun Weng, Shiren, etc., Han nationality, Taiyuan people, Shanxi. Fu Shan admired the learning of Lao Zhuang, especially the study of Zhuang Zhuang. Later, he joined Taoism, called himself a disciple of Lao Zhuang, and consciously inherited the ideological and cultural traditions of the Taoist school. His "Taoist Nature" of Lao Zhuang, ." Propositions such as "Rule by Doing Nothing", "Whether there is anything in the early TaiChu", and "Hidden without Concealment" have all been seriously studied and elaborated, and the traditional Taoist thought has been developed.
He was once a ming life. Ming died as a Taoist monk and lived in seclusion in the tumu to adopt his mother. Kangxi Zhong, who held up Hongbo, repeatedly resigned and could not be spared, and went to Beijing, saying that he was old and sick, and returned without trying. The classical wisdom of Zhuangzi has become the ideological resource drawn by Fu Shan, transcending the theory of knowing the heart through the ages. Fu Shan said to himself: "In the winter of The Fall of The Dragon, from Fenzhou to the Tutang, the luggage is only the "South China Classic", and it is always in sight." He wrote "Getaway", "The World on Earth", "Foreign Objects", and "Zeyang" in the book "Zhuangzi" in Yan Ti Xiaokai. And often regard himself as a disciple of Lao Zhuang.
Gu Yanwu was extremely obedient to his zhi festival. Yu Xue knew everything, in addition to history, he was also familiar with the pre-Qin sons, and he was also good at calligraphy and painting medicine. He is the author of "Frost Red Niche Collection" and so on. In some martial arts novels, Fu Shan is portrayed as a martial arts master. He was a well-known Taoist scholar who knew everything about philosophy, medicine, Neidan, Confucianism, Buddhism, poetry, calligraphy, painting, golden stones, martial arts, and evidence. He is considered a model figure for maintaining national integrity in the late Ming and early Qing dynasties. Together with Gu Yanwu, Huang Zongxi, Wang Fuzhi, Li Yong, and Yan Yuan, Fu Qing was called the "Sixth Master of the Early Qing Dynasty" by Liang Qichao. He is the author of "Fu Qing's Main Female Department" and "Fu Qing's Main Andrology", which were known as "medical saints" at that time.
Zoom in to see the subtlety of Fu Shan:
Fu Shan contributed to the theory of calligraphy art. The theory of "Four Nings and Four Noes" put forward by him is extremely incisive, and has universal significance and far-reaching influence on the entire artistic category. "Ning is clumsy, Ning is ugly, Ning is not slippery, ning zhen is not arranged", which is enough to affect the field of Chinese calligraphy. Shu Ning pursues ancient clumsiness rather than Huaqiao, and should pursue an artistic realm that is clumsy and implicit. It is better to write ugly or even rough-headed, than to have the attitude of pleasing people and enslaving people, and seeking inner beauty. Rather pursue loose jagged, cliff old trees, can not have frivolous and slippery, natural leisure fun, far better than the frivolity of character. Ning Xin is straight and straight, no need to worry, do not draw eyebrows and sideburns, decorate embellishments, and scratch your head.
The graphics and text originate from the Network, if there is infringement, please contact to delete!