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Fu Shan's Friend View: Old Zhusheng Poor Scholar Weak Woman...

▲Fu Mei 《Visiting Friends with the Piano》

Collection of Shanxi Museum

Fu Shan's Friend View: Old Zhusheng Poor Scholar Weak Woman...

▲ Fu Shan statue

Shanxi Daru Fushan,

A lifetime of travel and governance is very wide,

The content of the text,

Covering culture, art, history, religious philosophy,

Genres dabbling in poetry and songs to ende opera articles,

Both informative and eclectic.

However, in many literatures,

He was happy to socialize with ordinary literati,

The habits of "good for people" and "good for people to pass on" are quite different,

Not from the heart,

Rarely preached, wrote, or wrote poetry for others.

But for ordinary monks and laypeople,

But he never hesitated to write and ink,

He once wrote "The Biography of the Wine Monk Fang Yi"

"The Biography of the Hat Flower Cook", "The Biography of Gou Haozi",

He also wrote a biography for the old students Liang Tan and the poor scholar Ren Fuheng,

For Liang Tanzhi's house, he composed "Yanchao Qinfu",

Fourteen poems for the weak woman Xiuyun.

Interestingly,

Put Liang Tan, Ren Fuheng, Xiuyun together to see,

It's not hard to find common ground –

They are all related to the guqin,

It can be described as the third "piano person".

From the biography, endowment and lianzhu poems written by these three "lyre people",

You can peek into one of Fu Shan's thoughts.

Fu Shan's Friend View: Old Zhusheng Poor Scholar Weak Woman...

▲ Fu Shan,"The Urn Spring Is Difficult to Grow Old" of "Six Openings of Landscape and Water"

Coloring album on silk

36.5cm×37cm

Collection of the Palace Museum

1

Liang Tan accompanied by "Gushu Qintong"

In the "Biography of the Three Gentlemen of Taiyuan", Fu Shan wrote: "The old liang tan of Taiyuan ... Wise people have never had it. Work, Chinese New Year's Eve. Before and after the exquisite model of the ancient landscape, characters, flowers and birds, insects and fish, everything is subtle. Not only disdainful of fine music, blindly capitalizing the meaning, but also being blamed by others, there are very few proud paintings. The word is unqualified, and the lonely and clean is beautiful, and the path is self-marked, and it must be tacky. The family is also poor, the old residence nanguan, the small house is near the water, the number 'lu que zhai', the ancient book qintong, the duyu song also. ”

Fu Shan's Friend View: Old Zhusheng Poor Scholar Weak Woman...

▲Fu Shan,"The Biography of the Three Gentlemen of Taiyuan" (partial)

Fu Shan interacted with his Hui friend Liang Tan for a long time, and "always visited him with a lot of trouble." Its house, Lu Que Zhai is located by the LuLu Creek, "green and faint, reflecting the elimination of the door". On the wall of the house, there is a green paper and mud painting "Heaven Map" and a "fruit tree" of the branches and leaves of the Sect of Religion, and the law uses xiao Li, and the palace is layered. On the violin, there are swallows nesting scorched tails. Fu Shan Qizhi remembered it for the "Yanchao Qin".

For Liang Tan's transmission and endowment, of course, it is not only because of its "work affairs", "no tacky", "ancient books and pianos, solo songs", so simple, but also because of its "thirty-forty rooms, back to the essence of his teachings, repenting day and night, do not dare to escape." The mountain and the same stay for three or five nights, lying on the mountain in a bed, and sitting on the ground. The mountain listened, did not sleep all night, and always scolded and sighed, such as Mr. Reprimand the young scholar. The mountain smells it, and it respects and thinks deeply, such as hearing the morning bell, but knowing the purity of its teachings, it is not heretical. Seventy years now, and to follow his teachings is not to be said to be a benevolent one! ”

▲Liang Tan "Gift fu shan shan shui"

Silk 79.5×32.8cm Collection of Shanxi Museum

In fact, in addition to Liang Tan, Fu Shan had a closer relationship with another Muslim friend, Wen Xuanxi, and his "With Xuan Xi Ti" said: "Congratulations on the seventieth birthday of Old Brother Xi Dao." Brother Fu Shan Bai. Not a ceremony, another single sound. Shu Fan Shou Wen Xuan Xi Yun: "And drink eighty wines, to ninety, and I have ninety words." "The duo gave each other calligraphy and painting, poetry and singing for decades.

Not only that, but he also discussed Catholicism with his friend Li Zhongfu and recorded it in his "Sutra of Inspiration". Liu wrote in the afterword of the "Zi Jing of Inspiration": "This Taiyuan Li Zhongfu Fengshi was sick with his wife, prayed to the Master, Healed, Zi Jing, and Mr. Shuzhi was so... The implementation of the Three Religions with the Qing Lord and Zhongsu is called the Three Hiddens of Jinzhong", which fully reflects Fu Shan's view of religious equality.

▲ Liang Tan gave Dai Tingyu landscape water

Silk 31×29cm, Collection of Shanxi Museum

This work was also appreciated by Fu Shan,

Framed a frame of Fu Shan's inscription.

2

Ren Fuheng, who is good at "iron pen piano exercises"

Ren Fuheng, Qianlong, Guangxu "Pingding Zhou Zhi" character · Fang Ji " all have records," Ren Fuheng, Zi Yuanzhong, No. No. Poor family, work calligraphy, prepare four bodies, proficient in iron pen, especially rich piano exercises. At that time, a certain military gate of the Nine Provinces was stationed at Baijingyi, and when he heard the sound of the piano, he entered the museum and ordered the waiter to wrap his feet in cotton, and even the night was opposite. Gong wei caress a few outside, Huang Zhong Daya, striking the knot sigh. After the battle, the military gate died on the side, and the public valued the voice, and wept for thousands of miles. Commentators think that today's Bo Yayun. ”

Jia Shen Dingge, Fu Shan was ordained in Wufeng Mountain, Shouyang, lived in Pingding for many years, traveled between Shouyang, Pingding, and Lu counties, engaged in anti-Qing activities, and was close friends with Pingding Bai Pregnant Cai, Zhang Xiuji, Dou Xuezhou, etc. Fu Shan was rarely passed on to others, Yan Zhang Xiu's residence was known as "Poetry Tao" and "Pass Shrine", and Dou Xue zhou Shuzhai was only "Drunken White Hall Record", but for Ren Fuheng, he spared no words, especially for the biography, which was published in the "Xianru Waiji".

Ren Fuheng is a poor but "do not change his pleasure" student, the so-called "poor board". Fu Shan said very clearly in the postscript of "Baba from the Stone Birth Sequence", "The three words 'poor board' have not been heard before, but the first heard of the baby." Fine, poor and not copper smelly, the board also has a cheap corner, not stubborn and no one can compare, but also odd number. Still want to write the three words of the big book 'Poor Banxuan', Yan Shisheng returned to the residence of Qin, how? Fu Mei expressed his opinion directly, "Oh! The poor man is free of his bones, and he who loves it is the woman and woman. The woman knows that the poor board shows talent, and it is out of the wind and dust. Who is not a man without eyebrows, and the love of one of the knowledge of a period of public opinion, or the anti-wind dust under the woman, why not? Please attach the words to the Danya Weng pamphlet, please ask the poor board, please question the poor board show talent. ”

An example of the diametrically opposed to the biography of Ren Fuheng, the "poor board", is recorded in Wang Youpu's "Miscellaneous Miscellaneous Poetry Halls", "Ran Yu is in Jinwen, and Fu's misfortune is due to Jin Fu (losing his name), in order to seek the order of the mother's life, Fu cannot." Personally, Fu Yan entered and spoke with him, and felt that it was too vulgar. Spiral up and down, long time out. If a certain official investigates it, Fu Yu will come out from behind and undress in the forest. Angry, go straight. The service is in the flying language. "In the text, He is the Manchu Kurkha who served as an envoy to Shanxi from June of the eighteenth year of Kangxi (1679) to October of the twenty-fourth year (1685). Fu Shan proudly refused to allow it for his mother's life order, but for Ren Fuheng, and even ordinary monks and laypeople such as Fang Yi, Li Dayuan, and Gou Haozi, Fu Shan spared no effort to write and ink, and his temperament and temperament suddenly emerged.

As for Fu Mei's statement that "women and women know and love poor board talents", they were verified in Fu Shan's poems for Xiuyun.

▲ Fu Shan Tianquan Wubaitu

Pen-on-paper axis

119.1cm×横59cm

Collection of Jinci Museum

3

Xiuyun, known as the "unity of man and man"

Xiuyun, Qing Daoguang's "Yangqu County Chronicle" volume 16 "Zhiyu" recorded: "Xiuyun, Jinfu Music Changye, shengrong guan for a while, good at painting lan, concurrently working Xiao kai, caoqin, "Han Palace Autumn" called absolutely outstanding, and can also play the pipa "Pu Qiao Mantra", and the piano into the transformation. Literati bachelors and you, the word is called 'Ming Xia'. The pawn was despised by the light and thin son, poured out his heart, knew for a long time that he had also borne himself, died of depression, and drowned in the age. ”

Lord Fu Qing heard this and took pity on him, summoned monks and nuns to guide the suburbs, and buried them with the known poets for generations and the wine of the drunkard. There are fourteen poems of the Beads. One of the clouds: the soul of the fang comes to life from the immortal tour, and the horse Zhangtai is full of sorrow. The rain and the breeze are clear and the night is eternal, and the poor song "Han Palace Autumn". The second cloud: "Han Palace Autumn" is a guqin script, and several zhiyin sit on it. Flowing water does not meet the Zhong Zi generation, when who knows Zhuo Wenjun. Its Eight Clouds: Small building dust dark window screen, no building head interpretation flower. 碁冷文楸 incense cold seal, shaped head across the old pipa. Its nine clouds: the pipa is suppressed, and Sima Jiangtou has zero tears. The boss only teaches the bones to be there, why should it be pink and green. "

Fu Shan's interaction with Xiuyun is not recorded, but Xiuyun died of depression, and Fu Shan personally summoned monks and nuns and poets to bury him, and he wrote fourteen poems with heavy ink and color. In addition, in Fu Shan's other texts, Xiuyun is mentioned more than once. In "The Order of The Baba from the Stone", in addition to praising the babbler, there are also lists the Xieyun, Cuiyu, weak Juan, etc., and compared with Yan Yu and Mao Xixi. "Xiuyun died of depression because he was not his own; Cuiyuan was rich from The West River, and there was no difference in Slaughtering Gu'er; weak Juan was born from Yuan Sheng, and he could not end his alliance, making the narrow evil teeth cold."

▲Bo Wei HongYe Fu Shan

"Bowei Red Leaves" is one of the eight ancient scenery of Taiyuan

Not only that, in Fu Shan's miscellaneous drama "Red Luo Mirror", weak Juan was directly implanted from Yuan Sheng and Xiu Yun, writing the story of a prostitute Weak Juan who fell in love with Lu Long, nephew of the Jin Dynasty, and escaped from The Fuller Temple with the Diamond Flower Mirror wrapped in Red Luo. And the ghost of the weak Juan rescued in the play is the name Xiuyun, "Xiuyun, the wind and currents, the name of Pingkang, the conceit of life, the handsome eyes of the heroes, asking for a good match, free from the old dead wind and dust." Who expected this, it is not done recklessly. Depression became a disease, thirty and died. The ghost does not disperse, the long night floats, and it is not miserable to people. "Only the ghost perched in the middle of the night, and saw some leaves fall under the Zen." Think of the beginning, the moon under the heart, the flower before the chess game, that is not a moving place also. Up to now, "Han Palace Autumn" is absolutely loud, the Jade Bureau is suffering, and the human world is still explaining Xia. Compared with these words, Xiuyun is Xiuyun, and Mingxia is naturally Mingxia, whether it is fourteen Lianzhu poems or the miscellaneous drama "Red Luo Mirror", Xiuyun has become a character in Fu Shan's pen.

Later, Jiang Wanli traveled to Sanyuan, expressed the humor of the ancients, and composed a poem hanging Xiuyun Yue: "Kuangdai qingong said Xiuyun, And Lady Wei was the predecessor. Zhiyin Qing Lord is more homophonic, not counting the Small Tomb of Qiantang Su. "The small characters of the church are bright and bright, and I am sorry for the flowers of the year." A song "Guangling" became a masterpiece, and the four-string autumn cold proved pipa. "Hengfen Song is difficult to flow, and the three Jin Yun Mountains are looking forward to the harvest." The Ming Society has been scattered, and the desolate three-character "Han Palace Autumn". ”

In fact, Fu Shan was never confused by worldly prejudices, as can be seen from his interactions with Ningxiang Xiucai Wang Huan and his wife Yan Guo'an. As a xiucai, Wang Huan dared to marry Yan Guo'an, a dusty woman who wanted to be shaved as a nun, as a close friend, Fu Shan did not shy away from Yan Gu'an's former status as a prostitute, composing five five-word rhythm poems for Yan Guo'an, "Wu Yu Says Lonely Nunnery Sutra, Substitute for This Beautiful Body", composing a five-word poem for Yan Gu'an,"Jieshi Mountain House for Lonely Jia Shi Bei" (that is, "After the Liberation of the Lonely Nunnery Over the Wu Yu Jie Stone Mountain House Inscription Wall"), and inscribed on the Jieshi Mountain House, the perspective between the lines is Fu Shan's challenge to the worldly concept.

Fu Shan wrote biographies, endowments, and poems for the above three "qinren", although each has its own meaning and different footholds, but its entry point cannot avoid a "qin" word, and the qin has always been regarded as a symbol of elegance and tranquility in the hearts of the scholars. Having said that, although "Fu Shan Caoqin" has not been seen in the existing literature, the "Gentleman's Near Qinse", the guqin that condenses traditional Chinese culture, is loved by Fu Shan and should be in reason.

At the end of the article, let us enjoy Fu Shan's "Yanchao Qinfu" again:

Yi Yu read the "History of the South" Ma Shuzhi's biography: There are double yan Xi Tingqi, when there are several cases, and the letter gaoshi is inorganic. Feeling the hardships of benevolence, nourishing all things with doubt. It is not said that the dehui is far away, in the clear stream of the reed. There is the hanging wall of the lone piano, and the birds come to sip mud. Believe in the broad theory of life, birds mo wisdom in emus. Fu Yun is not the building of dust, and the wall of Fu Yunhui. Fear that the master will not believe it, and will laugh in the hall. It is a return to the xiang and then set, see the Yi people Xi Shui Fang. He is a mountain with flowing water, and I have forgotten its phoenix and the gulls. Hacha pond is a metaphor for the Hongyi of Gao Gradual, and the sound is up and down and the stringsless palace merchant. Sui Bu lived at the tail of Jiao Tong, and Yi Chang thanked Wen Xing's beam. Woohoo! Erqile Liangsheng's poverty? Liang Sheng was poor and had no food to feed. Or do you love Liang Sheng's Innocence? He was cold and unclothed. Erqi takes the long rhyme of Liang Sheng? Only in the Luzhu water Meiyue night dragon chanted a drum of the variety of langs. Ernai moved his home to the top, so that Mr. Jin Yu and his voice were silent, and the disciple Sang tended to raise the emperor. However, many people ignored it and flew alone. Its shu almost! Liang Sheng Zhongya's generation is enough to comfort those who know Xi in the lonely hometown. Er can not be cool for the world, every autumn goes and spring comes. I also ask you to make a covenant with your master, and finally change your mind and change your mind.

Burn incense and recite the strange text, and the sound of the piano is in the ear. Time and space seem to travel through, next to the Lulu Zhai, Baijing Inn, or in the Jin Dynasty Palace, swallow warblers, Luxi babbling, Songtao gusts, flowing water high mountains, the player is not Liang Tan, Yuan Zhong, Xiuyun, but fu shan of the Dao bone immortal wind.

▲Drawing a duck in the rain Fu Shan

Wenbo Shanxi Fushan album

Wen | Hao Zhenming Hao Yuecai

Originally published in the 15th edition of Shanxi Evening News on April 7, 2022

Original Title| Old Zhusheng Poor Scholar Weak Woman - Fu Shan's Three "QinRen"

The title of this article is added by the editor

Figure | Shanxi Museum Network

The copyright of graphics and texts belongs to the original author or institution

Edited | Shanxi Evening News All-Media Editor Nanlijiang

Audit | Fang Tianji

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