Perhaps, life is a combination of regrets after regrets. In fact, we have been living in a time and space full of regret, but we cannot know ourselves because of our limited ability. All life experiences, in the end, are like an old film, being played over and over again. Every new day we thought was an endless repetition.
We are all just dragon sets, all passers-by, coming and going in a hurry, suddenly appearing, checking no one, no trace. Indeed, as the verse says: "The leaves are still missing, and the flowers are few and not flowing." "It's just a leaking shadow, and it's also a remnant of a flower that hasn't flowed." Hua Feihua was full of flowers, but in a hurry, he changed another person.
"Send Liu Sanyuan to give Chen Siwang Shishan Tree Lush Cang"
[Tang] Xu Jingzong
The trees are in danger, and the greenery surrounds the gang.
The leaves are still missing, and the flowers are few and not fragrant.
The wind came to smell the solemnity, and the fog saw the sky.
This is no different from the river beam.
The full name of this poem is very long, which probably means that when the poet sends people, everyone must write a poem, and the author gets a poem of the ancients, "The mountains and trees are lush and green", and wants to write a poem with a similar mood according to the meaning of this sentence. This King of Chen Si refers to Cao Zhi during the Three Kingdoms period, who was given the title of King of Chen during his lifetime and his posthumous title of "Si".
The author Xu Jingzong, this person's character is not good, moral corruption, but Li Shimin loved his talent before his death, although he has repeatedly risen and fallen, he has not fallen. Later, after speculating on Wu Zetian, he eventually slowly corrupted the entire Li Family Dynasty, and he himself began and ended well. The unexpected result of this result is really a complete slap in the face of "good people have good rewards".
The first link "Arbor Supports Danger, Accumulation of Green Around the Gang", trees, tall trees; see "Poetry ZhouNan Hanguang": "There are trees in the south, and it is impossible to think." "Dangerous, steep mountain peaks; such as Luo Yin's "Houtu Temple" poem: "One belt of good clouds invades the sideburns, and two layers of dangerous eyebrows are green." "Ji Cui, the overlapping green colors, describes the lush vegetation; see "Wenxuan Yan Yanzhi's "Ying Zhao Guan Bei Hu Tian Collect Poems": "Saving su is both sen and kind, and Ji Cui is also lush. "Liangang" is also known as "Liangang", a continuous mountain gang; such as Fan Chengda's poem "Xia Zhou Zhi Xi Ting": "Cliff lying in the mouth of the water, Lian Gang hugging the city tower."
In the beginning, the poet made a big fuss around the word "yu" of the "mountain tree" in the ancient verse. All you can see in front of you is the scenery in the poem, on the steep peaks, there are tall trees growing, and the green is as thick as the oil paint that cannot be erased, as if the ribbon is wrapped around the continuous hills. Here, a "to" word is very strange, in fact, the danger of the cliff sets off the trees more and more vigorously; and the rational use of the word "around" makes the turquoise tree color precipitate as the only one that envelops the mountain.
The jaw link "leaves are sparse and missing, and the flowers are few and not flowing", flowing fang, emitting aroma, such as Wang Anshi's "New Flowers" poem: "Draw water to put new flowers, comfort to flow fang." "Because of the sparseness of the leaves, the sunlight can penetrate the shield, form a mottled shadow, and fall in the middle of the woods; and it is precisely because of the lack of mountain flowers that walking between the thick forests can not smell the fragrance emitted by the flowers."
At this point, the poet began to describe various natural phenomena between trees with delicate brushstrokes, once again highlighting the deep meaning of the so-called "lush and green", continuous and endless. In the poet's heart, neither the trance shadow formed by the sparseness of the leaves, nor the lack of fragrance caused by the scarcity of mountain flowers, cannot change the fact that "the greenery surrounds the gang" written earlier. The poet's eyes are still on the melancholy of the tree.
Neck link "the wind comes to smell the solemnity, the fog strikes to see the cang", the solemnity, the sound of the elephant words, the vibration of the bird feathers and insect wings; see "Poetry · Xiaoya Hongyan": "The wild goose is flying, and the feathers are suppressed." "Cang cang, the original meaning of dark blue, here when referring to the heavens, see "Zhuangzi Getaway": "The heavens of the heavens, its right and evil." "When the wind blows, you can hear the sound of solemnity; when the thick fog dissipates, you can see the deep blue sky."
The poet wrote about what he had witnessed first, and then turned his pen and ink to extend to the depths of his thoughts, and began to give full play to his imagination to construct more reasonable and beautiful pictures. Here, perhaps the "wind coming" and "fog strike" are timely, and the sound of "solemnity" and the heavenly space of "cang" are all based on the time of skimming through the mountains and forests, after blowing away the thick fog, in essence, they still inherit the various depictions of reality carried out by the "mountains and forests and lush cangs" in the title.
Tail Link", "This middle of the line, not different from the upper river beam", Rao Xing, set up wine to send off; such as Yang Jiong's "Sending and Merging Zhou Min Shangren Poetry Preface": "Jishan Fa zhong, walking on the shore of Su Xun; Linge Liangpeng, ancestors sent outside the Qingmen." See Poems OfFirst, Xiaoya Xiaowan: "I am Ri Simai, and Yue Si Zheng." In the Han Dynasty Li Ling's poem "With Su Wu", it is written: "Hand in hand on the river beam, the wanderer Twilight He Zhi ... Pedestrians are difficult to stay for a long time, and each word Sauvignon Blanc. Later generations therefore borrowed "river beam" to refer to the place of farewell.
Perhaps, under this scene, the poet suddenly thought of the story of Li Ling and Su Wu in the Han Dynasty, and the friendship between the two people. Therefore, I sighed: setting up wine here to send friends away is no different from the friendship of "River Liang" in that year. Of course, this is just an extension of the speculation. In fact, quoting allusions similar to those related to the Han Dynasty was a favorite thing for Tang poets to do. After all, moving forward is the best validation material.
For Xu Jingzong, who is good at drilling the camp officialdom, talent should be his ladder to climb upwards, and it is true. Throughout his entire poetry, most of them are consecrated and called, and only a few come from the ushers, or singing miscellaneous objects. Surrounded by vulgar things, how can beautiful music be produced? Unless he has the resolute will to give up his bondage, and for Xu Jingzong, he just lacks such qualities.
In fact, this is also the case, through Xu Jingzong's poetry, we can see his literary talent, but unfortunately, in the end, it is still drowned in the red dust world. He lived in the human world, chose to bow to the world, compromised himself, and left behind anecdotes and trivia, which were commented on by later generations. However, those that should have been flashing or shining, but finally had no choice but to extinguish, in the end there are some regrets.
(Picture from the Internet, invasion and deletion)