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Pu Cunxin, Li Ting, Wang Xiaoying and other domestic and foreign theater giants "dialogue" online to discuss the future of drama

Pu Cunxin, Li Ting, Wang Xiaoying and other domestic and foreign theater giants "dialogue" online to discuss the future of drama

Li Ting

Cover news reporter Xun Chao

On December 19th, during the Daliangshan International Drama Festival, the keynote speech of "Daliangshan Dialogue World Drama - Dramatists Chatting in Natural Ecology" was held in Xichang, and at the scene, Pu Cunxin, Li Ting, Wang Xiaoying, Li Bonan, Zhao Miao and other initiators of the drama festival, through the Network Connection, conducted online discussions with dramatists from the United States, South Korea, Australia, France, Romania, the United Kingdom and other places around the themes of "The Role of Theater in Cities", "Drama and Cities", "Audiences and Futures in Drama and Development", etc.

Pu Cunxin, Li Ting, Wang Xiaoying and other domestic and foreign theater giants "dialogue" online to discuss the future of drama

Pu Cunxin

The "dialogue" of the day was hosted by the famous performance artist Pu Cunxin, Li Mai, director of The Broadway Theater outside New York, Li Mai, artistic director of the IWC Theater Studio, Park Jong-kuan, chairman of the Korean Culture and Arts Committee, the head of the Filican Theatre in Melbourne, Australia, the on-site artist, director and writer Moira Finucen, the general manager of the Avignon OFF Theatre Foundation in France, Nick Sen Pitaka, the artistic director of the Odeon Theatre in Romania, Tamara Susoy, the famous screenwriter of Edinburgh. David Gregor, artistic director of the Royal Lyceum Theatre of Scotland, delivered keynote speeches to share their views on theatre.

Pu Cunxin, Li Ting, Wang Xiaoying and other domestic and foreign theater giants "dialogue" online to discuss the future of drama

David Gregor, a famous screenwriter in Edinburgh and artistic director of the Royal Lyceum Theatre in Scotland, said: "In modern society, small screens provide us with a huge amount of information, and it is difficult for people to choose, especially in cities as a rapid economic development zone, people's speed of receiving information has been forced to increase, and people-centered thinking is particularly important. Drama as a tool gives people the opportunity to extract emotions, and the audience enjoys the story from the perspective of others by watching the performance. Immersing yourself in a theatrical production is a very real experience, and modern theater provides such an experience for the audience. Especially during the pandemic, we need the power of drama even more. ”

Pu Cunxin, Li Ting, Wang Xiaoying and other domestic and foreign theater giants "dialogue" online to discuss the future of drama

On the sidelines of the meeting, Hu Xuehua, director and doctoral supervisor of Shanghai Jiao Tong University, Wu Xiaojiang, first-class director of the National Theatre of China and master's and doctoral supervisor of the Central Academy of Drama, Jiang Tonglin, executive vice president of the China Dramatic Literature Society, drama critic, screenwriter and director, and Fu Weibo, director of the Small Theater Professional Committee of the China Performance Industry Association and theater management scientist, also exchanged their views on the scene.

Pu Cunxin, Li Ting, Wang Xiaoying and other domestic and foreign theater giants "dialogue" online to discuss the future of drama

Hu Xuehua believes that "going to Daliangshan to hold such an international theater festival is a demand that conforms to the development of the times. Xichang is a satellite launch base, and I believe that our theater festival will also launch a very dazzling satellite that will cause a wide impact around the world. Wu Xiaojiang said, "There is a shared relationship between drama and man and nature. Sharing is sharing in space, emotion and life. However, after the epidemic, we must not only maintain our own creative ability, but also fully express our responsibility to society, the living environment and our attitude to life under the epidemic. ”

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