The dream is also silent: the "Zhuang" of "Sorrow and Indignation Poem" and the "charming" of "Hu Di Eighteen Beats"
Zhuang Qi and charming sincerity, burning the human world with a positive voice.
Fa Haoran cried out in anger and complained, and his heart held up the uneven sound.
Different from "Poems of Sorrow and Indignation", "Hu Di Eighteen Beats" begins with "I", and the whole poem revolves around "I", my misfortune, my discomfort, my displeasure, my disliking, my disdain, my intolerance, my no...
Whether men or women, there will always be some moments in life that need to be calm and rational to recognize the situation and grasp the direction, but more often, it is actually indulged in the feelings of the self's emotions and self, lost and searched in the irrational sinking.
No reality will endlessly move in one direction – whether bad or lucky – indefinitely, and it will be united for a long time, and reality will always maintain a constant bottom line in such turbulence.
Feelings, or emotions, do not have such norms and constraints.
We can't definitely determine who came first and who came after the birth of "Poems of Sorrow and Indignation" and "Eighteen Beats of Hu Di", but from the basic process of people's psychological feelings and emotional outbursts, it is more like "Poems of Sorrow and Indignation" first, we imagine Wen Ji's days in Hu, no matter how Zuo Xian Wang regards her as a treasure, but for her, repression and resistance are inevitable, opening up the heart is unlikely, over time, it is not impossible to get used to a life of numbness and inaction, Guihan's actions have uncovered this sore, and the heartache has truly returned to the reality of numbness for a long time. She can think, feel, interpret, and question her own life, and this confinement is opening little by little.
No one forced her to write poetry, except for her own inability to write, she had no reason to write, her "Poem of Sorrow and Indignation" is the process of combing through the messy feelings in extreme pain and repairing the bleeding wounds, just like some people eat to dispel anger, and some people use sleep to resist loneliness.
Recalling the unforgettable past from the beginning, to control emotions with reason, to sort out the train of thought, she is almost also a "basically trained" historian, she uses the calmness and rationality of historians, try to pull out of her own suffering, comb through this period of inhuman experience, associate the misfortune of personal experience with the suffering of the world's home country, and achieve the "Poem of Sorrow and Indignation" like a beautiful "epic" that can be compared with Cao Cao's "Xue Lu Xing" and "Artemisia Li Xing", she puts her own feelings aside, Even in the face of the separation from the son's life and death, try not to let his feelings and emotions disturb the vision of historical evidence, such a description as "smelling this collapse of the five insides", although it is also related to the painful state of mind, but it is not related to emotions, it is still just a realistic description.
Under such circumstances, the Yazheng Middle Way of the "Poetry of Sorrow and Indignation" was achieved, embodying the atmospheric pathos of Jian'an's wind and bones, and leaving a dazzling monument on the road of "Shizhuang", which can be on a par with the seven sons of Jian'an, which can make a generation of tyrants look at it, which can also be seen from her "Poems of Sorrow and Indignation".
But that kind of inhuman repression, let her like a fish in the throat do not spit unhappy, the impact of the feelings that constantly soared in the narrative process made her sleep hard, in order to calm the block in the chest, comfort this unfortunate soul, she picked up the pen, like a rational historical pen to dissect her own behavior, frankly and frankly and frankly singing sorrows, using poetry to express her true emotions.
There is no deliberate rule, no logical cut, like a flood that breaks the embankment, just like that. The truth of feelings has its own internal logic, as long as it is frank, as long as it is sincere, as long as it faces its own suffering and faces the children who suffer with it, it radiates that kind of pious courage.
Therefore, "Zhuang" or "charming", but the angle is different, from "Sad and Indignant Poem" to "Hu Di Eighteen Beats", are the feelings that have to be vomited, this kind of sincerity that has been washed away by suffering, with unparalleled credibility, like a living specimen, with the same background information, for the first time to show the world the different emotional logic and creative direction of poetry and words.
"Zhuang" convinces people with qi, "charming" transforms people with posture, and "Zhuang" is positive and "charming" is sincere, which constitute the basis of the infectious impact shock and expressiveness of these two different ways of expression. "Zhuang" is a reasonable and restrained super-plucking, "charming" is an unrestrained release, "Zhuang" is to be free from emotional intrusion, and "charming" is based on not pretending to be self-conscious, and here in Wen Ji, these two directions are clearly distinguished. Therefore, some people also say that the complaint of "Hu Di Eighteen Beats" is "the complaint of Haoran".
Dream is also silent famous poet, poetry critic, lover of classical Chinese poetry practitioner communicator, writer, film and television screenwriter, film and television planner.
Author: Dream Also Silent Editor: Zhang Xuefang
Review: Xiaolou Listening to the Rain Proofreader: Feng Xiao
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