In 1949, when Chinese New Year's Eve, on January 28, the city of Nanjing began to rain heavily, but in the place of The Shimonoseki Wharf, there were 1,700 boxes piled up, all covered with tarpaulin. Ordinary people who come and go, although they pass by here, do not know what is inside these boxes, but the people can judge that with the vigilance of the surrounding forces, they can see that the contents of the boxes must be of great value. In the afternoon of the same day, a Kuomintang warship named "Kunlun" slowly sailed toward the dock, and there was no doubt that the arrival of this warship was to remove the 1700 boxes.
At this time, the dock was still chaotic, because the workers were demanding strikes at that time, and the stalemate between the two sides was relatively long. Just when the workers began to carry, suddenly a lot of people poured in, men, women and children, all of them tried their best to rob the ship, they all knew that this ship was going to Taiwan, not to mention that the city of Nanjing at that time could not be saved, and everyone was desperate to squeeze up in order to save their lives. It is precisely because after these masses uploaded, the original more than 1700 boxes were only directly loaded in the end only 500 boxes. After this scene was formed, a senior commander immediately got on the ship with some people at that time, and directly indicated that the people on the ship should go down first, and the boxes must be transported first. After hearing the words of this commander, some people began to cry, and for a moment the scene was extremely chaotic, and some people asked: Commander Gui, what is more important than our human lives?
In the face of the questioning of the masses, Gui Yongqing had no way to use all the bedrooms and infirmarys for the other party's boxes at that time. If the boxes don't pile up at all, just pile them on the deck. After some busy work, only 972 boxes were finally moved, and the rest were sent back to the warehouse one after another. Just as Kunlun was preparing to set sail, several more non-commissioned officers shouted at the scene, these boxes are particularly important and must be transported. Because the luggage carried on the ship was particularly heavy, after some bumps, they finally arrived at the port. Although the common people did not know what was inside these boxes, they could think that since they could get the commander-in-chief of the navy to personally board the ship to transport more things, it must be of great value. Speaking of this, many people can also figure out that this must be some cultural relics of the Forbidden City. In fact, when it comes to the "moving" of cultural relics in the Forbidden City, this is not the first time it has happened.
Just like the National Palace Museum located in Taipei, covering an area of 160,000 square meters, the museum in the process of construction, whether it is the form or appearance and other aspects, is imitating the appearance of the Beijing Palace Museum. There are many cultural relics collected in the museum, such as Mao Song Rin and such as the Sanshi Plate, in addition to meat-shaped stones. One after another, these are particularly precious cultural relics, which can be called rare treasures. The collection of rare cultural relics in the National Palace Museum in Taipei has reached more than 700,000 pieces. Speaking of which, some people may wonder, how exactly were these objects placed in the National Palace Museum in Taipei? In fact, most of them were because of Chiang Kai-shek's orders. From 1948 to 1949, the number of cultural relics transported from Nanjing to Taipei has reached 2972 boxes. Can you imagine how many cultural relics have been transported in the past? Although the number of cultural relics transported to Taiwan only accounts for 1/4 of the cultural relics moved south, or even less than 1/4, most of them have far-reaching cultural value and research significance. So what are the more representative cultural relics and treasures collected in the National Palace Museum in Taipei, Taiwan?
First, Yongsan culture eagle pattern jade gui
The extent of this object has reached 30.5 centimeters, and the color of the lower part looks ochre red. There is also a partial defect at the top, and there is also a circular hole in the hole wall, which looks particularly smooth, and there are particularly mysterious reliefs tattooed on both sides. On the back is also a worm-flying eagle, and on the narrow side of the width of only one centimeter, there is also a legend of a woman with earrings, most likely the Queen of Dongyi. Just by virtue of the portrayal of these details, it is conceivable that this is indeed a rare treasure. This cultural relic has been about 4,000 years since now, and it is a solid national treasure-level jade.
Second, Shang Wei Zu Ding Ding
The height of this mouth has reached 85.5 cm, the caliber has also reached, 59.4 cm, and the overall weight has reached 94.65 kg. According to relevant probes, this mouth should be a kind of ritual vessel that appeared on the occasion of the Shang Zhou to hold food on the festival. Now in the National Palace Museum in Taipei, it was placed in the foyer of the Qing Palace Yangxin Hall in the very beginning, and it looks particularly majestic and magnificent, and it is also a model of animal face pattern.
Third, the Western Zhou Dynasty ugly FangGui
The height of this object is 20.7 cm, the caliber has reached 17.6 cm, and the width has reached 11.9 cm. According to the corresponding time of detection and casting, it should be in the late Shang Dynasty or the early Western Zhou Dynasty. During the Republic of China, it was unearthed in this place of Yidu, Shandong. Usually, most such objects are used to hold grain, but squares are indeed relatively rare, and this object is not only engraved with animal faces, but also bird patterns. Even more eye-catching is the bird-like standing ear.
Fourth, the Western Zhou Dynasty Zhou Zhong
The height of the entire clock has reached 65.6 centimeters, and the length of the entire clock has reached 36. It is not an exaggeration to describe it as extremely gorgeous. At that time, when the musicians were striking this bell, they could strike from the middle or from the side, and the frequency and sound of the sound in different parts were completely different, and because of this, there was another title called the two-tone bell. The inscription on the entire object reaches 123 words and has a total of 17 lines. It is recorded that King Li went to the southern kingdom on his own conquest. At the same time, this also symbolizes the blessing of future generations, hoping that the country and mountains can be preserved forever and passed on from generation to generation.
Fifth, Western Zhou Mao Gongding
The weight of the Western Zhou Mao Gongding has reached 34.5 kg, the height has been nearly 54 cm, the caliber is relatively large, and the abdomen is round. The ring at the mouth of the ding has a corresponding decoration, which can obviously be seen that this is a heavy ring pattern. It can be said to be relatively grounded, which can vividly highlight the life atmosphere of the Western Zhou Dynasty, and the religion at that time is constantly integrating with people's lives. It is also written down above. The excavation was in Qishan County, Shaanxi Province, and then after the excavation, it also experienced a lot of tossing and turning, especially during the War of Resistance Against Japan, which was almost taken away by the Japanese military, and just after the victory of the War of Resistance Against Japan, this nail was collected in the Palace Museum of the Qing Dynasty. Today, however, the object is housed in the National Palace Museum in Taipei. From the styling point of view, it is indeed particularly thick, and gives people a quaint and simple feeling, and the inscription has reached nearly 500 words. It is no exaggeration to say that this is the longest inscription in the bronze vessels unearthed today.
Sixth, the Western Zhou Sanshi disk
The height of this scattering disc has reached 20.6 cm, and the caliber is also particularly large, reaching 54.6 cm. It looks round, but the abdomen is relatively shallow. Where they died, there were inscriptions cast in the interior, a total of 19 lines, and the number of times reached 357. It can be seen that the pen is more arrogant, it looks like gold text, but it also has the fluency of cursive writing. Among them, the matter related to the Sanshi field is recorded, and the sealing boundary is also recorded. From this point of view of calligraphy, it is extremely simple and majestic, and it is thick and rounded.
Seventh, the Warring States inlaid turquoise metal wire zun
Through these cultural relics, we can see how developed the mosaic process was during the Shang Dynasty. By the Time of the Eastern Zhou Dynasty, it was said to be a heyday, and a variety of metal materials were already flexible at that time, and could also be matched with turquoise. The height of this artifact has reached 28.5 centimeters, and the weight has also reached, 5.21 kilograms. There is a cover on the back that can be opened completely, and then it can be closed. There is a hole in the mouth to be able to pour out the wine. From the perspective of shape, it is indeed relatively round, and it is also very meticulous, looking like a divine beast. Cultural relics like this are indeed extremely rare, and it can also be seen that the mosaic technology possessed by people living in the Warring States period is indeed exquisite.
Eighth, the new python copper jia quantity
In 1924, this cultural relic was discovered again in the Kunning Palace of the Palace Museum, which immediately attracted the attention of many scholars. According to the corresponding data, it is speculated that one liter is about 200 ml, one foot is 23.1 cm, and one pound is 226.7 grams. It is this cultural relic that has once again entered everyone's sight, so that many scientific researchers have once again gained a little more confidence when studying the weights and measures of the two Han Dynasties, and there are corresponding standards. This artifact was particularly elaborate in its design and manufactured with sophisticated technology. With the help of this cultural relic, it is possible to better examine the ancient weights and measures, as well as the corresponding technical level.