The Mona Lisa and I are both landscapes
Whether it is in a very good mood and gentle day, or in the dream of the relaxed mind, there is always a name and the famous painting in my heart, I don't know if she is interpreting her or I am interpreting her?
Leonardo da Vinci, you guy with a face full of pain, why do you make your smile so delicate, flexible, tender, charming.
Why make the eyes so pearly black and bright, the eyes are deep, gentle and kind, and gu pan shenghui. I heard that you originally gave birth to an undefeated plan in the spring, summer, autumn and winter for the sake of the affection of this flower bud, and even you did not think of it:
The smile of the moment is constant into eternal beauty,
The water of the lake is filled with warm poetry,
……
Since then, the Mona Lisa, who has jumped out of the lake and crossed the fence, pierced through the haze of religion and secularism with mature eyes, and prayed for a peaceful soul to overturn and shake the fence of the feudal system with a smile.
It was a slight smile that centuries had to admit. That slight smile has been acknowledged for centuries.
O Mona Lisa, your silent smile declares to the ever-changing world—
Life will begin on a new day, and love will tear open the corner of the cage and break away from the tide of a century of desolation.
New women want to fight for new freedoms, new freedoms for new lives.
Whenever I see this painting, I think of the name Leonardo da Vinci.
Whenever I think of the name Leonardo da Vinci, I think of the mona Lisa's indifferent smile.
Often at this time, I also think of the modern poet Bian Zhilin's "Broken Chapter", in which she says: "You stand on the bridge and look at the scenery / The people who watch the scenery also look at you upstairs / The bright moon decorates your window / You decorate other people's dreams"...
So, Mona Lisa, I should ask you—
Are you reading or am I reading you?
And Leonardo da Vinci?
Whether you and I are someone else's landscape, or someone else is also our landscape.
The scenery of no one playing and the woman's lightly entangled heart
The mountains and rivers that are also far and near are all landscapes made of glass, and the gentleness of the clouds is more transparent, and then it is more clear and quiet by the wind.
Like a song, full of vitality and agility.
Like a painting, the sky is high and the earth is wide, and the mountains are green and the water is green.
In the scenery vision of "wanting to be poor", the elegance and tranquility of the woman is like the earth, the mountains and rivers, the rivers, the thin clouds, the gentleness of the relaxed mood, the lightness and elegance, and even the deviation from all the landscapes.
In the quiet loneliness of "here silence is better than sound", women with skillful posture, elegant look, focused gaze, warm eyes, lightly entangled in the unique scenery of the heart and the speechless heart in the scenery.
What's on your mind?
So where is the scenery?
As the heroine in the painting easily and slowly twists and turns, I don't seem to think about anything and seem to be thinking about everything, unconsciously and unconsciously, I also followed into the poetic and artistic conception of the sky high clouds and light breeze and chang "floating clouds in the day, the mountains and rivers are dignified and gentle", and walked into the Renaissance and classic art galleries with the unique style of aesthetic religious painting.
Thus, I and the great English painter named Lord Layton became a landscape of mutual pursuit of the paintings of the great painter Lord Leyton and his "Tangled Threads" and the two kind and gentle women in the painting.
Shen Xueyin, who once worked in television media, has retired, and has published more than 4,000 literary works in more than 100 newspapers and magazines at home and abroad; more than 30 books, more than 20 books, more than 80 issues of private periodicals, and more than 30 awards. He is a member of the presidium of the China Prose and Poetry Writers Association and a member of the Heilongjiang Branch of the China Writers Association. He is currently the editor-in-chief of Ussuri River and Zhiqing Literature.