Appreciate | collection! Calligraphy and painting everyone to write your last name
Since we were born, the most commonly written word is our last name, but after writing it thousands of times, it is still bland? Below, from the works of calligraphers in the past, find out the first 50 most common surname writing methods, see if your surname is written into calligraphy, is it enough to taste?
The Book of Wang Xi of the Jin Dynasty outlines Qiankun in one stroke, and sees the weather in minimalism▽
Tang Zhong Shaojing's "Lingfei Jing" stroke by stroke, tight and relaxed freely ▽
Tang Dynasty Although Liu Gongquan was dignified and upright, he was broad and mighty and full of courage
In the Ming Dynasty, Chen Daofu was not agitated, but the wind rules were far away▽
Tang Dynasty Yan Zhenqing was rich in ink and color, and the cumbersome and cumbersome was written off ▽
The Ming Dynasty king pet is bold and simple, making the space layout come alive
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Song Dynasty Huang Tingjian wrote like poetry, and the wind god came from himself▽
Yuan Dynasty Zhao Mengfu
Not exciting, in the rules to see the rhyme ▽
Yuan Dynasty Zhao Mengfu outer circle inner square, clear explanation, Kai Dang line writing, Gu Zhitu xin ▽
Tang Dynasty Ouyang inquired about the tightening of the middle palace, turning the danger into a disaster
Han Dynasty "Cao Quan Stele" has both square and round, the wind is graceful, wonderful and colorful ▽
Song Dynasty Wu Ju ▽
Jin Wang Xizhi ▽
Ming Dynasty Wen Zhengming indulged in tightness, dense and orderly, and formed a trend towards the back▽
In the Song Dynasty, Mi Fu was strong and strong, familiar with the horses, ups and downs, full of fun ▽
Song Dynasty Huang Tingjian ▽
Song Dynasty Mi Youren ▽
Yuan Dynasty Xianyu Shu ▽
Ming Dynasty Tang Bohu ▽
Eastern Jin Dynasty Wang Xizhi
Round and smooth, peaceful and natural, upright, beautiful and healthy ▽
Eastern Jin Dynasty Wang Xizhi ▽
Ming Dynasty Xu Wei ▽
Ming Dynasty Dong Qichang ▽
Yuan Dynasty Zhao Mengfu ▽
Song Dynasty Cai Xiang ▽
Han Dynasty Cao Quan Stele
Round as jade, stretched as a willow, Yu Qingxiu in the wind and moon, open Qingya all the way ▽
Tang Dynasty Yan Zhenqing ▽
Sui Dynasty Zhiyong ▽
Sui Dynasty Dong Meiren Epitaph ▽
Southern and Northern Dynasties Wei Bei pingzheng shulang, meticulous but not losing posture, energetic and subtle, elegant and elegant ▽
Tang Dynasty Liu Gongquan is flat and strict, dense and elegant, meticulous and vigorous, dignified and vigorous▽
Yuan Dynasty Zhao Mengfu pingzheng shulang, meticulous but not losing posture, energetic and subtle, elegant and elegant ▽
Ming Dynasty Song Ke is gentle and soothing, with exquisite pen and ink, and personable ▽
Sui Dynasty Zhiyong hides his head and tail, twists and turns, flesh and bones are coordinated, and the meaning of the pen in the air is not exhausted▽
Qing Dynasty Zhao Zhiqian ▽
Yuan Zhao Mengfu ▽
Tang Dynasty Zhong Shaojing ▽
Qing Dynasty Zhao Zhiqian inherited the Qin and Han customs, and the seal was integrated and integrated▽
Northern Wei Gao Zhen Monument ▽
Sui Dynasty Zhiyong twists and turns, the pen is broken, and the meaning is not exhausted▽
Three Kingdoms Zhong Xuan ▽
In the Yuan Dynasty, Zhao Mengfu cut the complex and simplified, more ancient to the present, soft and solid, elegant and customary appreciation▽