Huang Binhong: The paintings were auctioned for 350 million, and how many people have read his painting quotations

Two years ago, Huang Binhong's work "Huangshan Tangkou" was just sold at auction for 345 million yuan, and when we saw the eye-popping price, most of us still did not understand where his artistic personality and pursuit were. I'm sure you'll understand it when you read his article.

Text | Huang Binhong

Yu Xi learned to paint things, grew up in the Xin'an Landscape Grotto, Xin'an ancient called the great good landscape, and it is still yunzhi. Gu Gugu said that the landscape is good: the country and mountains are picturesque. The so-called "picturesque" is that the natural landscape is not as good as the painting of people. The painter is well aware of the Fa, can go beyond the Fa, can be from the ability to reach, in line with its interest in the heavens, but also as a complement to the bias of creation, exercise its power over people, sincerely take pen and ink, tailoring into the pattern, so it has to be a good painting, spread to the world. The world's desire to know the true slaughter, the pen method, the ink method, the chapter method to seek, Xi Ke Ya! The Dharma, ancient and modern, have been taught the path of the hard-won. Shi Tao's "Quotations" said: Before the ancients legislated, they did not know what method the ancients used; after the ancients legislated, they also made it impossible for future generations to leave their laws. He who knows that I use my Fa is beyond the Fa, but also those who understand the Fa first. The word "law" was originally changed from "廌" to "灋", the name of the beast, sexually touching evil, so the crown of the judge, taken as an ornament, and the law is different from the name of the water, and the current provincial practice. The original intention of the law should be like the law of prison, so it is necessary to judge evil and righteousness, and to show doubt and belief. Self-esteem holds their own private opinions, comments on right and wrong, regards Zhu Chengbi, takes false and chaotic truths, and reverses them to the mouth of Yo-Yo.

Everyone has a heart of love, and it is advisable to have an aesthetic sense first. The most beautiful person of art is like a painting, with its transmission and view of the distance, preserving the ancient and modern, and seeing it with the world. The love of small things and small things, the righteousness of political education supplemented by large things, gradually and for a long time, can be perceived temperament, cultivate the spirit, and bring the universe to peace. The old man has no wisdom or wisdom, no wisdom, no foolishness, respect and inferiority, and should not have the concept of art. However, the beauty is endless, and the techniques are different, and scholars should pay deep tribute.

There are paintings of the city and paintings of mountains and forests. The meticulous works of the courtyard are more important than the appearance, and the pen and ink may be biased; the absurd behavior of the scholar is obtained by The gods, and the reason is lost. Therefore, those who are discerning, Yu Gongbi must look at its pen and ink, and Yu Yipin takes into account its theory. Work in the intention and simplicity of the pen, leave its appearance and get its god. The magic of using the pen, the theory of the ancients, the magic of using ink, and the true copy of the famous handwriting. Read more ancient books, read more famous paintings, and seek more sages and friends to prove their similarities and differences. Let those who practice meticulous work, do not enter into the vulgarity, learn simple, do not flow into the fierce, gradually accumulate over time, do not expect beauty and beauty in it. Otherwise, the special worker Tu Ze will have no salt and no mother, and the more he sees his concubine, the more he lets go of his feelings, the more he looks evil. Those who are blind, who are frightened by their demonry, who are surprised by xiongqi, who fall into the fog of the five miles, under the fountain of Shen Jiuyuan, and do not realize it, all mistakenly recognize that the source of the original is retro, and use Yi to change the summer into the time of knowledge. Because he did not seek penmanship, ink, and chapters, he was promiscuous and had no return.

It must also be a teacher who is close to the people and the ancients, and the teachers are not as good as the teachers. The division is good at what it is, and the spirit is not in the face. The husband and then the complex and the simple, each gets its own suit, or destroys or praises, and has nothing to do with itself. If he is confident and qualified, and does not want to be diverted by the customs, Xi Zhuang is called the painter of Song Yuanjun, untie the clothes and plates, if there is no one around, he is a true painter, and his words are known!

Above Huang Binhong talked about some of the connotations needed for a good painting. We may be a little lengthy for now. Next, I will combine the quotations of Huang Binhong's paintings compiled by Mr. Wang Bomin to share with you! The previous article is Mr. Bin Hong's words,---- and the latter is my contempt, and everyone just laughs.

1. There are three paintings: first, those who are absolutely similar to objects, this painting that deceives the world and steals names; second, those who never resemble objects and images often use their names to write freehand, fish eyes are mixed with pearls, and also deceiving the paintings of the world and stealing names; third, but they are absolutely similar to those who are absolutely similar to objects, this is a real painting.

----What is "magic between similarity and dissimilarity"

2, the yin and yang of heaven and earth are strong and soft, and all things grow unevenly, and they are often replenished by manpower.

--- find order from chaos, the painter should know how to manage his own picture.

3. To paint the scenery, we must understand the word "she", follow up the object, understand the word "take", "give" and "take" are not by people, "give" and "take" can be by people, understand this principle, in order to dye Han waver.

---- difficult

4. The ancients said that painting is "creation into painting, painting to seize creation", "grab" is the most difficult word. The creation of heaven and earth is naturally natural, and there are forms and shadows that are visible to ordinary people, which is easier to take; the creation has gods and rhymes, and the inner beauty of this is invisible to ordinary people. The painter seizes its charm, is the real painting, in vain to take the shape of the shadow like a desk bonsai, not a real painting also.

---- writes About God in form, how should this form be understood!

5, painting should be within the scope of the rules, but also beyond the scope of the rules, should be pure nature, not false modification, not bound by the law.

---- how many painters of ancient and modern times can do "from the heart without exceeding the rules"?

6. When painting, you must put your heart away, do not let it take off like a heavenly horse; when you put pen down, you should keep the ink and do not make it doodle. When swimming through the mountains and rivers, there must be not only the strength of the heavenly horse to take off, but also the calmness of the old monks.

---- good things often seem contradictory, but there is infinite harmony. This passage reminds me of a passage by CS Lewis about "knights." The general content is that the real knight should be heroic and gentle, the brave who is brave in the battle to kill the enemy is not afraid, and the gentle is in the communication with the lady.

7. Painting should make it uneven and uneven. This natural form, into the painting should pay more attention to this, such as a hut, it must be three three two two, uneven writing, this is the law, but also the reason.

---- the so-called twists and turns.

8. The ancient paintings have the secret legend of "the real is easy, the virtual is difficult". Lao Tzu said, know white and keep black. The virtual place must first try from the real place. Otherwise there is no reason to enter the painting door.

---- positive and negative shapes

9, the ancients painted, with the heart in the penless ink, especially difficult to learn, know the white and keep the black, get its mysterious, not easy to describe in words.

---- another explanation of "it is easy to be real, but difficult to be virtual"

10. Yun Daosheng on painting, words are dense in the middle, dense in the dense. Nantian is his grandson, urgently called, and in the case of dense and sparse. Yu Guan Ergong's true deeds, especially those who are most secret, can be the most dense, and then loose to get the inner beauty.

---- learn to draw more first

11. Draw the following chess (Go), you need to be good at doing live eyes, fire more, chess is victorious. The so-called eye of fire, that is, the void in the painting.

---- Mr. Huang Binhong's paintings have many living eyes.

12. Chinese painting pays attention to large air and small space, that is, the so-called airtight airtight of the ancients, and it can be sloppy. If the sparse can be taken, the sparse place is not empty, there is no long thing, and there must be a scene. It is airtight, and there must be a place to stand, and it must not be suffocated. Xu Dishan has a poem: "Although Qiankun is small and the cage is large, it is not enough to swing and sleep." "This theory can be used to manage the location of painting.

---- interesting

13. To look at a painting, we must not only look at the reality of the painting, but also look at the blank space of the painting.

---- is still positive and negative

14. Later generations of scholars and scholars who have learned from the ancients are not as good as the teachers who have created the ancients, those who have the teachers and the ancients who do not know the teachers, and those who do not know the teachers and the ancients without the teachers.

---- Chinese painting scholars should draw nourishment from tradition before they can truly understand how to create a teacher

15. Painting should be based on nature. If there are hills and ravines in your chest, the pen will be able to move freely.

---- confident

16. To be a landscape deserves the essentials and mysteries of the mountains and rivers, and if you copy them in vain, you will marry according to others and learn from yourself as the last study of the painter.

---- ashamed, even the end of the study is not easy to do

17, famous paintings, the ancient masters of the ancients, especially the creation of the master, pure from the true landscape of the face of the character of the spirit, not falling into the ordinary path, is for the best.

----'re too hard to understand

18. The Law comes from reason, and reason comes from creation and change. The Fa is prepared to be qi, and the qi is created into the painting, and it naturally appears on the paper in the pen and ink.

----, let's look at the paintings

19. The painting of the thick brush looks like a work pen from a distance, and the pen and ink are clearly distinguished from the close look, and the method is not chaotic and superior.

The painting of the gong pen looks like a thick brush from a distance, and it is not soft and contrived to look closely. Therefore, although good paintings are coarse but not chaotic, although they are worked, they are not weak.

---- contradictory analysis method of unity of opposites

20, the drawing method can be taken near the body, far away to take the object.

----'t understandable

21, inner beauty and external beauty, beauty is not even, ugly in the beauty, especially when the category.

---- does not mean that everything is beautiful, and the good learner is self-evident

22, the ancient saying that the painting of landscape and water has no amorphous shape, and there is a theorem, the reason is lost, although there is a kit-and-so, there is no enough to take, so the mountain has a vein, the water has a source, the road has a turn, and the tree has a root. When the yin and yang of the great place are turned to the back, when they are pitched and clutched, they must first know their position, and they must first be clear, and if they are in a state of mind, the length and length are high and low, as if a person has limbs, all of them are suitable for each other, and then the blood veins are connected, and the spirit is refreshed, and at the beginning it can not be acted rashly, and the rules and regulations are contemptuous. Now, with the teacher's heart for his own use, he does not seek the law of reason as the law, and he can speak and paint.

---- last sentence seems to tell us that the unreliable statement that people talk about the mind of the teacher now has not been explored in terms of reason, which is really too far from the truth.

23, the mountains have pulses, the water has a source, the roads have traffic, the clouds and smoke are infested, the trees are sparse, and the law is prepared to be gas. If it is intermittent, twisting and turning, and the differences between the plain, the lofty, and the far-reaching are all in nature, and there is no trace of its fabrication, which is superior.

---- the wonders of nature, and the paintings that can be described as superior

24. Painting landscapes must have charm; painting flowers and birds must have interest; painting characters must have feelings and gods. Drawings are made of materials, nothing but heaven, earth, and people. Heaven, the meaning of mountains and rivers; the earth, flowers, insects, fish, feathers, painting flowers and plants, in vain and intangible is paper flowers. Painting people is the most complicated, not only to have the difference between men and women, old and young, but also to have the difference in personality, but also to have the difference between good and evil and joy and anger.

---- each subject has its own expertise

25, the meaning is far away in the quiet, the depth of the realm is particularly noble, close to the distance, the sky travels from the world.

---- picturesque

26. Good writers often say that it is not easy to write articles, those who are good at poetry often say that poetry is not easy to do, and those who are good at painting often say that it is extremely difficult to paint. Of course, if you feel that it is easy to write, write, and paint, it is difficult to make progress.

If you encounter a tiger and leopard in the deep mountains, you can't be timid, you have to learn martial arts, live in JingyangGang, and then you can get home. The same is true of learning to paint.

---- courage