Sisters, set sail on the wind and waves

Sisters, set sail and ride the wind and waves!

After studying two poems today, let me share them first:

and Rakuten Spring Words

Liu Yuxi

New makeup should face the Zhu Lou, deep lock spring light a courtyard of sorrow,

Walk to the atrium to count the flowers, and the dragonflies fly up to the jade scratch their heads.

Title capital City Nanzhuang

Cui Hu

Last year, in this door, the faces of people were peach blossoms.

People don't know where to go, and peach blossoms are still smiling in the spring breeze.

The authors of these two poems are different, the moods are different, and the themes expressed are completely different, but I think there are many similarities.

First, the women who appear in both poems are beautiful. The first song "new makeup should face the Zhu Lou", this beautiful woman has just put on makeup, not thick and not light, not painted or smeared, this is just the right beauty! The second song "human face peach blossoms reflect red", in which the human face and peach blossoms are in the same frame, contrasting with each other, how beautiful are people? Beautiful like a peach blossom. How beautiful are peach blossoms? "The peach is dying, burning its glory". Such a woman's beauty has reached the extreme.

Second, the women in these two poems are alone in the empty room, waiting to disappear. In the first song, a beautiful woman like a flower, but full of sorrow in the courtyard of the deep house, Yu Yu walked alone, "deep lock spring light a courtyard sorrow". She was trapped in the deep palace courtyard, lonely and cold, only "walk to the atrium to count the flowers", there was really nothing to do, only to count the flowers, as if it was really boring to go to the river to wash stones. Unexpectedly, the dragonfly was also lonely, flying on the jade scratching head to accompany her. How cruel it is for a woman to please herself, and she is beautiful in the poem, but no one appreciates it! This brings to life a beautiful woman's passive waiting in the empty boudoir, and the incense in waiting is gone. The second poem, although written in the tone of a man, behind the verse, we can still see the woman's desire to penetrate. "Last year today in this door", a whole year, three hundred and sixty-five days and nights, the man left without a word, and this infatuated woman should be looking forward to it every day, but "after a thousand sails are not, the veins of the oblique veins are leisurely", and finally she died in despair.

Third, the men in both poems are thin-hearted. There is no shadow of a man in the first song, so the young and beautiful woman is alone, bored, and has to count the flowers. Where did the hero go? "Zhu Lou" is the Red Chamber, is a rich family, the hero's favorite woman is not only her, maybe he has a new favorite, he has long forgotten her. In the second song, the hero appeared, but it was already a year later. Where has he been during this long year? What's going on? Why didn't I hear anything in a year? It was only when you came to see the peach blossoms in the second year that you accidentally remembered the woman that year, how thin and unsympathetic it must have been!

From this point of view, from ancient times to the present, most women are obsessed and loyal, and at the same time they are unfortunate. They put all their love and hope on the man they like, completely lose themselves, and what they get is loneliness. How unfortunate and how sad this is!

As a woman in the new era, stop being stupid and alone in an empty room and blindly waiting. We must learn to be independent, learn to cherish ourselves, learn to improve ourselves, and strive to be a sister who rides the wind and waves!