Peking Opera art has been passed down for two hundred years now, and many famous artists have been produced, but the most important thing is a talent, if there is no talent, it is nonsense.
Today, Xiaobian will talk about these four actors who have no talent and are self-defeating.
Tan Zhengyan is a famous Peking Opera actor, Gong Laosheng, Zong Tan Sect, the seventh generation of the Tan family.
Tan Zhengyan belongs to the untalented dead school, his voice is very narrow, which is commonly known as "left", but the more so he still has to learn the voice of Master Tan Fuying, and finally it is the singing method of the sheep call of "Baba".
In fact, Master Tan Fuying's voice is very crisp and clean, like Ye Qingzhu and Cui Ying are very similar, if you deliberately learn it is like hard squeezing.
Meng Guanglu's famous Peking Opera actor, Gong Jingjiao, Zong Qiu Pai, and the famous Peking Opera performance artist Fang Rongxiang.
Meng Guanglu's voice is also narrow, which cannot be changed, of course, Fang Rongxiang's voice is also narrow, but he has developed a strong and soft singing method.
And Meng Guanglu also wanted to learn this method, but he never understood the true meaning, and finally he could only drop ten wisdom with one force, and attracted the audience with a very hard singing method, that is, "spilling dog blood".
Zhu Baoguang was a famous Peking Opera actor, Gong Laosheng, Zong Ma Pai, and a famous Peking Opera performance artist Wang Helin.
The essence of Ma Pai art lies in a dashing, but Zhu Baoguang simply imitates the "big tongue" while the Ma Pai's dashing is nothing, and in the end, only "stupid" is left.
Yuan Huiqin is a famous Peking Opera actor, Gong Laodan, Zong Xin Li Pai, and a famous Peking Opera performance artist Li Jinquan.
Li Jinquan's new Li School is an innovation and plays an important role in the model play, but yuan Huiqin becomes more and more serious and eventually becomes a "big voice Qingyi".