Peking Opera has been passed down for two hundred years, and there have also been many famous actors, but some Peking Opera actors have said some big words, and today Xiaobian will talk about it.
Let's first talk about an example of an old Peking Opera artist in the past, which is enough to prove that Peking Opera actors cannot be praised too high or talk big.
Tan Xinpei is well known as the big man in the Peking Opera circle and is known as the "King of the Lingjie", and no one in Beijing and Tianjin can be said to have matched his limelight. Tan Xinpei once went to Shanghai to perform with the title of "King of the Lingjie", but the result was that the mistakes were made by the tabloid reporters, and finally the newspaper canceled the title of "King of the Lingjie".
Today, Xiaobian will talk about these two famous artists.
Tan Zhengyan is a famous Peking Opera actor, Gong Laosheng, Zong Tan Sect, the seventh generation of the Tan family.
Tan Zhengyan once posted an article to "clean up the portal" during a "Ji Tan" performance, in fact, this sentence can only say that he is too arrogant.
From the perspective of the Tan School, after the establishment of Tan Xinpei, Yu Shuyan, Yan Jupeng, and Ma Lianliang were all developed from the Tan Sect, and then Tan Fuying was also a generation of masters, followed by Tan Yuanshou.
However, it is not known that Tan Xiaopei's generation has Yu Shuyan, Tan Fuying's generation has Wang Qinsheng and Wang Zezhao, Tan Yuanshou's generation has Gao Baoxian and Ma Changli, and Tan Xiao's generation has Lu Song, Cui Ying, and Wang Ping.
From these people, it seems that the art of the Tan School is better inherited by people with foreign surnames, so in what way does Tan Zhengyan "clean up the portal", doesn't this sentence feel ridiculous?
Liu Guijuan is a famous Peking Opera actor, GongDanjiao, Zongcheng Pai, and a famous Peking Opera performance artist Li Shiji.
Teacher Liu Guijuan has also posted articles on live broadcasts and Microblogs about her peers' dramas. Saying that the "Xue Xiangling" in "Suolin Sac" is a little girl, now some people sing too old.
Let me ask, for a Peking Opera actor, what is the evaluation standard, I am afraid it is the audience and the box office, so how about the box office reputation of evaluating others at the same time?