LOT1510 Wen Zhengming Imitates Huang Gongwangxi Pavilion Idle Residence Map
Ink on paper Vertical shaft
3/139×64.6cm
RMB: 4,000,000 - 5,000,000
【Inscription】 Accompany Mr. Wu Shi Zao Weng to tour the Zhizhi Mountain, the mountain man Lu Zijing is a man of good manners, open the grass stone Ding cooking cloud, show the Huang Gongwang Xi Pavilion idle residence map, and order Yu To gnit it. I don't want to write this and write a small poem. The ghost entertains the lonely realm, and the swallow sits in the shadow for a long time. The sunset is chaotic and the mountains are purple, and the rain is cool. Idleness dissipates the world, and the wild color sends autumn light. Xian Jia zhi is not far away, and the thin road goes around Chonggang. Signify.
【Seal】Zheng Zhong's Father's Seal (Zhu, and "Chinese Calligraphers and Painters' Seals", p. 176: Wen Zhengming 12 Seals coincide) , Zheng Ming (White), Zheng Zhong (Zhu)
【Inscription】
Wen Zhengming inscription: accompany Mr. Wu ShiZai Weng to travel to Zhilu Mountain, mountain man Lu Zijing is a man of tutelage and good cleanliness, open the grass stone Ding cooking cloud, show Huang Gongwang's "Xi Ge Idle Residence Map" Fate Yu Gzhi, do not help to write this and small poems.
The ghost entertains the lonely realm, and the swallow sits in the shadow for a long time. The sunset is chaotic and the mountains are purple, and the rain is cool. Idleness dissipates the world, and the wild color sends autumn light. Xian Jia zhi is not far away, and the thin road goes around Chonggang. Signify.
I. Weng Fanggang Five Treks
1, the text and painting imitate the big idiot, such as imitation of Su huangzi. At the same time Shen and Wu, Po Gu who is the heir of the Law. Mr. Alone, soaring to cover the predecessors. Cover with a majestic posture, and have to be clever. Therefore, the painting is called the eagle, for example, the fineness of the Shen Shen. This tour accompanies Wu Shi and zhi zhen visits Youyi. Lu Zi Tang is open, and a peak frame can be matched. The aid pen is copied, and it is careless. Huang Frame I have not seen, quite a deep secret. Water pavilion and stone beams, far and near poor location. The slope is light and thick, and there is room for heavy cover. Please talk from the foot of the mountain and swallow the empty green. In the thick, it can contain deep and stable qi. His name is Bi Shou Zang,and his children and grandchildren are fu Chang Blazing. Painting furniture phase method, this reason is caused by heaven. Heyang Pin Ying Qiu, once has been yi. Today's people learn to hengshan, but they know how to be charming. Such a chaotic situation, only a few people arrived. The Luo family is named father and son, and the collection is high. Ho Dang camp grass hut, the day is covered with a basket. It is said that Mr. Hengshan's Su Shu is better than Wu Zai'an, and His Huang Shu is better than Shen Shi Tian ye. Qianlong Yidi (1795) On the seventeenth day of the first lunar month of spring, he was rewarded with the two peaks at Yushan Yuzhai. Fang Gang. Seal: Daya (Zhu), Qin Xi (Zhu)
2. This frame Hengshan has no age, and KaoZai'an died in the seventeenth year of Hongzhi (1504), at the age of seventy. For more than thirty years, he lived in Ding's house for less than six years, and his Ding stepmother was only at home in the second year of the ninth year (1496) to the tenth year of Ding Wei (1497). This title cloud "tongyou zhizhan ", then Hengshan was also twenty-seven or eight years old. However, the so-called writer is his little work, and the wind and bone have been so muddy, it is a treasure. It is the sunset from the Fish Mountain, and the trek is on the left. Seal: Weng Fanggang (White)
3. Tomorrow's two peaks are presented with this axis, and Hengshan self-title rhymes with two heads of thanks, and invite Yushan and. Er I chase the previous dream, and the same tour means long. New rain across the bridge is slippery, and the clouds are cool. Shi Cui fei spring rush, river hourglass tree light. Only the old paper should be left behind, and the branch should be remembered in Hiraoka. Reading the painting Feng Shengta, the spring sun is getting longer. Who evaluates the young and strong, there is this pen desolate. Gong'er participates in the essence of the poem, adding to the wall light. Jian Xiu Lao Yu Pei, He Minus Kun Gang. Yu xian received the Hengshan Axis, also strong age pen, can be paired with this, February Shuo, Fang Gang. Seal: Su Zhai (Zhu), Zizheng No. 3 Yi Zhai (Zhu)
4. Wu Xing Chen Yingzhi's "Compilation of Yu Appreciation" contains Shen Shitian's "Twenty Paragraphs of Ji You" picture volume, and its ninth paragraph zhilu shan juyun "zhiqi shan man Lu Zi zhao Yu into the mountain" yunyun, cover this painting yun lu zi jing also. However, after the twentieth paragraph, however, there is a saying that "since Ding Hai Du men did not return to make a long journey, he wanted to recruit qi nan to hold the scroll to "YunYun" because of the book, which seems to be inconsistent with the words "Hongzhi Bingchen (1496) and Ding Wei (1497) only this two years of home". Ran Ding Hai was in the third year of Chenghua (1467), the third year of the reign of San'an, and the third year of the reign of Ran Dinghai, who entered Chengjun in the seventh year of Tianshun (1463) and entered chengjun in the fourth year of Chenghua (1468). This is the cloud from Ding Hai Du Men not out of the person, not actually also. According to ishida's later □, in the eleventh year of Chenghua (1475), this scroll was attributed to The Temple. However, Ling Si started from "Ding Hai Shi Du Men did not come out" on the Zao Weng Bao Shu, that is, He was always at home for more than ten years after the year of Chenghua, and there was no Zhongjing Zhao, and it was not a laughing stock to give a person to teach cultivation. Chen Jun's "Yu Appreciation Compilation" has been published in the world, and I am afraid that there are miscounts. This article is based on those who doubt the age of the temple, so they cannot be blinded. In the "Hengshan Collection", it is called "Xianyou", and its name "Wu Shi" is only seen here, which is not reached in the supplementary concentration. February Look Diary. Seal: Weng Fanggang (White)
5. Occasionally see Wang Lutai's "Lushan Map", using the great foolish method, Hun Lun is strong, and in fact, it is a masterpiece of intentional masterpieces, because this picture is the same view, which is rare in the Mi sigh text. Ding Di (1807) October 21.
2. Wu Xiqi
Poetry and painting are difficult to end, and the dreams of streams and mountains are long. The autumn of a hundred years has changed repeatedly, and the snow of a thousand feet is cold. Shi Ding turned the cloud liquid, and the book window borrowed ink light. Zhi Liang old swim in, but also allowed to recognize the smoke gang. Qian Tang Wu Xiqi. Seal: Wu Xiqi Seal (White)
3. Feng Minchang recorded Luo's poems
Xi Xian's secret reward place, Splash Mo Xing is long. Shi Dingming spring rain, pine windows are cool in the day. The sound of the spring breaks the color of the mountain, and the shadow of the pavilion falls into the creek light. I have also been in a trance, and I have chanted a thousand ryokans. Luo Ping.
4. Feng MinChangbao
It is a day without cold, and the spring lantern is the longest. Dine on the mountain and dissolve the desolation of the bed. Han mo elves gathered, and the door walls recorded light. Su Zhai Xu came to knock and bowed to Zenggang. Min Chang. February Shuo Day Feng Minchang Book. Seal: Min Chang (White)
5. Music Palace Score
Wax tour mountain sandals, WuShan is still obstructed. The smoke flew suddenly, and the dust dream was cool. Did not visit the stop cloud site, frequent splash of ink light. (Yesterday's episode Su Zhai, I saw Hengshan Juyu) Who taught Haiyue Fa and wrote Donggang for me. Teachers and friends chase music, karma is long. Rush the snow alone, and the sky will be cold. Rong Ma searched for a branch, and the widow thought of Yoshimitsu. Lu Jiaxiang Fengyi looked back at Gao Gang.
In February 1795, the second rhyme was two songs, and su zhai disciple Le Gong scored. Seal: LeGong Score Seal (White), Lotus Dress (Zhu)
【Inscription】The clear text is to be written on the mountain and water axis. Nankai Pan's Jie'an Collection.
【Jianzang Seal】Calligraphy and Painting Seals Collected by Tianshui County (Zhu), Tiger (Zhu), Qinxi Examination and Approval (Zhu), Qinxi Jianzang (Zhu)
【Description】 Zhao Gongguang, Luo Ping, Weng Fanggang, Pan Jie'an Delivery.
(U.S.) Richard Edwards, The Art of Wen Cheng-Ming, Illustrated VIII, University of Michigan Press, 1976.
【Exhibition】1. Wen Zhengming's Art", Art Museum of the University of Michigan in Ann Arbor, USA, January 25 - February 29, 1976.
2. "The Art of Wen Zhengming", Asia Gallery, New York, USA, April 7 - June 7, 1976.
[Bibliography] 1. Weng Fanggang, "Fuchu Zhai Poetry Collection" Volume 34 "Baowen Hengshan Linhuang DaZhi Xi Ge Idle Residence Map", Qing Guangxu 4th Year Li Yanzhang Proofreading.
2. Weng Fanggang, "Fuchu Zhai Poetry Collection" volume 47 "Su Zhai Xiaocao Three • Two Peaks Actually With Literary Paintings and Hengshan Self-title Rhymes as Xie Er and Invite Yushan And Zuo", Qing Guangxu 4th Year Li Yanzhang Proofreading Edition.
3. Le Jun, "QingzhiShanguan Poetry Collection", Volume IV, "Ancient and Modern Style Poems • Inscription Hengshan Xi Ge Idle Residence Figures Hengshan Original Rhyme, Hengshan YouzhiLushan Made This Map, Qin Xi Mr. Collection", Qing Jiaqing Twenty-two Years Inscribed.
4. Ericss, The Art of Wen Zhengming, University of Michigan Press, 1976, pp. 52-55.
5. Zhou Daozhen, Wenzheng Mingji, Vol. VI, "Inscription Paintings", p. 103, Shanghai Ancient Books Publishing House, 1987.
6. He Ye's Complete Works of He Ye, Vol. 3, "Re-acquaintance with the Wumen School", 2015.
【Collector Profile】
1. Zhao Gongguang (1559-1625), character Fanfu, number Guangping. People from Taicang, Jiangsu. Calligrapher, collector. The famous relics in the collection are all "Seals of Calligraphy and Paintings Collected by Tianshui County" and "Tiger" Seals.
2. Luo Ping (1733-1799), zifu fu, number two peaks. A native of Shexian County, Anhui Province, he lives in Yangzhou and is one of the "Eight Monsters of Yangzhou". Gong shiwen, good at painting plum, orchid, bamboo. Fine identification.
3. Weng Fanggang (1733-1818), character Zhengsan, qinxi, late suzhai. Peking Man. Official to Cabinet Bachelor. Calligrapher and epigrapher. Proficient in appreciation, especially long research. Rich collection.
4. Pan Jie'an, a native of Nanhai, Guangdong. Qing Dynasty South China Sea Collection Family Descendants of the Pan Clan Wang, Collection of Rich Jia Side.
This is a painting that contains humanistic feelings and friendship.
In the spring of the thirty-seventh year of Qianlong (1772), when Luo Hired met Weng Fanggang for the first time in Beiye Mujixuan, who was then the attendant of the Ceremonial Department, Qian Zai (1708-1793), he could not have imagined that the peer in front of him would become his confidant and Bole for the rest of his life, and his friendship lasted for nearly twenty years. Weng Fanggang recalled the encounter, only to see Luo Ping's eyes shining brightly, holding his master Jinnong's poetry collection, "there is a nostalgia for the ancients." Knowing the king at first sight, the two became invincible.
During his stay in Beijing, Luo Ping repeatedly painted for Weng Fanggang and his family, and Weng also specially selected Luo Shi and compiled them into "Xiangye Caotang Poetry Cun" and prefaced it. In the Shanghai Library, Weng Fanggang's "To Su Tan Za" is in the possession of Weng's introduction of Luo Ping to his protégé Xie Qikun (1737-1802, Zi Yunshan, Su Tan, Jiangxi Nankangren), and hoped that Luo Ping, who was going to work in Hangzhou to earn a living, would be taken care of by Xie Qikun, who was working locally. In the letter, Weng Fanggang carefully introduced Luo Ping's painting art: "The painting of the two peaks, specializing in the Study of Hangzhou Jin Shoumen, making plum blossoms, non-Xi Tiesheng often making landscapes and landscapes, but the source of painting is thorough in his chest... However, the two peaks have a teacher inheritance in hangren Ding Jingsheng and Jin ShouMen, the golden stone of Ding Jingsheng, the Han Mo of Jin Shou Men, the two peaks can get their origins, and the latecomers must also be capitalized by the Qingjin Poetry and Painting Institute. Weng Fanggang praised Luo Ping for his deep understanding of painting theory, and he could make breakthroughs outside of Jin Nong and Ding Jing. However, he was worried that his life would fall into a dilemma due to his alcoholism, so he specially repaired a letter to help Luo Ping arrange his life in Hangzhou in advance, which was enough to see the depth of their feelings. This Wen Zhengming "Imitation of Huang Gongwangxi Pavilion Idle Residence Map" launched by the 2021 autumn auction of ShizhuZhai (Beijing) is a generous gift from Luo Ping to Weng Fanggang, which is a direct witness to the friendship between the two people.
part
This story begins with a collection of works in the spring of Qianlong Yidi (1795): this is a gathering between Weng Fanggang and his disciples, and the participants include Weng Fanggang, Luo Ping and his son, Feng Minchang, Wu Xiqi, Le Jun, as well as Yu Ji, Zhao Huaiyu, Yi Bingshou, Jin Xuelian, Wang Zongxuan, and so on. According to the inscription on this painting, it is possible that this gathering is to send off Le Jun from Beijing. Just after the First Yuan, they couldn't wait to get together at Feng Minchang's house to enjoy paintings and write poems together. At this collection, they also looked at a painting of Shi Tao writing bamboo, "the width of the pole is only two inches, and the stroke is straight up from the bottom, and there is a tendency for the moon to fall into the sky" (Shen Jin, "Weng Fanggang Chronicle", Taiwan", "Institute of Literature, History and Philosophy, Academia Sinica", 2002). The work can be found in "Mr. Zhang Yuejun, Mr. Wang Xuezhou, Mrs. Luo Zhixi Donated Calligraphy and Painting Special Exhibition Catalog") The next day, I watched the statues of water and land and returned home from a vegetarian diet. It is a pity that the Annals do not mention this text, which is extremely important in the history of Weng Fanggang and Luo Ping's travels, but it also gives us the opportunity to add to the annals, so that scholars can also re-examine Weng Fanggang's important influence on the Qianjia art scene.
On the first day of the Collection, Luo Ping came with his son, and what he carried with him was this wen Zhengming. As the scroll slowly opened, the elegant temperament immediately attracted the attention of Weng Fanggang. He believes that this work is a direct embodiment of Wen Zhengming's simultaneous fa-heirs Shen Zhou and Wu Kuan, and his ability to surpass his teachers, which is very crucial for studying Wen Zhengming's artistic origins. Therefore, a long poem is given and inscribed on the right side of the original work, in praise of the high and wonderful painting of this picture "so muddy, only a few people have arrived" (picture 1). In the evening, the collection was temporarily concluded, and weng Fanggang, who was still unfinished, took this axis to bring his family with him, hoping to further determine the specific creation time of Wen Zhengming. Thus there is a second inscription: "This frame Hengshan self-titled no age, Kao Zai'an died in the seventeenth year of Hongzhi (1504), the age of seventy." For more than thirty years, he lived in Ding's house for less than six years, and his Ding stepmother was only at home in the second year of the ninth year (1496) to the tenth year of Ding Wei (1497). This title cloud 'Tongyou Zhi', then Hengshan was also twenty-seven or eight years old. Weng Fanggang judged that this work was created during this period and was the work of Wen Zhengming when he was twenty or eight years old, and only the two years from Bing Chen (1496) to Ding Wei (1497) were in his home in Suzhou. Although it was an early age, with a thick pen, it already showed the realm of wind and bone, which was really rare, so the old man Su Zhai not only repeatedly inscribed, but also took it home to admire carefully, saying "it is a treasure" (Figure 2).
Figure 2
For the next half a month, Weng Fanggang never forgot this axis, and Luo Ping saw the situation and resolutely decided to cut off his love and give it to Weng Fanggang to repay his kindness. Weng Fanggang was so excited that he used the rhyme used in Hengshan's inscription poems to compose two poems as Xie (picture 3), and invited Luo Ping, Feng Minchang, Wu Xiqi, and Le Jun to sing and win the event.
Figure 3
Feng Minchang (1747-1807), a native of Qinzhou, Guangdong, was a Chinese poet and a chinese poet. Qianlong forty-three years into the soldier, changed to Hanlin Yuan Shu Jishi, assigned editing, supplementary punishment department henan division chief. Sex is filial piety, especially to teachers and friends. Qian Zai and Zhang Jinfang cried until they were hemoptysis. Along with Zhang Jinfang and Wu Yichang, he is called "the three sons of Lingnan". Feng Minchang has long followed Weng Fanggang and is deeply influenced by his poetic theory, creative practice and even style characteristics. After Feng's death, Weng Fanggang personally wrote a tomb table and praised it again: "To the li li to hold Wenheng, the ying jun bandits are one, and the genius is unique, and the king is the first." In addition, Wu Xiqi (1746-1818), the character Shengzheng, the number of the People, qiantang people. Qianlong Forty Years (1775) Jinshi, who was a Shujishi of Hanlin Academy, was taught editing. After the second two times, he was charged with the examiner, promoted to the right to praise the good, went straight to the study, transferred to the waiter to read, and promoted the son of the country to supervise the sacrifice of wine. He was upright by nature and did not tend to the powerful, but he was famous among the secretaries of state. He lectured on Yangzhou Anding, Yanshan, Yunjian and other academies to the end, and always paid attention to promoting talented people. Among the poets of the Zhejiang school, he was able to follow Zhu (Yi Zun), Hang (Shi Jun), and Li (鹗) and became a family of his own. Wu Xiqi was also a close friend of Luo Ping, and personally wrote the "Luo Liangfeng Epitaph" for Luo Ping. Le Jun (1766-1814, 1816), formerly known as Gong Pu, Zi Xiao Tang, Yi Zi Yuan Shu, And Lotus Dress. A native of Fuzhou, Jiangxi. Xi Zuo Washi Wen, a disciple of the Weak Crown Supplement Doctor. In the fifty-fourth year of Qianlong (1789), he was recommended by Weng Fanggang to join the Guozijian and hired as the chair of prince Yi's palace. In the sixth year of Jiaqing (1801), the township examination was lifted, Prince Yi wanted to stay, and Le Jun resigned as his mother. After repeated attempts, he did not enter the career, and successively traveled between Jianghuai, Chu, and Guangdong, and the jiangnan officials competed for appointment, and once presided over the chair of Yangzhou Meihua Academy. He is the author of three volumes of "Broken Water Words", twelve volumes of the first edition of the "Ear Food Record", and eight volumes of the continuation (Wu Xiqi, Le Gong Score, Feng Minchang and his Feng Lu Luo Ping poem see Figure 4).
Figure 4
However, Weng Fanggang's search for this axis is far from stopping. On February 15, he made a speech for this axis for the fourth time. This time he found that Chen Yingzhi's "Yu Appreciation Compilation" recorded that Shen Zhou's "Twenty Paragraphs of Ji You" had Wu Kuan's saying that he "did not return to travel far since Ding Hai (1467) Dumen", which was inconsistent with what he knew about Wu Kuan's situation in Suzhou only from 1496 to 1497. In order to explain this situation, Weng Fanggang made a detailed examination. He believes that Chen Yingzhi's "Yu Appreciation Compilation" is wrong, because Wu Kuan had paid tribute to Chengjun in 1463 and held the Beijing Zhao examination in 1468, and it was impossible to close the door. This responds to some people's doubts about the time when Wen Zhengming created this axis (if Wu Kuan had not been able to close the door since 1467, this axis should have been drawn before that year, but Wen Zhengming had not yet been born at this time), and further confirmed that this axis was the only work of Wen Zhengming when he called Wu Kuan "Wu Shi", which can supplement the missing historical materials of the Hengshan Collection. This examination reflects Weng Fanggang's rigorous academic attitude and profound historical accumulation (Figure 5).
Figure 5
Time flies, twelve years after Luo Ping gave this axis, Weng Fanggang once again opened this "Imitation HuanggongWangxi Pavilion Idle Residence Map", full of memories flooded into his heart. In October 1807, a full eight years had passed since Luo Ping's next death, and Feng Minchang, the owner of Yaji, died in that year. When Weng Fanggang occasionally saw a masterpiece of landscape and water that Wang Yuanqi also made with The Method of Huang Gongwang, he immediately opened this Wen Zhengming, which was also fascinating with "Hun Lun's strength". The two paintings are of the same view, but the Daowen Zhengming is difficult for Wang Yuanqi to reach (Figure 6). Perhaps what really makes him unforgettable is not only the pen and ink of WenHeng Mountain, but also the sadness of the Si people who have passed away, and the absence of the sub-period, only the rest of the empty strings. After a few thoughts, I could only feel the temperature of the deceased again in the mozzard of this axis. The fellowship of man is only friendship, and the most indelible.
Figure VI