Wu Jie Ge Zhongti
Wu Jie was a calligrapher of the early Southern Song Dynasty. Say, Tongyue, the Shanghai Museum's annotation pinyin is YUE, which is very professional. However, to say that Wu Jie also uses the word "Zixi Zhenyi" is somewhat unclear about the basis of the cloud. Zixi Zhenyi is the library seal of He Liangjun of the Ming Dynasty, the author of the famous "Four Friends Zhai Cong". Wu Jian only lived in Zixi, Qiantang (Hangzhou), known as Wu Zixi.
It is recorded that Wu Jie "entered Huang Tingjian's room", perhaps he was a student of Huang Tingjian, or he may have been a private disciple. Therefore, Shang Bo's introduction said that Wu Jie's "Gezhong Ti" had both Wang Xizhi and Huang Tingjian's penmanship. Reading through this post, I feel that Wang Xizhi's style is indeed very strong, and Huang Tingjian's Qingqi Juanxiu is less.
Interpretation: The cabinet is full of people, the body is blessed, the lang niang is all celebrated, the eldest mother-in-law is healthy, the people in the family are all asked questions, the children worship and live, the eldest son (Wang + Even) is tasted to remove Zhongyue, and the mid-autumn wants to bring his wife back, and the cold is even worse, and the woman keeps it, and now sends people to get it. When can come also. Because of the question, now with a hundred persimmons in Songyang, Zhejiang East thinks it is expensive. This year is difficult, and it is really a gift of goose feathers. Shame, shame. Ask. If you have what you need, you can't just entrust it.
Zhao Mengjian wrote a scroll of poetry from himself
Zhao Mengjian was a cousin of Zhao Mengfu, and both were descendants of Taizu Zhao Kuangyin. After the fall of the Southern Song Dynasty, Zhao Mengjian could not live in seclusion, and Zhao Mengfu became Kublai Khan's Jixian Temple Scholar, known as Zhao Jixian. There are historical records that once Zhao Mengfu came to visit his brother, Zhao Mengjian closed the door and did not take it, and under the persuasion of his family, he opened the back door to let Zhao Mengfu come in. After Zhao Mengfu left, he immediately asked people to clean the chair that Zhao Mengfu had just sat on.
I am afraid that this statement is not true. After all, Zhao Mengjian was 56 years older than Zhao Mengfu, and Zhao Mengjian had already died when Zhao Mengjian was a shiyuan.
At the end of this volume, Zhao Mengjian wrote a lament, and the true disposition of the literati and scholars was revealed: Baoyou Jiayin took a nap on november 28, and suddenly there were people holding this paper, because there were several old poems in the book, using Wu Shengyu's pen and Tang Duanshi's yan, and they were good to be deaf. The viewer does not know how to also, thirty years of Linchi income only Er, Yixin Hanmo is not easy, the number of days and scores is limited, and it is more impossible to add. It's time or more advanced, depending on this as a laugh. Or wander between the boxes, for my love to save. Zhao Mengjianzi, a resident of Wushu Yi Zhai, was guji.
At that time, Mi Fu struggled to write a book in the morning, and finally sighed, and wrote a good look, just a few words. Zhao Mengjian was the same, lamenting that after thirty years of linchi, he had gained all this. A person's talent for writing is fixed, how to practice, that's it. This is the feeling that a person who has been with pen and ink all his life has no choice but to grow old.
Rarely mentioned in the Book of Cardinal Poetry
In the Yuan Dynasty, there were many ethnic minority calligraphers, such as Yelü Chucai, Kangli Weiwei, Tai Buhua and others. Xian Yushu has a name like a minority, but from his character and cultural genes, he is a pure traditional literati. In the Hangzhou Museum, there are things excavated from his tomb, pen and stone, and the literati have enjoyed and entertained themselves all their lives.
Rarely in cursive writing, especially cursive, the characters are as big as a fist, the pen is in the center, and the ink is dripping, giving people a strong shock. Someone once asked him the trick of writing cursive, and he stared at it for a long time and said loudly: "Guts!" gall bladder! gall bladder!
Huang Tingjian, who was rarely looked down upon by the Song Dynasty, thought that cursive writing was damaged by the valley: Zhang Changshi Huaisu Gao Xian, all known as good cursive, long history upside down, out of the law, Huai Su obeyed the law, Te duo gu yi, Gao Xian used a thick pen, ten to six or seven ears, to the valley is a big bad, irreparable.
Zhao Mengfu once said a passage: Yu and BoJi classmate cursive, Boji is too far away, trying to chase it and can't reach it, Boji has been completed, the world is called the Servant Book, the so-called Buddha-no-Buddha is called Zun'er.
There is no Buddha to be honored, which is originally the words in the Huangting Jianbao Su Shi Huangzhou Cold Food Poem.
Zhao Mengfu wrote about the reconstruction of the pagoda at Guangfu Temple
Zhao Mengfu is a Songxue Daoist and a Crystal Palace Daoist.
Why would a Taoist write a "Record of Rebuilding the Pagoda" for the Buddhist temple of Guangfu Temple? It turned out that this Daoist was not a Daoist. Daoists are cultivators, what are they cultivating? It's the Dharma.
As a disciple of the senior monk Zhongfeng Mingben, Zhao Mengfu practiced Buddhism and wrote a lot of writing for the monastery and copied many Buddhist scriptures during his lifetime. In fact, as a "Taoist", he did write for the Taoist Temple, such as the famous Xuanmiao Temple in Suzhou, and thus achieved a classic in the history of calligraphy: the reconstruction of the Three Doors of the Xuanmiao Temple.
Regarding the Pagoda of Guangfu Temple, the inscription does not indicate where this pagoda is located. I guessed that Guangfu Temple may be the Tongguanyin Temple in Guangfu Town, Suzhou, where there is also a pagoda, but I did not see this stele in the temple, nor did I see the textual description of this pagoda related to Zhao Mengfu.
Yu Jishu Liu Yuan Shinto inscription
This masterpiece of calligraphy by Yu Ji was donated to the Shanghai Museum in the 1950s by Gu Gongxiong, the owner of the Guoyun Building in Suzhou.
This inscription is an essay from the Yuan Dynasty Great Confucian Yu Collection, which is not included in his own collection. The reason why Yu Ji did not include this article when compiling his own anthology is probably the same as Qi Gong's failure to include his essays that echoEdu Guo Moruo's negation of Lan Ting's preface into his own anthology.
The protagonist of the inscription is named Liu Yuan, the son of Liu Zhen in the late Song and early Yuan dynasties. Liu Zhen, on the other hand, was the core figure of the Yuan Dynasty's attack on the Southern Song Dynasty. He was originally a subordinate of the Southern Song Dynasty general Lü Wende (who is a cowardly and useless villain in Jin Yong's novel The Condor Heroes), but was persecuted by the Lü clan and finally surrendered to the Mongols. After Liu Zhen surrendered to the Yuan, he changed the Yuan Dynasty's strategy of attacking the Southern Song Dynasty, improved the attack on Sichuan to besiege Xiangyang, and trained sailors for the Yuan Dynasty. Later, another general, Lü Wenhuan (Lü Wende's younger brother, who had been reprimanded by Wen Tianxiang), invaded Jiangnan, and Liu Zhen said sadly, "Success does not have to be in me."
For such a descending general family, Yu Ji's feelings were complicated. On the one hand, writing Shinto tablets, like writing epitaphs, requires "cursing the dead" and singing praises to the owner of the tomb. On the other hand, the credit of the owner of the tomb is to destroy his "homeland", which is emotionally difficult to accept, and it is reasonable not to enter the collection.