Wu said that the Qiantang people, now Hangzhou, Zhejiang, the character Fu Peng, the number Liantang. After Zhao Zhao established the Southern Song Dynasty regime, Wu said that he was appointed as the envoy of Zhixin Prefecture and finally in charge of the Chongdao Temple. He is the grandson of Wang Anshi's friend Wang Ling, and Cai Bian is Wang Anshi's son-in-law, so they have a nepotistic relationship. Therefore, he once begged Cai Bian to take him to Cai Jing's mansion to visit Fei Que. Therefore, the time of the southern crossing has passed the year of establishment.
Wu said that his father was Gong Hanmo, and Emperor Huizong of Song once visited and asked for advice. However, his father was still very understanding and advised Emperor Huizong of Song that His Majesty had just ascended the throne and should attach importance to state affairs, and his subjects did not dare to use the last trick to oppose him.
Wu said that he was rich in collections, but many of the collections were the changes of Jing Kang and the national disaster wealth of Emperor Gaozong's southern crossing. Among them, there is also such a relationship with Li Qingzhao. We all know that Li Qingzhao was a famous lyricist in the Song Dynasty, known as the "female emperor in words". Li Qingzhao's husband is Zhao Mingcheng, although the husband and wife are officials and eunuchs, they have always been very frugal, and all the money saved is to buy gold and stone monuments. Li Qingzhao helped her husband Zhao Mingcheng to sort out a jinshi book "JinshiLu", and after Emperor Gaozong crossed south, Li Qingzhao followed her husband to Jiangnan, and soon Zhao Mingcheng fell ill and died while taking office. Three years later, Li Qingzhao fled to Shaoxing, and as a result, many of the collections were stolen by the landlord, and most of the stolen goods were sold cheaply by thieves to Wu Said. Therefore, Li Qingzhao wrote down this matter in the "Preface to the Golden Stone Record": "Now zhiquan was obtained by Wu said that the luck made it cheap." And the "Lan Ting Kao" Wu Said Title also recorded this incident.
The collection obtained at a low price was also sold by him to Emperor Gaozong of Song, Zhao Zhaoyun: "Yu Zi crossed the river, there was no fu zhong, Wang Zhen's handwriting, there were one or two in between, and he was rewarded with a heavy reward." Therefore, Wu said that on the one hand, it is a low price, on the other hand, it is heavy, and what is earned is the national disaster. Wu said that although the character is not good, the calligraphy is still worth mentioning. Appreciation of calligraphy passed down from generation to generation - a good partner of the Southern Song Dynasty (I) Qin Jun, and the calligraphy appreciation of Emperor Gaozong of the Late Song Dynasty
Emperor Gaozong of Song Zhao Zhaoyun: "Since Ruo Shaoxing, the miscellaneous books and gossamer books have only been Qiantang Wu said, and the seal law is Xinzhou Xu Jing, and they are all lulu, but it is also lamentable that its drawbacks are also there." Therefore, Wu said that Xu Jing could only be said to be a lame general.
Wu said "Gossamer Book Song Poem"
For Wu's gossamer book, the book world at that time was also mixed, and sometimes people ridiculed his books and character, and Wu said that he was a courtier. For example, the Southern Song Dynasty literary scholar Hong Mai commented on him: "Fu Peng's gossamer poems are hundreds of volumes, and Juyuan alone does not deeply sigh at the beauty. Remember a few sentences: Mr. Famous Festival, Hundred Generations Of YanLing. I comment on Mr. Sage, not as a book of energy. Success grinds the cliff, and Sheng De praises the sunrise. Don't read the clouds, Hua upside down the high-level. The sentences are super steep, and their purposes are all ironic. Similar to the ancient style of Liu Yanchong as recorded earlier." The gossamer book is still visible today, nothing more than a pure pen and ink game.
The Book of The Ming Dynasty
Wu's "Mingshan Sect Book" is his masterpiece, gentle and fluent, very close to Wang Xizhi's penmanship. Compared with Xue Shaopeng's Wang Shu, it is a little less careless and more rigorous. Therefore, he was favored by Emperor Gaozong Zhao who turned to Wang Xizhi at that time. Wu said that the line book is soft and delicate, and the line is sparse.
"Metaphorical Post"
The "Hanging Yu Ti" is a correspondence between Wu Shu and the government, in cursive script. The use of the pen to make the turn light and flexible, the vertical pen more to do micro-bending, the turn is rarely square folding, which is the typical Style of Xizhi. And the sharp edge of the sharp pen has increased a lot of Juan Xiu's temperament.
"The Gathering of Stars Inside the Door"
The work "The Star Gathering In the Door" is written for Wu Shuo's intentions, unrestrained, with pen strength and thinness, soft and rigid. The pen has Lanting elegant interest, and the layout is like Yang Ning's "Leek Flower Post", the author deliberately seeks novelty, and the skill is not shallow.
Wu said that although his character was average, from a calligraphic point of view, his inheritance of the Erwang Shufeng was slightly better than That of Cai Xiang and Xue Shaopeng, and much deeper than that of Emperor Gaozong of Song.