"Difficult to Walk" (two of three songs) Li bai The avenue is like a blue sky, and I can't go out alone. Shame on Chang'an Shezhong' children, red chicken and white pheasant gambled on pear chestnuts. Playing the sword to sing bitterly, dragging the king's door is not sympathetic. Huaiyin City Well laughed at Han Xin, and the Han Dynasty Secretary of State jealousy Jia Sheng. Jun did not see the Yan family in the past, Guo Kui, and there was no suspicion of the folding knot. Drama Xin Leyi thanksgiving points, liver dissection and bile effect of talent. Zhao Wang white bone haunting grass, who sweeps the golden platform more? It's hard to walk, come back!
Li Bai (701-762), also spelled Taibai (太白), was a Qinglian resident of Chengji, Longxi (near present-day Tianshui, Gansu). Du Fu praised his poems and also said: "The pen is stormy, and the poems become weeping ghosts and gods" (Du Fu's poem "Sending Li Twelve White Twenty Rhymes"). It was called "Poetry Immortal" by posterity.
Of course, his success is inseparable from talent, so in addition to this, what makes Li Bai have such a profound literary achievement, which has been passed down through the ages?
One of the answers is naturally inseparable from the reference and learning of excellent predecessors, which can be described as a collection of hundreds of families, and the person who has the deepest influence on Li Bai is called Bao Zhao.
Bao Zhao (416?) –466), courtesy name Mingyuan ,祖祖東海( present-day Tancheng, Shandong, disputed), was a Southern Dynasty Song dynasty writer who was also known as "Bao Yu" along with Northern Zhou Yuxin and "Yuan Jia San" along with Yan Yanzhi and Xie Lingyun.
"Difficulty in Approaching the Road" (Part 6) Bao Zhao The case can not be eaten, drawing the sword and hitting the pillar with a long sigh. When will the husband be born, and will Ann be able to hang his wings? Abandon the dismissal of the official, and return home to rest. Asagiri and kissing, Twilight is still on the pro-side. Get bed foreplay and watch the women weaving in the machine. Since ancient times, the sages have been poor and lowly, not to mention my generation is lonely and straight!
He has written excellent works in the fields of youxian, youshan, farewell, yongshi, pseudo-ancient, numerical poems, jianji poems, anagrams, and joint sentences, among which the group poem "Difficulty of Planning to Walk" has had an extremely significant impact on the poetry immortal Li Bai's creation of the famous "Difficulty of Walking".
Li Bai liked Bao Zhao's poem "Life cannot be called sad" (Bao Zhao's "Difficulty in Planning to Walk" no. 8), and his own verse "Life is Difficult to Be Meaningful" (Li Bai's "Pseudo-Ancient" No. 12) is derived from Bao Zhao's verses, and "Life is not satisfactory in the world" (Li Bai's "Xuanzhou Xie Zhen Lou Farewell School Shu Yun", which is also the use of Bao Zhao's verse.
As Hu Zai's "Yu Yin Cong Dialect of The Dragon Creek" quotes Fan Wen of the Song Dynasty: "Li Taibai also built more an syntax, while the whole text of the rare text was mixed with Bao Mingyuan." ”
It is precisely because similar experiences have contributed to the sympathy of two great men of different eras.
Bao Zhao's family was poor, and when he was young and studied hard to get ahead, he was appreciated by Liu Yiqing for his poetry and speech, and was promoted to the position of a waiter in the Linchuan Kingdom, and joined the army in the former army, known as "Bao Join the Army". It should have been a glorious life, but the regime changed, the wind and clouds suddenly changed, the mountain collapsed, Bao Zhao could not be reused, and was brutally killed in the rebel army and died young.
When Li Bai was a child, he studied extensively, calling himself "reciting Liujia at the age of five, guanbaijia at the age of ten", "fifteen good sword skills", "guanqi book", arrogant and proud, traveling to Chang'an, offering gifts and seeking shi, disobeying his own wishes to cater to the magnates, drawing camps for a lifetime, still not allowing them to be reused, and full of ambitions have nowhere to show. In the end, he recognized the absurdity and decay of the highest ruling class of the feudal ruling class and returned to the world.
Bao Zhao's creative fields are extensive and rich in content. Up to the emperor will be absurd and extravagant, jealous of power, down to the business calculations of the people in the city have some implications, taking "Difficult Road to Be Walked" as an example, "Since ancient times, the sages have been poor and lowly, not to mention my generation is lonely and straight!" "Bravely criticized the decay of the rulers and expressed the resentment that they did not encounter.
This point has been well inherited and carried forward by Li Bai, and in addition to his works of "complaining about the world", there is no lack of optimism and enterprising that "I am born to be useful".
Similar in theme to Bao Zhao's "Difficulty in Walking", "Difficulty in Walking" is the product of the collision between the poet's ideal and the dark and irrational society, and is a protest against the irrational system.
Li Bai is arrogant by nature, talented makes him pretentious, and his creation is even more heroic and straightforward, without any contrivance, and what he thinks in his heart is to be out of the world, then he will vividly dissect his mood before the world.
When the spring breeze is triumphant, "I go out laughing in the sky, my generation is a basil person"; when contemptuous of the magnates, "gold and white bi buy songs and laugh, drunk and light prince".
Li Bai's passion is the pulse of his poetry, undisguised emotional expression, mood and sorrow, long and short sighs, let us come into contact with a flesh and blood Li Bai.
Yang Tian laughed and went out, my generation is a basil person
Whether it is Bao Zhao or Li Bai, they often use either passionate or laughter and anger, and all kinds of fiery feelings converge into a bold momentum that shakes people's heartstrings.
Bao Zhao's creations are generous and arbitrary, such as "When will the husband be born, and An can hang his wings?" "Since ancient times, the sages have been poor and lowly, not to mention my generation is lonely and straight!" Just like Lu Shiyong's evaluation in the "General Treatise on the Mirror of Poetry": "When it is proud, it is squandered straight forward, and there is no solid wall, such as a horse light mink, a carved bow and a short sword, an autumn wind and sunset, and a galloping Pinggang." ”
Li Bai's poetry uses a large number of dictionaries on this basis, and the magic of using dictionaries lies in their ease. Use it, borrow one end, and exert its endless poetry. It's like flowing water.
Take his masterpiece "Walking Difficult" as an example:
"Idle to fish on the Bixi, suddenly take a boat to dream of the sun."
The allusion to "fishing" comes from the "Han Shi Wai Biography", which tells the story of Jiang Taigong (Lü Shang) fishing with a straight hook on the edge of The Rock Creek (southeast of present-day Baoji City, Shaanxi Province) before he met King Wen of Zhou.
King Wen asked him why he fished with a straight hook, and Jiang Taigong replied unhurriedly: "The willing one takes the bait." Li Bai compared himself to Jiang Taigong, believing that although his career was not smooth, he would definitely have the day when he would be re-activated, and the longing and eagerness in his chest were evident from this.
Jiang Taigong fished, and the willing one took the bait
The allusion of "Dream Day" comes from the "Song Shi Fu Ruizhi", which tells the story of a generation of sages Yi Yin, before he was born to assist Shang Tang, he dreamed that he passed by the side of the sun and moon in a boat, and the "sun and moon" here is naturally the symbol of the emperor, and it was not long before he was reused.
Li Bai also looked forward to the day when he would be favored and appointed by the emperor, exert his grand ambitions, and achieve his ideals in life.
Idle to fish on the Bixi, suddenly take a boat to dream of the day.
"Huaiyin City laughed at Han Xin, and the Han Dynasty secretary of state was jealous of Jia Sheng."
An example of "Han Xin" comes from the "Chronicle of the Marquis of Huaiyin", although he later held a noble position to the rank of a great general and accompanied Liu Bang to fight in the jiangshan, but before Han Xin was born, he was just a poor boy who could not even eat enough.
Some goons provoked, saying, "If you have a kind, kill me, and if you don't have any seeds, you will drill under my crotch." "The manly husband can bend and stretch, and Han Xin does it, which attracts ridicule and ridicule from the townspeople."
Han Xinren, who was originally different from the people in the countryside, was born a different species, and Li Bai used this situation to show his steadfast mind and noble pursuit.
Crotch humiliation
An example of "Jia Sheng" comes from the "History of Qu Yuan Jia Sheng Lie Biography", Jia Yi was talented, became famous at a young age, especially good at political theory, commented on current politics, needled and wrong, simple and steep style, and discussed smoothly, Lu Xun rated as "Western Han Hongwen".
Helplessly, because he was too favored, he was ostracized by the ministers of the Central Zhou Dynasty and the Infant Irrigation, and was unjustly demoted and left Beijing.
Li Bai used the example of "Jia Sheng" with the intention of showing that his talent was jealous of everyone, and he bowed down at the door of the magnates and formed a party for personal gain, that was not my Style of Li Bai!
Or, "It's hard to walk, come back!" ”
Jia Yi was degraded
From this point of view, Li Bai's poetic achievements are inseparable from the magic of using the classics, only Botong ancient and modern, familiar with history, can be so handy, compared with other poets, or secretly use no traces, or reverse use and new ideas, reading without the sense of Hanfu and other styles of piling up, can really be called the realm of innovation, language as their own, lively and natural.
Bao Zhao's poetry has a beautiful and bold beauty, a flowing god, and this distinctive style has won praise from all generations from the Tang Dynasty to the present:
The Southern Dynasty Zhong Rong's "Poetry" called Bao Zhao "a good word for making shapes and writing things". (i.e., the beautiful beauty of his poetry)
Du Fu of the Tang Dynasty commented on Bao Zhaoshi's style: "Junyi Bao joined the army. ”
The most representative is his "Difficulty in The Road to Be Walked" group of poems, in which it is written, "The case cannot be eaten, and the sword is drawn and the pillar is long sighed." When will the husband be born, and will Ann be able to hang his wings? "How intense the indignation is; "The water is flattened, and flows from east to west to south to north." Life also has a life, and Ann can sigh and sit sad! "How fierce is the unevenness.
Rich rhetoric, varied syllables, and gorgeous sentences give people a sense of boldness and elegance.
How does the same imagery Li Bai express? Take the second part of "Difficult to Walk" as an example, "The avenue is like a blue sky, I can't go out alone... Zhao Wang white bone haunting grass, who sweeps the golden platform more? It's hard to walk, come back! ”
The avenue is like a blue sky, and I can't go out alone
With an impassioned tone, Li Bai exerts a rich imagination and prepares for the difficult parting of the world, which makes the poem have a majestic and unrestrained, syllable excitement and frustration, a variety of forms, a strong and vigorous penmanship, and a poetic style of "vibrating and soaring, both handsome and elegant".
This style of poetry is so similar to Bao Zhao, but it is different that it can be done by non-elaborate people. Only a man with a bold heart like Li Bai can have such boldness and brushwork.
What needs to be explained here is that Li Bai's inheritance of Bao Zhao is not a simple imitation, but a combination of his own characteristics in the reference.
Also "bold and unrestrained", Bao Zhao's poems seem to touch more reality; Li Bai's poems avoid this reality, like clouds and dragons, dancing in the air, appearing romantic and uninhibited.
As the "Le fu Poetry Collection" explains: "Bao Zhao's 'North Wind cool', Li Bai's 'Candle Dragon Perch Cold Gate', both hurt the north wind and rain and snow, and pedestrians do not return." It can be seen that Li Bai has more intentions, not only absorbing Bao Zhao's strengths, but also further blending out his own unique style.
In short, the two are compared here, not to compete, but to better appreciate, whether it is Bao Junjun, or the poet Li Bai, deep sorrow and free open-mindedness converge into a strong emotional torrent, which flows in the staggered verses, flowing and impacting, stirring people's hearts.
Vast sea of people, we met, selected books and movies, with the most heartfelt text, empowering dear you, if you like it, please pay attention to me @ Jingjing have a chat, you can see the update for the first time Oh ~ ~
bibliography:
[1] Reprinted from Luo Chunlan, Peng Lanhua "Junyi Bao Joins the Army"—— Li Bai's Pursuit of Bao Zhao[j], Journal of Baoji College of Arts and Sciences, 2009(05): 51-56
Hu Zai. Liao Deming School, Beijing: People's Literature Publishing House, 1962:4
[3] For Zhu ZiYu, see Commentary on Bao's Collected Commentaries, p. 445
[4] Chen Yizeng's "Poetry Spectrum" can be found in Ding Fubao's "Continuation of Poetry in Past Dynasties" (middle), 631
The image originates from the Internet and is infringing and deleted.
end