"A Thousand Autumn Revivals" - an exhibition of the works of Zhu Fujie, a master of contemporary Jinshi calligraphy and painting
Sun Xiaoyun, chairman of the Chinese Calligraphers Association, inscribed the name of the exhibition
Zhu Fujie, a master of Jinshi calligraphy and painting
Zhu Fujie (1900.9-1989.11) was an outstanding master of modern Chinese Jinshi calligraphy and painting, zi bai xing, the number of jing niches, changed his name after 40 years old, zi fu jie, with character lines, Mei Xu people in YinXian County, Zhejiang, born in Shanghai. In his early years, he studied under Zhang Meiyi and Wu Changshuo, and at the age of 16, his seal engraving works were selected for the "Selected Seals of National Famous Artists" published by Saoye Shanfang, and at the age of 17, he participated in the Maritime Inscription Hall, and was very close to Feng Junmu, Luo Zhenyu, Kang Youwei and so on, and benefited a lot. In 1922, he published the "Jing Gong Seal Collection", and in his later years, he published "Selected Paintings and Calligraphy of Zhu Fu Ji Jinshi", "Zhu Fu Jie Seal Carving", "Zhu Fu Shu Repair Grass Tips Song", "Zhu Fu Shu Thousand Character Text", "Zhu Fu Shu Supplement Qin Carved Stone" and so on. He has successively served as a professor of Shanghai Art College, a member of the Standing Committee of the Chinese Painting Society, an honorary director of the Chinese Calligraphers Association, a director of the Xiling Printing Society, a member of the Shandong Provincial Committee of the Chinese People's Political Consultative Conference, a librarian of the Shandong Provincial Museum of Culture and History, a part-time professor of Shanghai Jiao Tong University, and an advisor to the Shanghai Buddhist Association.
Zhu Fujie's works
This exhibition exhibits more than 100 fine works such as calligraphy, seal carving, Chinese painting, and codex.
Zhu Fujie is a famous contemporary epigrapher, paleographer, calligrapher, seal engraver and painter. Zhu Fujie has been advocating the academic thought of Chen Jieqi, a master of epigraphy, and has been constantly cutting thorns and thorns on the cliffs of art, climbing hard, and achieving world-renowned artistic achievements. It is in line with the academic thinking and artistic spirit of Chen Jieqi, a generation of epigrapher masters.
Academic comments on Zhu Fujie
Wu Changshuo: Wu Changshuo was amazed by the stone drum collection made by Zhu Fujie at the age of seven, calling him a "little fearful friend" and a "prodigy".
Zhang Yi (Yi Xiang), a resident of Yixiang: Late book hunters, the first to recommend Wu Laojian, the old writer, but occasionally has a fierce spirit, want to use this to dazzle the vulgar eyes. This book is still in the niches, shrinking its structure, the pen is clear and unremitting into the ancient, the orchid is empty, the words are self-explanatory, and the knowledge is superior to the people.
Zhang Meiyi, then the president of Nanyang Public School, inscribed on his inscription: "Let Uncle Dongxin not see it from the old, and be afraid of future life."
Feng Junmu: Zhu Shengyifang, genius Junfa, copying the stele version, the next pen is. And carved stone, Qin Xi Han seal, often chaotic. In the twentieth year, the reputation of the sea, the qi flower bead tree, the treasure and love also.
Ma Chengyuan: The first person to design bronze.
Kang Youwei: Jiangnan prodigy, worthy of the name.
Zhang Daqian: In modern history, he is an authority on goldstone, calligraphy and painting, and bronze.
Those who can transcend the flow of time and open up a generation of sectarian styles are only Zhu Fujie.
Ma Gongyu: He is knowledgeable and versatile, good at poetry, fine gold stone, good at calligraphy and painting, fine study of six books, extensive books, integrated, and excellent in knowledge. Whoever has done something, there is no ancient and beautiful Mu, the former people, and the other ways to become a sect of its own, it is really only one person for a thousand years.
Mr. Yu's name is discarded; Yu Li is waved away.
Liu Haisu: Between pen and ink, there is a deep thought, a taste, a wandering god in three generations, and a meditation on creation.
Yu Aijun is crazy grass, the sky is proud and vigorous, and it is impossible to tell. Zhu Zhishan and Fu Qing were Daoye.
Sha Menghai: Today's book carvings, especially those who rule the ancient seals, should push the elder brother first.
In the "Collection of Reprints", many works of imitation seals, lush changes, and desire to look at the first life.
Ma Guoquan: Jin Wenxi was the body of the late Shang Dynasty and the beginning of the Zhou Dynasty, imposing and majestic, solemn and mu, adjusting the center of gravity of the word by adding points to fill in and aggravate the knife, or correcting the strokes to oblique, straight into curves, and changing squares into circles. And shifting to the side, changing positive to reverse, easy to left and right or up and down, is also commonly used. Non-Yi Ming rotten ripe chest, not easy to do also. And the ingenuity of the book is in the virtual reality, the thickness, the retraction, the beauty of the length and shortness, the bending and twisting, the big opening. Although he was old enough to be old, he still swallowed bullfighting, and his yin and rigidity intimidated people's hearts, and it was rare for all generations of calligraphers to be seen. ”
In the fourth issue of Cultural Life, 1984, he published an article signed by Yulu: "The Forgotten Generation of Grandmasters - Zhu Fujie, a Calligrapher and Painter of The Golden Stone"
Xinhua News Agency, November 11, 1989: Mr. Zhu Fujie, a famous Master of Jinshi Calligraphy and Painting in China, passed away.
Editor of this issue: Jingjing
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