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2021 Weifang Chen Jieqi Jinshi Culture Week series exhibition | "Walking Great Void King Buddha" ——— Ding Yihe Mo cliff carved rubbings donation exhibition

author:Weicheng release
2021 Weifang Chen Jieqi Jinshi Culture Week series exhibition | "Walking Great Void King Buddha" ——— Ding Yihe Mo cliff carved rubbings donation exhibition

Ding Yihe Cliff Carving Rubbings Donation Exhibition

2021 Weifang Chen Jieqi Jinshi Culture Week series exhibition | "Walking Great Void King Buddha" ——— Ding Yihe Mo cliff carved rubbings donation exhibition
2021 Weifang Chen Jieqi Jinshi Culture Week series exhibition | "Walking Great Void King Buddha" ——— Ding Yihe Mo cliff carved rubbings donation exhibition
2021 Weifang Chen Jieqi Jinshi Culture Week series exhibition | "Walking Great Void King Buddha" ——— Ding Yihe Mo cliff carved rubbings donation exhibition

Ding Yihe was born in 1970 in Zhucheng, Shandong Province.

Writer, calligrapher, and philosopher of the Golden Stone. He is committed to the study of The Cliff Carving, and has published many academic papers in calligraphy professional media such as Chinese Calligraphy. He studied at the Department of Literature of the People's Liberation Army Academy of Arts, peking university law school, master of calligraphy of Beijing Normal University, and master tutor of Northeast Normal University. He is a member of the China Writers Association and has published more than 8 million words of works, and has won more than 60 awards for works such as the Golden Shield Literature Award, the Three Hundred Original Works Award, and the Excellent Bestseller Award. He is the author of more than 30 works such as "Operation Clearing the Net", "Operation Hurricane", "Army of the White Hats of the East", "Hacker of the East" and so on. "Eastern Hacker" and "Operation Hurricane" have been adapted into film and television works. His works have been selected into a variety of anthologies such as the "70 Years of New China Literature Series", and have been selected into the list of the latest works of Chinese contemporary literature and the list of Chinese reportage literature for many times.

2021 Weifang Chen Jieqi Jinshi Culture Week series exhibition | "Walking Great Void King Buddha" ——— Ding Yihe Mo cliff carved rubbings donation exhibition
2021 Weifang Chen Jieqi Jinshi Culture Week series exhibition | "Walking Great Void King Buddha" ——— Ding Yihe Mo cliff carved rubbings donation exhibition
2021 Weifang Chen Jieqi Jinshi Culture Week series exhibition | "Walking Great Void King Buddha" ——— Ding Yihe Mo cliff carved rubbings donation exhibition
2021 Weifang Chen Jieqi Jinshi Culture Week series exhibition | "Walking Great Void King Buddha" ——— Ding Yihe Mo cliff carved rubbings donation exhibition
2021 Weifang Chen Jieqi Jinshi Culture Week series exhibition | "Walking Great Void King Buddha" ——— Ding Yihe Mo cliff carved rubbings donation exhibition
2021 Weifang Chen Jieqi Jinshi Culture Week series exhibition | "Walking Great Void King Buddha" ——— Ding Yihe Mo cliff carved rubbings donation exhibition
2021 Weifang Chen Jieqi Jinshi Culture Week series exhibition | "Walking Great Void King Buddha" ——— Ding Yihe Mo cliff carved rubbings donation exhibition
2021 Weifang Chen Jieqi Jinshi Culture Week series exhibition | "Walking Great Void King Buddha" ——— Ding Yihe Mo cliff carved rubbings donation exhibition
2021 Weifang Chen Jieqi Jinshi Culture Week series exhibition | "Walking Great Void King Buddha" ——— Ding Yihe Mo cliff carved rubbings donation exhibition
2021 Weifang Chen Jieqi Jinshi Culture Week series exhibition | "Walking Great Void King Buddha" ——— Ding Yihe Mo cliff carved rubbings donation exhibition
2021 Weifang Chen Jieqi Jinshi Culture Week series exhibition | "Walking Great Void King Buddha" ——— Ding Yihe Mo cliff carved rubbings donation exhibition

I do

Ding Yihe

Rectangular patches

The so-called preface is to give the reader and the audience a key to open the door. My key password is just three words: I do! There are three meanings here:

The first is to give people roses and have a lingering fragrance in their hands. Calligraphy is my hobby, writing is my job bowl, whether it is a hobby or a job bowl, I strive to be the best. I like to study the Moya inscription, so I went to beijing normal university to study a master's degree in calligraphy, and also worked as a master's supervisor in a famous school. Over the years, following the footsteps of the ancestors of the monk An Daoyi during the Wei and Jin Dynasties, I have conducted countless fieldworks on the Moya inscriptions, written some academic papers, and collected some rubbings of the Moya inscriptions in various ways for writing and research purposes. Suddenly, one day, my old leader, Chen Xin, who is also the president of the Chen Jieqi Research Association, said, You donated the rubbings, and the giver roses have lingering incense. For this aftertaste, I gritted my teeth and glared, donate!

The second is the cultural bloodline and inheritance from generation to generation. My hometown is in Zhucheng, Shandong, and there have been many cultural celebrities in history. Zhao Mingcheng, who wrote "The Record of Golden Stones", is the husband of the famous lyricist Li Qingzhao, who created the precedent of Chinese epigraphy. Ding Yaokang, the eighth ancestor of our Langya Ding clan, also has a name called Ding Yehe, and he is drunk with the calligraphy masters such as Dong Qichang and Wang Duo of the same period. In addition to his poetry and song, he is also a collector with a deep knowledge of calligraphy. The Langya Ding clan has been in my generation for twenty-one generations, and the inheritance of the love of jinshi calligraphy cannot be broken in our time and must be connected.

The third is to set up this photo and look forward to the heavy light. Since the Northern Qi era of the Wei and Jin Dynasties, the Moya Carved Scriptures in 1450 have been blurred in the wind and rain, and some have disappeared, which makes people sigh. Through this donation, I am willing to let the thousand-year-old Cliff Carving leave the memory of this era, and leave it to the descendants of decades and hundreds of years in 2021, waiting for the light to reappear. One day in the hereafter, if our descendants brush away the smoke and dust of the years and see these rubbings and my own temporary writings today, they will say: Oh, the original 2021 Moya inscription and the generation's temporary writings are actually like this!

Isn't that enough!

Editor of this issue: Lao Tan

2021 Weifang Chen Jieqi Jinshi Culture Week series exhibition | "Walking Great Void King Buddha" ——— Ding Yihe Mo cliff carved rubbings donation exhibition

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