Qianlong, known as the Ten Perfection Old Man, has been familiar with reading poetry books since childhood, learning calligraphy and painting, thousands of miles of rivers and mountains, everywhere there are his inscriptions, countless precious calligraphy and paintings, all have his trek text, can be described as full of confidence!
In fact, his calligraphy is deeply influenced by Liang Shizheng, if only from the perspective of artistic achievements, it has not reached the "blue out of blue and better than blue", but it is also excellent!
Qianlong calligraphy
Liang Shizheng, 33 years old in tanhua, 37 years old for the emperor, so young to become the emperor, is a strange person! During this period, he and Qianlong formed a deep teacher-student relationship, after Qianlong ascended the throne, he served as six Shangshu, shangshu minister, became one of Qianlong's most trusted ministers, most of the important documents of the imperial court are from his hand, many famous paintings and posters have his writings.
Liang Shizheng
Liang Shizheng was an official Qingzheng, a calligrapher who first learned Liu Gongquan, followed by Zhao Mengfu, Dong Qichang, Yan Zhenqing in his later years, Mi Fu, and later commissioned by Qianlong to compile the "Sanxitang Fa Ti", during which he contacted and copied more than 100 calligraphy posters and rubbings, including Wang Xizhi, Wang Xianzhi, Wang Xun, etc., and became a family of his own!
Although Liang Shizheng is the most elite official, most of the roles are Qianlong's "ghostwriting", so his heirloom works are mostly found in his famous paintings, plus Qianlong likes Zhao Mengfu and Dong Qichang, so these works have obvious styles of Zhao Mengfu and Dong Qichang.
Liang Shizheng is especially good at walking and kai, and many works have kai intentions in their lines, with Yan Zhenqing's frank meaning with pens, and their posture has the side of Mi Fu, while the layout is Yang Ning's leisurely and comfortable, and his spirit is like Zhao Mengfu and Dong Qichang, light and self-sufficient. It belongs to the rare boutique!
Liang Shizheng's writing, also influenced by the pavilion style at that time, mainly in the line, and coupled with their own understanding and innovation, in the dignified and ethereal, in the ethereal and a little neat, easy to understand, easy to argue, the influence is quite large, known as one of the "most beautiful books"!
Some people say that Liang Shizheng's writings, comparable to Wang Xizhi, are actually too prestigious, And Wang Xizhi's writings are intended to be gupan, facing upwards, clear and transparent, broken and connected, vivid in rhyme, dashing in the wind, and difficult for posterity to surpass.
The greatest contribution of Liang Shizheng Xingshu is that on the basis of inheriting the calligraphy of his predecessors, he cut the complex and simplified it, changed the ancient into the present, and his pen did not contain hun, did not make it mysterious, and the pen path of starting, transporting and closing the pen was very clear, making it easy for scholars to understand and follow;
If from a practical point of view, it would be better to choose Liang Shizheng!
Mr. Qi Gong greatly respects Liang Shizheng and once said: For more than 300 years, calligraphy, I only serve him! The Qi Gong body is quite close to Liang Shi Zhengxing's book.
Qi Gong calligraphy
In today's book world, the aesthetics of calligraphy are still undergoing completely different changes:
Calligraphy experts, mainly Professor Qiu Zhenzhong, under the condition of accepting the Western concept of literature and art, believe that calligraphy like Liang Shizheng belongs to the pavilion style, the style is not high, it is a kitsch art, showing a lower art form and style, not good calligraphy, it is not worth advocating.
The calligraphy of Wang Yong, the founder of popular calligraphy
Moreover, in the eyes of the vast number of folk calligraphy enthusiasts, Liang Shizheng calligraphy was born from the Erwang Theory, with Wang Xizhi's dashing implications, Wang Xianzhi's wanton and fluent, Zhao Mengfu's charming and beautiful, and Dong Qichang's rounded spirit show, which is a rare and good calligraphy.
In fact, the dispute over the pavilion has a long history:
Even Mr. Qi Gong's calligraphy was not spared, and he was also stamped with the hat of "Pavilion Style"!
In this regard, Mr. Qi Gong said: This is lifting me up, I have a good writing in the pavilion style!
The dispute over the pavilion body, which seems to be an aesthetic dispute, is actually a dispute over where calligraphy goes, the national exhibition, the calligraphy exhibition of various provinces and cities, similar to the traditional calligraphy of Liang Shizheng, has disappeared, and only the exhibition body and popular calligraphy are left, which makes people can't help but sigh!
Don't know what you think about this? Welcome to comment and leave a message!
Today, I especially recommend a copy of "Liang Shizheng Calligraphy Collection" to you, and look forward to the majority of book lovers to like it!
Liang Shizheng Calligraphy Collection Kai Shu Xing Shu Zi Zi Ten Palace Words Calligraphy Soft Pen Copy Pro Tie Calligraphy Brush Stroke Post ¥25 Purchase