Zhao Mengfu 《汉汲汲黯傳》 Album (Biography) Xiao Kai, on paper, Wusi Column 17.6× 17.4cm×10 1320 Tokyo, Japan
Written in the seventh year of YanXuan (1320), the Biography of Han Ji was a famous xiaokai work by Zhao Mengfu.
The lack of 197 characters in the work was supplemented by the Ming Dynasty calligrapher WenZheng.
"The Tale of Ji Di", Song Tan Huang Tibetan Scripture on Paper, Small Kai Album, a total of 10 pages, each page length 17 .6cm, horizontal 17.4 cm, Wusi column boundary, 12 lines per page, the number of lines of words varies from 16 to 18, where 119 lines, counting 1946 words, page 6 12 lines 197 words, for Wen Zhengming supplementary book. It was successively deposited by Yuan Chen, Xiang Yuanbi, Xiang Hanfu father and son, Li Zongkong (1618-1701), Bian Yongyu (1645-1712), An Qi, Qian Weiqiao (1739-1806), Tang Zuomei, Bao Guisheng, Sun Yuwen (1833-1899), Sun Mengyan father and son, and Fei Jingfu (1854-1936). At the end of the volume are Wenzheng Ming Jiajing Twenty Years (1541) Trek, when he was 72 years old, Xiang Yuan Bian Wanli Three Years (1575) Trek, compiled as Zong Zi Name, Zheng Zhongguang Kangxi Twenty-six Years (1687) Trek, Feng Yuji Tongzhi Twelfth Year (1873) Trek, Bao Yuanshen (1812-1884) Tongzhi Twelve Year Trek, Sun Mengyan Guangxu Twenty-five Years (1899) Trek. The inkblot of "The Tale of The Dark" is now in the Hosokawa Ieyasu Bunko in Tokyo, Japan. Pages 317-325 of the 1941 issue of the 51st edition of the Japanese magazine Guohua magazine, vol. 10, contained a short commentary by Taki Shu-an, and no further research by Japanese scholars was found.
This work is a masterpiece of Zhao Mengfu's calligraphy in Xiaokai. Compared with his other small works such as the Tao Te Ching, this work is heavy and elegant, neither smiling nor tadpole stupid, light and heavy; the pen is calm and unhurried, in one go, neither the wind nor the softness of grace, although sharp but gentle; the pen seems to be slightly heavier, but it is even more sharp. The curved pen calmly turns, condensed and contained; the folding pen stands on a square edge, and the work is quiet. The vertical strokes are all heavy, and the other strokes are sparse and jagged, interspersed with them, such as the dense foliage in the bushes, and the moonlight is transmitted, covering up the fun. The point is small but quite exhilarating. Or left or right, or up or down, all can do their own posture, the weight can be like a mountain falling stone, the light can be like the end of the wind. The two sides of the row are limited by the silk, and the straight line is coordinated left and right, and the horizontal is not a column, but it is mutually rewarded and complemented. Zhao Mengfu claimed that "The Legend of Ji Di" was written by the Tang Dynasty. Feng Yuanshen commented on Yun in the Qing Dynasty: "Although this book Fang Jun, according to the European body, its use of pen speed and beauty is still derived from the books of "Painting Praise" and "Le Yi". Ni Zhan also said: "Zi Ang Xiaokai, knotted body Yanli, with a pen of strength, really worthy of the Sui and Tang Dynasty people." This work is also the best model for beginners in Xiao Kai, and has been respected by generations of writers.
The style of the book is very different from that of Zhao Mengfu's biography, so there has always been a lot of controversy about its authenticity. One is inferred that Yu He (1307-1382) imitated Zhao,quite a few people held this view, including Zhang Guangbin, Fu Shen, and Wang Lianqi of mainland China. Yu Hehao imitated the Book of Zhao, and also came to the Jin people XiaoKai such as "The Theory of Le Yi" and so on. Its seiko is solid and its skills are deep, which is difficult for other students to achieve. However, Zhao's false and graceful, Yu He has not been able to learn, in this way to distinguish Yu He as a fake Zhao book, it can be said that the hole is like a fire. Like his self-proclaimed "Le Yi Fall" and "Linding Wulan Pavilion Preface", the "Biography of Ji Di" is also only Fang Jun's rigidity, but not Zhao's vain charm. Some people also believe that this may be a Wenzheng Ming Linben, in which the supplementary explanation in the Sayings is only three hundred and two silver here, in order to cover up the misery. However, there are many scholars who insist that this is Zhao Mengfu's immortal work, "just by virtue of the style of the book Fang Jungangli, that is, Wen Zhengming's statement that Fang Junjin is on track, he cut off the "Biography of Han Ji Di" as a Yu He book, as if the evidence is slightly lacking, and compared with Yu Xiaokai's "Treatise on Le Yi" and "The Biography of Han Ji Di", it is not only owed to Seiko and old, but also to Shen Yun. (Huang Wei's Complete Works of Chinese Calligraphy, Zhao Mengfu Volume, Vol. II, pp. 475-476, RongBaozhai Publishing House), reaffirming the artistic value of this post.
The Right Zhao Wenmin Gongshu 's "History of Ji Di Biography", which is exquisite in the law, or suspects that its tracks are strong, is not a public book.
Yu Weigong learned everything in the book of the ancients, and tried to read the Eight Laws of the Ouyang Clan to teach his son. He also tasted his own "Qianwen" Yun "A few years ago, he studied Chu Henan's "Mengshi Monument" so the knot was like this. ”
This legend actually has the meaning of Ou Shu's pen, and the postscript Yanyou was handwritten in Songxuezhai for seven years, and Yun: "At this moment, there is a Legacy of the Tang Dynasty." "If this is a stone inheritance, is it not a relic of evil?" Kao Ou Zhao and the two golden stone records, it does not matter "The Legend of Ji Di", I don't know who wrote it.
The Duke returned Wu Xing with the six-year-old obituary of Yanyou, and by one year, there were seven years in the sixtieth year. He died in the second year of his reign, nine of his sixties, only two years after this.
Gong tasted the Mi Yuanzhang "Zhuang Huai Fu", a number of lines were missing, because the engraving was taken to make up for it, and all the books were counted, and they were not satisfied, sighing: "Now do not catch the ancient and many." "So I finished it with an engraving." Gong Yu Yuanzhang, is it really not arrested? It is not complacent to fake it.
This biography comes from the "anti-evil and non-repetition of evil" below all those who lack one hundred and ninety-seven words, yu because they cannot engrave the book, and they are satisfied with their own intentions.
Fu Zhengming regards the gong, and the public sees the yuanzhang, which is superior and inferior, and there is a gap. And Yu Shiyan is like this, how can you not catch the ancient ya! I am ashamed of my knowledge of books.
Xin Ugly (1541) June both wang, Wen Zheng Ming shu, when the age of seventy has two. (According to photocopied ink)