The full moon is good, and it is the Mid-Autumn Festival. In the history of Chinese painting and calligraphy, the word "Mid-Autumn Festival" is mentioned, and it is necessary to mention the "Mid-Autumn Festival" written for Wang Xianzhi, which is named because of the word "Mid-Autumn Festival" at the beginning of the volume, and is the earliest and most important returned cultural relics after the founding of the Republic.
As one of the most famous museum collections, the "Mid-Autumn Festival" volume, also known as the "December Thesis", cursive, is said to be the authentic relics of the Eastern Jin Dynasty King Xianzhi, originally five lines and thirty-two characters, and then cut off two lines, and now only three lines and twenty-two characters remain. During the Qianlong Dynasty, it was included in the Inner Province, and together with Wang Xizhi's "Qing Ti in the Fast Snow" and Wang Xun's "Boyuan Ti", it was praised by the Qianlong Emperor as "Three Xi", which means that these three these posts are rare treasures.
Its content is: "The Mid-Autumn Festival can no longer be returned to each other, that is, how to defeat the people He Qing and other armies in the province."
Wang Xianzhi's "Mid-Autumn Festival" volume (partial)
There is no payment, and how to break sentences is also a reverie. The Mid-Autumn Festival Thesis was regarded as a treasure by the Qianlong Emperor, and the first book was prefaced with the words "Zhibao". In the upper right corner of the text of the post, there is also Qianlong's imperial inscription "Emperor Xuan Zhongqiu Ti". At the end of the volume are Ming Dong Qichang, Xiang Yuanbian, and Qing Qianlong inscriptions. Ding Guanpeng painting.
This post was once collected by Xuanhe of the Song Dynasty, Shaoxing Inner Province, Ming Xiang Yuanbian, and Qingnei Province. During the Republic of China, Puyi took him out of the palace and scattered the people. Before the founding of the People's Republic of China, he was pawned in a foreign bank in Hong Kong along with Wang Xun's "Bo Yuan Ti". At the end of 1951, when the pawn period was about to expire, some people abroad intended to buy it, and Premier Zhou Enlai heard the news and immediately instructed the relevant departments to buy it back and enter the Palace Museum, which became the earliest and most important returned cultural relics since the founding of New China.
Wang Xianzhi's "Mid-Autumn Festival" volume