Xiang Shengmo was a famous painter in the late Ming Dynasty, who was born into the Xiang clan of Jiaxing. Xiang Shengmo's ancestor was the famous Ming Dynasty collector Xiang Yuanpi, and the rich collection in the family provided a great help for his creation. Xiang Shengmo is good at painting landscapes, and his style is mainly realistic and antique. Xiang Shengmo's paintings have a strong sense of literati and solid techniques, showing a high aesthetic taste.
This "Autumn Colors of Chongyang" is a painting by Xiang Shengmo to his cousin, depicting the local beauty of Jiaxing on the Chongyang Festival. Jiaxing is the hometown of fish and rice in Jiangnan, where the people live a rich life, and the scenery presented in the painting is a peaceful and tranquil scenery. With this as a keynote, Xiang Shengmu paints the warmth of autumn. There is a detail in the painting, setting sail, and it is full of his sincere wishes to his cousin.
Xiang Shengmu Chongyang Autumn Color
Some people believe that Xiang Shengmo was a follower of Dong Qichang, which is not very accurate. Compared with Dong Qichang, Xiang Shengmo did not give up the pursuit of rigorous techniques in his creation. While mastering the pen and ink method, he will not emphasize the freehand of shape, but pursue a sense of reality. He was opposed to scribbled and rough works, and he felt that painting should have a serious attitude.
Look at the landscape in the distance of the painting to see how serious he is. Ordinary painters may only paint distant mountains, and will not depict the details of satin pontoon bridges and house tours. The richness of detail comes from observation, and Xiang Shengmu looks for materials from life and then expresses them in artistic techniques.
Xiang Shengmu Chongyang Autumn Color Partial
Some people have studied the purpose of the creation of the Sacred Mo, including gifting relatives and friends, practicing techniques, and entertaining themselves. From this, it can be felt that when he creates, he is not too disturbed by external factors. This kind of non-utilitarian creation is easier to show feelings. "Chongyang Autumn Color" is to bless, so he used warm colors to express this feeling. The ancients painted autumn landscapes, which would also be warm, but they may not be so full of true feelings as Xiang Shengmu.
Xiang Shengmo's landscape paintings have traces of the Zhejiang school and the shadow of the Wumen school. Both schools are a continuation of the traditional painting style, and he has learned the meticulous rigor of the Painters of the Song Dynasty and the ethereal elegance of the Painters of the Yuan Dynasty. "Chongyang Autumn Colors" combines a variety of styles. The distant composition, the double hook of the tuft leaves, the realistic sailboat, let people feel his ingenuity.
Taking the Fa Song, taking the rhyme from the Yuan, the nourishment of tradition, let Xiang Shengmu play with ease in the creation. He is not a slave to the technique, but a master of the technique. Natural, relaxed, and true, let him paint a different autumn landscape.
After Ming's death, Xiang Shengmo fled with his family. He picked up the paintbrush again to satisfy food and clothing, and he could not paint such a warm work.
Later generations used "melting the past to cast the present" to describe Xiang Shengmo's artistic achievements, and the elegant charm he presented in his paintings, coupled with his opposition to the sloppy painting style of Yi Brush, gave him a place in the painting world at the end of the Ming Dynasty.
【Source: Phoenix News Client】
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