Xiang Shengmo, Zi Yi, Hou Zi Kong Zhang, Yi An, famous calligraphy and painting collector and painter of the late Ming Dynasty.
Xiang Shengmo's family origins, grandfather Xiang Yuanbian was a famous calligrapher, painter and connoisseur in the middle and late Ming Dynasty.
Xiang Shengmo studied Wen Zhengming in his early years, but soon jumped out of the limitations of Wen Zhengming's painting style and directly learned from the ancients, which won the meticulous rigor of the Song people's pen and the charm of the Yuan people. Coupled with its own experience of observing nature and traveling to sketch, its picture layout is wide open and closed, the artistic conception is clear and elegant, the structure is rigorous and changeable, the brushwork is simple and elegant, the atmosphere is elegant, it is very bookish, and it has a high character and ideological connotation.
Xiang Shengmo likes to paint tall trees, You Xi paints pine trees, tree hooks, rubs, dyeing fine, trunks are rugged, the calendar can be caught, there is a strong sense of bump, and the light part left out is quite volumetric, Xiang Song's name is full of southeast". He painted a large tree, the trunk is straight, strong and majestic, and the anthropomorphic picture image is clear and strong, with a strong personality force.
Xiang Shengmo's works have two characteristics, one is a strong political color, he uses paintings to reflect the sufferings of the people, and pins his sympathy for the people and loyalty to the Ming Dynasty. The second is an extremely rigorous painting style and a realistic attitude.
Rain full of mountains Jai Tu axis Ming Dynasty Xiang Shengmu
In the picture, the mountains are deep and deep, the waterfalls are clear, the temple is hidden among the dense trees and towering peaks, and the Coats walk on the bridge with their staffs to find the shadow. The mountain stone takes the Fayuan Dynasty Huang Gongwang, and the hook is thick and simple with a pen. The painting method of the trees is combined with the brushwork of the Song people, and the branches, leaves, and moss dots are all centered in the pen, and cang xiu is calm. The mood of the picture is deep and dusty. The author's depiction of his activities in the mountains and forests in the late autumn reflects the state of mind of the late Ming Dynasty scholar doctor who was tired of living in seclusion.
Snow Shadow Fisherman Figure Ming Dynasty Xiang Shengmu
The four old trees under the snow cover in the picture are thick and tall, with forks and branches falling, and the leaves are gone, indicating that it is a harsh winter. Under the water's edge, a fishing boat docked, and the fisherman was dressed in a cloak, wearing a bucket hat, and holding a oar to stand on the bow of the boat. In the distance, there are clouds and mountains, and the view is endless.
Four Gentlemen Figure Ming Dynasty Xiang Shengmu
The four trees in the picture are pine, cypress, locust and sycamore. The four trees symbolize the character of Gangzheng Bu'a, symbolize the loyalty of the Xiang clan to the Ming Dynasty and the integrity of not yielding to the Qing Dynasty.
Tianxiang Book House Diagram Ming Dynasty Xiang Shengmu
In the picture, a student is reading in a grass hut under a osmanthus tree, and the composition of the two banks of a river reminds people of Ni Zhan, and the pen and ink are already Xiang Kong's own face.
Lonely Mountain Crane Diagram Ming Dynasty Xiang Shengmu
Lonely Mountain is located on the edge of the West Lake in Hangzhou, where legend has it that Lin and Jing lived in seclusion in the Southern Song Dynasty, taking Mei as their wife and crane as their son. The author uses this to show his heart.
Small landscape of the Ming Dynasty Xiang Shengmo
This picture may have been three albums, and then framed into one. The first painting slope shore Tingzhu, the distant mountain Yanlan is expressed by the splash ink method; two close-up views of the high mountains towering, the two mountains hide the distant house bamboo forest, for a far-reaching composition; three are one-corner compositions, the theme of the ancient temple slope stone is located in the lower right corner, across the river sandbar stretches, a vast view of the river and the sky.
Great Tree Wind Figure Ming Dynasty Xiang Shengmu
Some scholars believe that this figure is a figure painting that symbolizes nostalgia for his homeland, which was created by Xiang Shengmo after the fall of the Ming Dynasty, expressing his nostalgia for his homeland and his deep sorrow. In the picture, there is an ancient tree in Pituo nearby, towering independently, and an old man under the tree stands with his staff on his back, looking up at the distant green mountains and sunsets, wandering and groaning, as if he can't bear to leave. The author of the upper right of the picture has written a poem with seven words and one sentence: "The wind trumpet is standing in the middle of the tree, and the sun is thin and the west is lonely." Short and at any time Dan Mo (same twilight), can not look back at the pu. "The image of the ancient tree is vivid and unique, the background is simple and empty, like reading the vicissitudes, weathering the wind and rain, and the leaves are destroyed by frost and snow, floating to pieces, but they stand proudly and have an unyielding inner spirit." The whole picture includes the poem title, giving people a sense of depression, sadness, loneliness, and desolation.
Listen to the Song Tu axis of the Ming Dynasty Xiang Shengmu
In the picture, the clouds and cliffs are surging with mist, the long pine branches, and the Highs Linliu chanting. The tree stone is thick and composed with a pen, the character lines are round and simple, and the artistic conception is clear and ancient.