The poet who stands at the edge of the words and gestures to the earth between the three plains of the heavens - read Guo Dongchao's "How to Love You in This Troubled Earthly World" talk film

Luo Guangcai

Reading "How to Love You in This Troubled Earthly World" is in this spring when the grass grows and the warblers fly, looking at the great river soup soup, watching the lyrics of the land of singers, walkers and enlightened people in the branch text of the poet Guo Dongchao, watching the red clothes flying on the body of the sheep, and feeling the sound of the earthly world.

"How to Love You in This Troubled World"

"To be loud and distant is not to take advantage of the autumn wind." Using the probe of poetry to explore in the cave of the seven chapters of "How to Love You in This Troubled Earthly World", he always finds himself on the cave wall "the shadow of the soul", and truly perceives the human condition under the philosophical and good structure, not only the true perception of the objective external world, but also the collision of life, natural things and the soul. "The Language of Water" is a vivid rhyme, which is a powerful life energy condensed with poetic richness, aesthetic subtlety, keen sensitivity, continuous spiritual strength and precise structural ability. His linguistic strategy, way of imagining and spiritual posture are an expression of the poet's conscious becoming a "bearer of humanity".

The Singer. Walker. The Enlightened One uses "temples and rivers and lakes" to interrogate his "Spring and Autumn", "Home Country" and "Earthly World", and the poet vividly presents an infinite change and personal and concretized feelings of home and country built on the plum blossom pile of history, nature and language. This is the inner practice in the poetry text, and this internal cultivation permeates the poet's imagination, poetic concept, artistic taste, language strategy, spiritual posture and many other aspects. Although some of the language is slightly crude, his maturity allows rhetoric to compensate for the gap between fiction, transformational meaning and metaphor, enriching in simplicity.

"Footprints in the Dirt, Streamlines in the Desert" is a typical poem that strips away the shackles of the text itself, and flashes directly through the texture of the context and deep emotion:

Go, go, go,

Red dates, condensed into pearls

One after another

Red, led me

Forget, forget, go

Everest in the heart

It was a peak, frozen frost

Frozen frost fog

Rational encounters, sensual portrayals. This is the "mystery" of why Guo Dongchao, the year of destiny, is so full of words running on the plateau, galloping in the grassland, and shouting on the plain: for example, how to trek, the autumn fruit is his beloved "pearl"; the light of the pearl is his direction, even if it is the world's first peak, in his eyes, it is just a peak of "ice frost" or "frozen frost fog". This is a kind of feeling that a poet who does the work of joining the world with the spirit of birth looks at the unknown parts of life and nature as still life, and calmly and calmly.

Guo Dongchao's writing scene is vast, and the scene is a major feature. The so-called scene is not "exciting and sexy, the scene is not suitable" on the scene in front of the improvisational creation, but his chant tone is driven by the "sightseeing car" of the years, the inner "five a scenic spots" are ready to move and change the scenery, from the small pen, construct the ups and downs of the scene, for the effective lyrical gong to open the way.

"How to Love You in This Troubled World" is proof that": "I resolutely bid farewell to autumn / The huge red fruit", with love as the theme, but with the trick to start, and regard autumn as a huge and lonely red hawthorn, and the "love" that appears in the mystery seems to have some kind of fit with "love" itself; "the red fruit of the tree hanging from the branches / The flower tree standing on the street side crowded with courtyards / I lost the temptation of the red lights of the tall building / I can no longer lose anything / I should forget the pain after being grafted", the poet seems to be talking in moderation, It turned out that there were "flower trees crowding the courtyard" next to the fruitful hawthorn trees in the urban compound, and he had begun to abandon the temptation and pursue a monotonous color and a plain life. And it was precisely at this time that he began to struggle: "pain after grafting", is it for the asexual grafting and reproduction of fruit trees itself? Or is it the poet's spiritual purity in pursuit of the natural growth of things? "I really don't know what to leave behind / Everything shouldn't belong to me / Autumn moon is cheerful, cheerful with fallen leaves / / Di dog barks like a fighter / Let's go, my teddy / We both seem to have forgotten something"; When we are looking for the "gripping" of "truth", the poet sings a montage like a director, and the "shot" switches to "autumn night, square structure, symmetry, strong and confident hairy "Teddy" stepping on the falling leaves and the poet is playing. The dog sprinkles joy, the poet is surging; "Winter is light and cold Coco / Is it the way home when you get out of this street / The snow condenses your gray hair / The wind blows my hair fluttering / Cocoa The icy river / Torments your little feet / Walk Let's both use the distant stars / Turn over the mountains / Cocoa You smell the smell of dirt / I am also Coco / You naughty ghost and so on", such a delicate, lingering, loving inquiry, speculation how warm, like a father's great love, the beloved "Coco" is happy; "Cocoa" is happy Don't call / This is the home you haven't been back to / The wheat field sings the wet grass / Spread over the feet / The sycamore flowers all over the village bloom / There are our tsubaki trees / Yellow is elm money / Sycamore trees In this troubled world / How can I love you / Live shade the old house / One day you will accompany the villagers / Quietly enter the earth that is heaven / Refuse the sun",

Oh, it turned out that the starry sky of the poet's thinking flashed a lightning bolt to the reader, a voice part of the voice part of the repetition, the mood and the broad in it: it is the poet with the dog back to the ancestral house "looking for roots" came, the dusty objects look back in time and space, the vigorous, simple inner activities accurately let us see that the poet's lyricism is along the country road, the old house, the path between the shades of the trees, the path of emotional wandering, in the observation of the thing, with the wandering "How to love you in this troubled earthly world" as the state of the object, soothing, Plain figurative language, steadily advancing in a silent manner, in order to create a quiet mood "outside the sound" of the emotional vein that cuts into the deep bone marrow and the height of the soul.

Guo Dongchao is a poet who stands on the edge of words, standing in the sky and the three plains to the earth, he is simple, sharp, clear and pure, cold, solid and resolute, good at exploring the border between the conscious and the unconscious, free and introverted use of language tension, imagery strange, clever metaphors, both restrained and open to express the inner world, all of which seem to be "preventing or repairing the inner crisis or accidental collapse." The process of reading "How to Love You in This Troubled World" is also the process of appreciating the height of poetry, entering the country, and being awakened.

Deep understanding of grass words is for talking about films.

April 3, 2018 at 22:28 at The Apartment on Gushang Yiban Street.

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