Zhou Lianggong is not so much a seal engraver as he is a printer. A "Biography of the Indians" laid his special position in the history of printing, and without his first attention to this carving and insect technique, it would be difficult for us to have a comprehensive understanding of the development of printing in the Ming Dynasty today, and it would be even more difficult to know the provenance of each Indian at that time.
Of course, printing was only one part of his artistic hobby. The larger pattern of collection and research makes the name Zhou Lianggong very dazzling in the academic community. For example, his collection and research on books, calligraphy and paintings, stones, and ancient artifacts is by no means under the ancient seals he collects. However, he is still happy to praise himself with the seal, and compares it to Mi Fu: "Life loves this, which is equivalent to the love stone of the Nangong." ”
What is more valuable is that he does not simply take the ancient as a good thing. Instead, he never forgot to collect the famous hand of the time, and befriended the master name of the seal carving industry, and asked for engravings everywhere, one thought it was a collection, and the other was also first-hand information. It is conceivable that without the cooperation of more than a thousand Fang Shixian, his "Biography of the Indians" may not have been written so smoothly. As for his three sons in the early Qing Dynasty, he ordered his three sons to integrate the "Lai Gu Tang Seal Notation", which is a major event in the history of printing. Scholars believe that Zhou Lianggong's "Lai Gutang Seal Notation", Zhang Hao's "XueshanTang Seal Notation", and Wang Qishu's "Feihongtang Seal Notation" are the three major towns in the history of early printing. In his personal writings, the "Lai Gutang Seal Notation" also has its unique color, together with his poetry collection "Lai Gutang Anthology", "New Copy of the Ruler", "Book Shadow", as well as his painting text "Reading And Painting Record", and of course, "The Biography of the Indians", which together constitute a three-dimensional, multi-faceted artistic image of Zhou Lianggong. It's an intellectual image.
Scholars, in governing the seal, generally lack a kind of expert demeanor. However, because he is a scholar, he is too vulgar in taste and style, and I am afraid that there will be instinctive rejection and disgust. Of course, Zhou Lianggong is not a creator, from the perspective of the heirlooms, he is only occasionally happy to do it, and there is not much bamboo in the chest, but he can take the meaning of the ancients and not involve in flashiness. "Paper window bamboo house lights green screen" a seal, the skill is not very clever, but the temperament is clumsy and plain, do not scratch the head posture. Among the many writers in the late Ming and early Qing dynasties, this kind of quaintness suddenly appeared, but it was also quite cute.
Paper window bamboo house lights up
Zhou Lianggong entered the priesthood in the thirteenth year of Ming Chongzhen, and later the official supervised the imperial history, and the Ming and Qing tombs were replaced, and he did not follow the example of the remnants of the people to keep the festival and be loyal, but served as an envoy to Fujian, and later as a household attendant, and also had a considerable position in the new dynasty. However, the good times were not long, and soon when Qianlong reviewed the "Four Libraries of the Whole Book" in the fifty-third year, because his "Reading Picture Record" contained the verse "Everyone is Han Wei Shang, Hua Yi Yi XiYu", he was regarded by the Qing court as "the language involved in violation of obstacles", and he asked for it to be destroyed, and he was also imprisoned and released. Later, he committed another crime and attempted to hang, although pardoned and pardoned, he also died of illness soon after, and his works such as "Min Xiaoji", "Biography of The Indians", "Tongshu", "Reading Picture Record", together with the "Book Shadow" he wrote in prison, were also banned.
Judging from the situation of banning and destroying editions, it is not only forbidden books but also forbidden people, so by this reason, the seals he has written and the seals he himself have engraved are afraid that they are in a bad situation. I want to be a generation of scholars, but also make friends all over the country, the chest palm of the historical facts listed, but also so many talents, yu Yinxue has made great contributions, in the end can not be a good end, can also be said to be a blessing in the sky. At present, when we look at the printing of the "paper window bamboo house with lights and green screens," the tone of the text is so poignant that it is really discouraging. Such a style is probably the feeling when you are in prison, or the portrayal of life when you are being forgiven, old and sick, and lonely!