Anqi's collection of calligraphy and paintings mainly comes from the Ming Dynasty collector Xiang Yuanpi, the Qing Dynasty collectors Liang Qingbiao, Geng Zhaozhong, Chen Ding, Gao Shiqi and others. After The Death of An Qi, many of his old collection of calligraphy and paintings were included in the Qingnei Province. The works in the ink edge of the view are stamped with An Qi's seal, some of which are his collection works, and some of which are forged works of his collection.
Anqi web image
Regarding the dispersal of Anqi's old collection of calligraphy and painting works, after Anqi's death, his collection was largely scattered. Anqi's old treasure was supposed to have entered the Qing Dynasty through the Qing dynasty minister Fu Heng.
Fu Heng, Zi Chunhe, Fu Cha clan, Manchurian Yellow Banner Man, Qianlong Dynasty Military Minister. The Qianlong Emperor's inscription on the Ziming scroll of the Fuchun Mountain Residence is the time of Fu Heng's dedication to the winter of Bingyin, that is, the winter of the eleventh year of Qianlong (1746), and Fu Heng was promoted to Hubu Shangshu in the twelfth year of Qianlong.
Yuan Wang Meng Summer Mountain Residence Scroll Collection of the Palace Museum
Most of Anqi's old collection of calligraphy and paintings entered the Qingnei Province, enriching the imperial collection. In addition to his own appreciation, the Qianlong Emperor also distributed the works to Prince Cheng Yongyao, and the inscription of Hai Father in the book of Mi Fu's "Many Jinglou Poetry Posts" wrote: "This volume contains the "Ink YuanhuiGuan", and there are Qianlong Imperial Seals before and after, and the ancient incense secrets are purchased in the inner house, and later distributed to the Jin Dynasty. ”
Some of anqi's old collection of calligraphy and paintings did not enter the Qingnei Province due to special reasons. Because when Fu Heng was collecting calligraphy and paintings for the Qianlong Emperor, he should not have introduced all the old collections of Anqi into the Qingnei Province. For example, Tang Yin's "Picture of a Prostitute in Mengshu Palace" is an old collection of Anqi and appears above the city.
Meng Shu Palace prostitute picture network image
Fu Heng also presented the Qianlong Emperor with the Shu Su Ti, which was stamped with Fu Heng's seal. Dong Xuan's inscription: "This volume is the original manuscript volume of The Rice Shu Su, which is the old collection of the university scholar Fu Heng. In the winter of Nong Yin, his son Fu long's family did not abstain from fire, but rolled up and paid for it, and was completed. Because of entering the inner house, it is the title of the matter. This spring, his grandson Feng Shen JiLun's family was revived by Zhu Rong's misfortune, so that he could not enter the stone canal early. Knowing not to take the Hu hu for Ding Jia. Han Mo karma, there are many rumors, art forest famous traces, when there is a divine object to protect, incredible ears. Pengshen Mengxia Imperial Knowledge. "On this work there is a small seal of "Fu Heng" in white text. The "Picture of the Prostitutes of the Mengshu Palace" should be Fu Heng's private collection, if it is a reward from the Qianlong Emperor, Fu Heng will definitely stamp a treasure seal on it, and the work will certainly not appear on the city.
Northern Song Dynasty Cai Xiang Tao Sheng The collection of the National Palace museum in Taipei
An Qi also has a collection scattered in Bi Qiufan's home, and Yan Zhenqing's "Pan's Zhushan Tang Liaogu" volume was originally a large silk book, and later converted into a book. An Qiji: "This book is the true Ding Liang Xiang state collection, there were people to sell, the price is very high, did not hear of it turned into the Wanping Xiang Gong family, thought that it could not be seen again, more than thirty years ago, once seen again, it is known that there is a relationship with Han Mo." "Wu Zhendi's "Records of Yang Ji Zhai Series" records that An Qi once obtained this volume with the Taicang Wang clan, and Zhengding Liang Xiangguo borrowed it in the Qiubi Hall, but later did not know where it was. An Qi's record of this work is originally an old object of Liang Qingbiao, and Wu Zhendi's record is wrong.
Ming Dong Qichang's "Fengjing Visits the Ancient Chart Axis" In the Collection of the National Palace museum in Taipei
The "Pan's Zhushan Tang Lian sentences" did not enter the Qingnei Province after his death, but was obtained by Bi Qiufan and later collected by Wu Shaohuan. It is recorded in the "Luyuan Cong" that "Yan Lu Gong Zhu Shan Tang Shu Tang Liao Sentence Poetry Authentic Manuscript, the book yu Juan Su, Xiong Gu thick, with ink like lacquer, far from the posterity can imitate." At the beginning of the country, the country was really fixed in the Liang Xiang country, and the person who carved into the Qiubi Hall was also. Qianlong Xinhai (1791) was acquired by Mr. Bi Qiufan. After the death of the gentleman, the pictures were scattered and observed by Wudu Village in Yangzhou. Jiaqing Ding Di (1807), Li Zaiyuan taishou of eastern Guangdong came to Wumen, carrying Du Shaoling's gift of Wei Eight Poetry Ink Scrolls, whose books were all wild grass, such as Zhang Changshi's penmanship, and Du Cun's observation was appropriate, and the Yan album was also in the book, Yu Yin invited the two juns to hold inkblots, and looked at His Excellency Huai Du of Huqiu. “
Anqi Collection Web Images
The Moyuan Huiguan is a compilation of the "Second Thesis of the Right Army of Tang Lin", namely "Zhan Jin Ti" and "Han Shi Ti", followed by inscriptions by Deng Wenyuan, Yuan Jue, Zhang Sizhen, Yu Ji, Wu Kuan, Weng Fanggang, Yong Yao the Prince of Cheng, Ying He and others. Weng Fanggang inscription reads: "Jiaqing Bingzi Midwinter, South China Sea Wu Rongguang was awarded this book, Daxing Weng Fanggang inscription in the back, "Zhan Jin Ti" twelve lines, the first six lines of Zhao Supplement. The Ten Lines of the Han Shi Ti, the first two lines of Zhao Supplement. "The Book of the Second Thesis of the Right Army of Tang Lin, which was an old collection of An Qi, was not included in the Qing Inner Province, and was later collected by Wu Rongguang in the twenty-first year of Jiaqing (1816).
The content is compiled from: Gao Zeting's "Anqi Old Collection of Calligraphy and Painting Works Gathering and Scattering Examination", Rong Baozhai September 2019 issue. Thank you to "Rong Bao Zhai" and the author for providing information, if you have any questions, please contact us by private message.