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Recently, after Dou Xian'er created the theme song for the mobile game in "Xia Fan", she personally wrote the song for the theme song of the movie "Seventy-Seven Days".
Everyone is saying that this Dou Wei recently is completely different from the "Dou Immortal" who does not eat human fireworks in his impression! Regardless of whether Dou Wei is a fairy or a mortal, the most important thing is that we have heard his works again.
Dou Wei said that now his music is more focused on the composition of instrumental music, and for filling in words, it is secondary, focusing on the unique appeal of the music itself to immerse the listener.
The theme song of the movie "Seventy-Seven Days" "Tashi Delek" was sung by the film's lead actor Jiang Yiyan, and the whispering style of singing sounded like an illusion. A strength to break free from the shackles suddenly arises in the heart, as if it has found a self that has regained faith.
On the day of Dou Wei's birthday, Jiang Yiyan wrote a Weibo post to express his feelings that had not calmed down after contacting Dou Wei's excitement.
Later, she wrote in her public account: The road is difficult and thousands of miles are dangerous. I still remember the burning heat in my heart when I recorded that day, the empathy that was so peaceful that tears fell. Dou Wei's words are the way for all people to the curtain of life, and I even perceive once again why we love and have art, which can make the body wake up and truly perceive life. The soul lives. And Dou Wei didn't need everyone to understand him, because it was too difficult.
Jiang Yiyan's excitement is understandable, but Dou Wei has made film music more than once or twice...
As early as 1993, Dou Wei participated in the film soundtrack production of "Beijing Bastard", but in this film full of rock musicians, the so-called movie soundtrack is just a collection of songs by Cui Jian, He Yong and Dou Wei, and it is not a truly independent film music.
And 1999's "My Favorite Snow Day" was Dou Wei's first film soundtrack in the true sense. A year later, "Flower Eye" is Dou Wei's most famous film soundtrack work. Later, Dou Wei has successively had the soundtrack of making movies.
When collaborating on the film "LiMi's Conjecture", many people were surprised by this. A commercial film, why hire a relatively non-mainstream rock musician to make a soundtrack for the film?
At that time, director Cao Baoping said that he did not want the film to just stay in the degree of tension and good looking, and there should be considerable depth and different angles behind it, so that the audience would not easily forget after watching it.
For this reason, Dou Wei, who has a good temperament in his own music, became Cao Baoping's first choice. Coincidentally, at the same time, the heroine Zhou Xun also recommended Dou Wei to the director.
"Sunny Days" is Dou Wei's last "best-selling" album, and the title song "Outside the Window" in the album is also his last "pop" classic. 13 years later, with the release of the movie "Li Mi's Conjecture", this work was once again overheated, and Dou Wei also won the Best Original Music Award at the 46th Golden Horse Awards.
Speaking back to Dou Weichengxian, it mainly refers to the musical aspect.
Musicians of his generation are either "hidden in the city" or transformed into variety shows. Only Dou Wei silently released records, each album can maintain a very high artistic standard, and the vitality in the music makes people feel less than half a trace of exhaustion. Perhaps, only Dou Wei is still responsible for art.
Mobile games, movies, are not the criteria for judging a person's transformation into a magic immortal. The only clean and decent soul was in Dou Ideal's heart.