The red classic "Lin Hai Snow Field" was moved to the TV screen again after forty years, triggering a fiery "whirlwind of bandits", in addition to the "Heavenly King Gai dihu, Pagoda Town River Demon" and other interesting wisdom fighting dramas made the audience feel refreshed, the "little red in the evergreen bushes" in the play, known as "Little White Pigeon", Bai Ru, who attracted countless eyes with his song-like tenderness and indomitable tenacity, and Liu Jing, the actor of "Little White Pigeon", won the recognition of a vote of the audience with her role.
"Battlefield Goddess" lineage "Tiger Tooth Flower"
Readers who are familiar with "Lin Hai Xueyuan" are well aware that if Shao Jianbo, Yang Zirong, Tank, as well as the mountain sculpture and the eight King Kongs under the seat are clearly colored confrontations between good and evil, then the significance of the little white dove is that she symbolizes the romantic imagination of beauty in the minds of soldiers and fellow villagers, and has a higher spiritual symbol. In particular, she healed the wounds of soldiers and fellow villagers, and brought emotional sustenance to Shao Jianbo and Gao Bo, in that era, "Little White Pigeon" was the standard appearance of the "dream lover" in the battlefield.
In the movie version of "Wise Tiger Mountain", Tong Liya, who has a pair of "little tiger teeth", interprets "Little White Pigeon" vividly, and is praised as "poetic beauty.". After three years, "Lin Hai Snow Field" was moved to the TV screen, and the "little white pigeon" was spent on a post-90s "tiger tooth small flower" - Liu Jing's body, presumably "the girl with tiger teeth will not be unlucky", in addition to the sweet appearance, "the harder you work, the luckier" is probably also an important reason why the battlefield goddess flowers Liu Jing.
I still remember that in the original work, Shao Jianbo wrote a large poem to praise the "little white pigeon": "She is a white soldier in the snow field, and she is a flower in the army." She is a bird of peace in the mountains, and she is a little beauty in the vast forest. The sky is full of wind and snow, and the strange wilderness breaks into the Glory Spring. Although there are only a few words, it can be seen that the hero's inner attachment to the "little white pigeon" also shows that the bandits not only need Yang Zirong's wit and bravery, but also need the kindness and romance of the little white pigeon, in line with the drama mode of "male and female matching", whether from art, aesthetics or from the class attributes, "little white pigeon" as a female image in this war theme novel, she represents the beauty of women in the war theme, interprets romance, and embodies temperament.
Drama bone guide the way when the "Attack On the Little Flower" leap is in progress
Different from the "softness" of Tong Liya in the movie, Liu Jing's "little white pigeon" is a "desperate woman" who is not afraid of heaven and is not afraid. Because of desperation, so good life.
Liu Jing's addition makes this traditional bandit legend full of the taste of "hot blood youth", and she really suffers for the role: devil training, fighting drama, war drama, even rolling in the muddy mud, dragging in the cold snow, being whipped and abused... There was a scene where the director thought that it was enough to use props, but Liu Jing insisted on carving words on the wall with her fingers, and after a few times, her entire fingers were worn out of blood.
In the literary and opera part, Liu Jing's performance is not weak, she starts from Bai Ru's own character growth, and the "little white pigeon" is gradually changed from before, during and after the army, and under Liu Jing's "desperation", Bai Ru, who has a "temperament like a song", has become vivid and flexible, has become amiable, and has become intriguing.
As a young artist after the 90s, Liu Jing has been escorted by a group of "powerful factions" in "Lin Hai Snow Plain": Jin Xing, Li Guangjie, Ni Dahong, Zhang Rui... To be able to get such favor, in addition to Liu Jing's efforts as always, her strength that cannot be underestimated is a high-speed and effective "pass" that she has been recognized by the drama bones.
Acting is not metaphysics, it is a skill that can be seen and touched. A good actor will inevitably face many different roles in the process of growing up, some roles are suitable for him, some roles are not suitable for him, but whether it is suitable or not, these roles will achieve him.
Counting Liu Jing's past dramas, she has a special love for the role of Sasshuang and heroic: from the naïve and handsome taekwondo coach Tong Yan in "Beauty Is Not Bad", to the "female man" Tong Hua who does not love red clothes and loves to be armed in "Spicy Female Soldier", to the serious and cute and often confused female traffic policewoman Huang Li in "Those Girls in Police Uniforms", to the little white pigeon in "Lin Hai Xueyuan", she can already control the "fighting girl" role of eccentric and straightforward personality, and the "little white pigeon" of "Lin Hai Snow Field" "It proves her dual qualities of both literary and martial arts." As an audience member, we have reason to look forward to Liu Jing's gorgeous turn, just as she has worked hard to interpret a new "little white pigeon" and continue to leap forward.
--end--
【First Producer Service Film and Television Entrepreneurs】
Founded in June 2013, WeChat has created the earliest, largest and most influential film and television business circle platform
Follow China's most creative producers
Bring together the commercial forces that can lead the future growth of Chinese films
Chinese filmmakers learn, create, communicate, publicize and trade as necessary tools
Convey the latest trends and information of filmmakers and businessmen
Organize various training, salons, forums and other industries at home and abroad to share
Help filmmakers get more information, resources and reach various cooperation
Business collaboration: dyzpr816
Let's see what the film and television industry will look like in the future