Pan Tianshou Catstone plantain diagram
Guide
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What is visible in painting is easy to "steal", and where it is not visible, it is difficult to learn.
One of the reasons why the picture appears flat is that the black does not blend. Whether it can be blended or not depends on whether the method of dipping ink, drawing water, grading and holding the paper with the pen is accurate. For large ink spots, it is especially important to study.
Pan Tianshou Finger Ink "Red Lotus"
Pan Tianshou visited the lotus waves
Sketching according to the object is often not artistically processed, because the natural world does not explain the artistic technique. However, the legacy that has been preserved through the ages has accumulated a lot of artistic treatments, and their experience should be accepted.
However, just copying can only be moved in the old book, which is the shortcoming of the "Four Kings" all the way. We accept the true qi of nature, the main purpose of which is to judge the author's feelings, and then to express the impressions felt by the author in an artistic way.
Pan Tianshou dew gas
For the form of composition, it can sometimes exist in the world as a painter's characteristic form. This peculiar form was an innovation for the painter, but it was a common or old-fashioned one for those who imitated it later.
Pan Tianshou Sunset Mountain outside the mountain
Painting cannot be left behind, this is a requirement for a certain level. For beginners, it is necessary to fall into the sleeve, and pay attention to falling into several sets. Only by being familiar with and mastering several sets can we learn from each other's strengths and complement each other's weaknesses, integrate them and be creative. It's not enough to learn one kind of condom, and it's hard to jump out of it later.
Pan Tianshou Catshi Basho Figure In the 1950s
Color, finger ink 237.5×120cm
A person's objective conditions will play a big role, and some people will develop in the case of "poor and backward work". If Shi Tao and the Eight Greats were not the lost king and grandson, I am afraid that they would only be embroidered with sorghum and wandering with golden saddles. Even if I could draw a few strokes, it would never look like the one we see today.
Pan Tianshou wrote about The rare poetry of Li Qinglian Hai Liu
Why do we sometimes see some paintings, which are very good in terms of specific techniques, and the whole style is also very different. Because the style can only be perceived outside the image, the autumn wave, out of purity, exposed to nature, unintentional in flattery, and there is a hundred charms of their own.
Scratching the head, asking people to take a look, or playing a grimace to attract attention, what is the original intention of what I know, people have the ridicule of "art beggar", or refer to this, and the word style mentioned above can be known here.
"Less is nature, habit is nature." The power of habit is indeed very large, and people who engage in calligraphy and painting often have a certain habit in the pen, so that you are unconsciously led by it.
If it is a good habit, it can become an advantage, if it is a bad habit, it is bad, and it is more difficult to overcome it later, so learners should be cautious.
Pan Tianshou Songying, painted in 1948
Painting large freehand ink paintings, such as the calligrapher's writing of large characters, the pen should be slightly higher, the pen must be suspended on the wrist, using the physical strength, arm strength, and wrist strength of the whole body, in order to obtain the momentum of freehand and the look of the object.
The pen and pen of the fine painting are the same as the small zhengkai.
Pan Tianshou Flowers and birds
Painting with a pen, not outside the point, line, surface three, but the line is actually connected by points, the surface is also obtained by the expansion of the point, the so-called accumulation of points into lines, expanding points into surfaces is also. Bitter melon monk Yun: "The painting method stands on a painting." A painter, a stroke also.
That is, the pen of all things, starting from a stroke, Gai Wuguo painting, based on lines, so the painting method begins with a painting, but the point is the most primitive brush, because the line and the surface are expanded by the point. The old point is the mother of one painting and one side.
Pan Tianshou Ink Bamboo Diagram Ink on Paper Mirror Heart
The painting starts from a point, although the volume is small, it must be carefully considered, and the pen must be seriously written, so that it is better to add a little to the picture, and not to have a little less.
Make a point to make a line, the large pen should be round and calm, the thin pen should be pure and light, so the large pen head should be short and fat, such as the "jade xun" of the sheep is also, the thin pen head should be pointed and thin, such as the "clothing pattern" and "leaf tendon" pen in the rabbit millimeter.
Bitter melon monks are very good at using points. There are wind, snow, rain and rain at four o'clock, there are positive and negative yin and yang lining points, there are water and ink mixing points, there are buds, algae silk, wisps, and even points, there are empty and wide dry and tasteless points, there are ink and ink flying white like smoke spots, there are glue-like lacquer sloppy transparent points, and there are thousands of rocks and thousands of rocks and valleys, which are clear and clear.
However, there is still a bit of accumulation point method, which has not been explained, and I am afraid that I will miss my ears. The method of accumulating points on points can be about three types: first, eye-catching points, second, confused points, and three. A bit of confusion. These three point methods work on the ink collector and can know it by themselves.
Pan Tianshou Battlefield yellow flowers are particularly fragrant
In the painting of our country, every pen line is the skeleton, so the line is the bone, the bone must have bone qi, and the bone qi is also. This is the basis for expressing the inner vitality of the object. Therefore, Ai Binyun: The bones are similar, all of which are based on intention, and belong to the use of pens.
The pen cannot leave the ink, and there is no pen away from the ink. Ink cannot leave the pen, and there is no ink without the pen. Therefore, the pen is in the talent ink, and the ink is in the talent pen. The two are used for interdependence, and the separation is destroyed.
Old Vulture Pan Tianshou Memorial Collection
Holding the pen to the stirrup method as a proper measure, the finger is real and the palm is weak, from the shoulder to the arm, from the arm to the wrist, from the wrist to the finger, from the finger to the pen edge, then the strength of the whole body can be reached by the pen edge to the paper. The points of the pen are connected to the points, and the painting is connected to the painting (stroke). Points are more densely connected to points. That is, the principle of product points forming lines and product points forming surfaces. The points and points are connected to each other, the whole oblique, colorful and chaotic, far and near corresponding, close to each other, and seek a breath.
The lines are more densely connected to the lines. That is, it becomes a long line where the lines meet or the dense lines where the lines meet. The line and the line are looser, as follows, the sound of the east and the west. Incoherent and coherent, vertical and horizontal, complete the whole. Make the dots and lines on the screen, in one go, and the overall momentum rhythm is all in it.
The momentum rhythm is in it, and the qi rhyme is natural. In the painting, the two lines are connected, not in line but in the air, in other words, the two lines are not connected. The two lines give way, must be in the concession and not let, do not let and let go, the ancient calligraphy often has the metaphor of the burden of the struggle, can be adjourned.
Pan Tianshou Flower and bird painting
The use of the pen must be in the condensation of the smooth, in the pleasure of the condensation, which can be related to the calligraphy in the middle of the house leakage marks, folding strands, two languages.
The wet pen takes rhyme, the dry pen takes the posture, but if it is too wet, there is no pen, and if it is too dry, there is no ink; the pen has a wrong pen, the ink has a wrong ink, and its interest is not in the genius work.
The line is the most taboo letter pen, and the letter writer is also the pen that slips away with the pen. It does not matter whether it is written or written, it will naturally not be understood, there is no hanging, no shrinkage, no meaning of repetition.
In other words: "three points into the wood", "the principle of accumulating points and seeking lines can be described as a dream for the idiot." Calligraphy and painting with a vibrating pen. Although it is not a solemn and pure word, it is better than a letter and a pen. The pen must be straight, the pen edge must be rounded, and the round edge should be straight down, on the paper, and the line and point formed are the center of the round pen.
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