<h1 class="pgc-h-arrow-right" data-track="1" > the image of aristocratic women</h1>
The women in the "Left Biography" are basically aristocratic women. Do not serve the favor of the special position, but put the interests of the family and the country as the most important, and make people public. He wasted no time in exhorting Wei Ding to take care of the overall situation and accept Sun Lin's father; Deng Man of the Chu state, who foresaw the defeat of Qu Feng accurately, showed the idea of valuing the society and light king for the death of King Wu of Chu. It himself shows a strong desire for power and ambition to covet the throne. The author focuses on exposing and condemning the ferocity of their hearts and the viciousness of their methods. Li Ji of the Jin Dynasty is a typical example of women usurping, and the depiction of some characters has been quite successful. It can be seen that as a historical work that "combines words with events", the author of "Zuo Biao" has begun to consciously portray and shape the character image.
<h1 class="pgc-h-arrow-right" data-track="3" > the war depiction in Zuo Biao</h1>
The Battle of Jin chu and Chu Was triggered by Zheng Guo. Zheng Guo was the object of contention between Jin and Chu. Before the Battle of Wu, the author tirelessly recorded a series of actions by the Jin and Chu countries such as cutting zheng, ping zheng, and abandoning zheng, showing the complex political relations and struggle situation between the princely states, and finally the battle of Wu broke out. The Battle of Qi and Jin was caused by the state of Qi first invading the state of Lu, and Lu asked for help from the Jin. The commander of the Jin Dynasty, Hao Ke, was ridiculed by Xiao Tong's uncle, the mother of the Duke of Qi, for his envoy to the State of Qi, and his desire for revenge accelerated the outbreak of this war.
However, from the background of the Central Plains struggle for hegemony, the essence is that after the Battle of Wu, Jin Xin was defeated by Chu, and the strength of Jin hegemony weakened, which triggered the ambition of the State of Qi to regain hegemony. Qi could not contend with the newly revealed State of Chu, so he had to turn to the State of Jin to provoke, in an attempt to obtain a cup of the remnants of the overlord from the Hands of the State of Jin. This is the real reason for the Battle of Tatsumi. When readers read the war chapters in the "Left Biography", they must not only focus on the content of the war in the year or two when the war broke out, but should "trace back and follow it" and comprehensively understand the development process of the struggle situation between the princely states, so as to accurately grasp the essence of the author's war description. The author wrote about the war, and it was precisely in this way that he established, cut and organized chapters, so that readers could feel a deeper and broader historical atmosphere. The second characteristic of the war depiction in "Zuo Biao" is that it focuses on writing about people, writing about people's activities in war.
This makes the depiction of the war more novel. When describing the characters, the author always grasps the relationship between the characters and the war. Taking the Five World Wars as an example, there are more than a hundred characters in the author's pen, and the author often uses a refined brush to outline their personalities. For example, the Jin Wengong who was serious about righteousness and caution, the Qin Mugong who had a profound heart, the foresighted Ancestor and Zi Criminal, the rigid and rude Zi Yu, the loyal Qing Zheng, the frivolous Zi Rebellion, the Shen Uncle who judged the situation, the selfish and extreme but heroic and tenacious Hao Ke, the elegant and gentlemanly Han Yue, the witty and scheming Feng Ugly Father, the faint and misguided Zi Chang, the bold and superficial And short-sighted Xian, the ambitious and ambitious Lu Lu, and so on, all jumped on the paper and lived like a thousand lives. The Battle of Hanwon was originally triggered by the treachery of Jin Hye-kung, and during the battle, the inferiority of his personal character of suspicion, stubbornness, competitiveness, and enmity and revenge swelled viciously, which finally led to the defeat of the war and his own captivity. This is how the author embodies the character through the performance of the characters in the war.
<h1 class="pgc-h-arrow-right" data-track="7" > details of The Left</h1>
After the battle began, the Jin general Hao Ke and others were still fighting with serious injuries and chased after the Qi division. Han Yue chased after Qi Qinggong, Qi Qinggong took a drink and fled, and so on. The brutal and fierce atmosphere of war, through the advancement of the plot, makes people feel like the shadow of the sword and light, and a series of details such as "bleeding and sucking", "unexhaustible drum sound", "left side and side, right support robe and drum" and so on, aggravate the tense atmosphere of the battle. These detailed descriptions complement the narrative of the big plot. The first layer is that Xu Chen first attacked Chen and Cai and defeated Chu's right division; the second layer wrote fox hair and Luan zhi to lure the enemy deeper, Yuan Xuan and Hao Qin attacked the Chu army, and the Chu left division was defeated; the third layer wrote that Ziyu was undefeated, and the Jin army entered and occupied the camp. With only twenty words on each of the three floors, the whole process from beginning to end is completed. During the Battle of Jing, the author writes that Hao Ke was wounded by a ya, bleeding and a drumbeat, and then the dialogue between Zhang Hou and Zheng Qiu slowly described the tension and intensity of the battle. This is a well-written place that renders the atmosphere of the battle.
Next, Zhang Hou wrote "left and round, right to support the robe and drum, Ma Yi can not stop", "Qi Division's defeat", "Three Weeks Hua no note", this is a place of omission, but due to the rendering of the whole text, it is still not difficult to imagine the Jin army overwhelming the Qi Division with the momentum of overwhelming the mountains and the sea. The Battle of Wu writes that the Chu army attack is "rushing into the division, the car is riding on the pawn, riding on the Jin army", writing that the Defeat of the Jin Army and crossing is "the finger in the boat can be broken", all of which are just one sentence, concise and concise, just right, both thrilling and interesting, and the author often reveals a little relaxed and lively atmosphere in the tension of the sword and light sword shadow, such as the high-solid challenge in the Battle of Tatsu, the stone to throw people, the atmosphere is tense, and the sentence "those who want to be brave, Jia Yuyu is brave" has produced a comedic effect.
The author's brushstrokes, in the midst of the waves and clouds, are endlessly changing. For example, it is written that Han Yuezhong was exempt from qihou's arrows because of his gentlemanly demeanor; Han Dingding che's right body was able to change the throne with Qihou when his ugly father took the opportunity; before Han Yue took charge of the horse, Qihou could have been captured, but because of the courtesy of the emperor, qihou let Qihou take a drink and fled. When the ugly father was about to be killed, he was spared death because of the fact that the Emperor Ren was touched by Hao Ke. These descriptions, suddenly tense, suddenly calm, suddenly exhausted, suddenly willow dark flowers, extremely fascinating. The war depiction of "Zuo Biao" can be independently written into chapters and become a complete story. This had a huge impact on later Classical Chinese novels, especially war-themed novels.