[Mainland female star developing in Hong Kong, she is not the earliest nor the biggest brand, but she is the most works]
Hong Kong was once known as the Hollywood of the East, and the unprecedented prosperity of Hong Kong's urban economy once attracted countless mainland performing arts talents to visit and become a generation of Hong Kong drifters. The best and most successful Hong Kong drifters in Hong Kong are Jet Li and Faye Wong; the first batch of hong kong performing arts to cooperate are SiChengova and Liu Xiaoqing Jiang Wen and other predecessors.
Compared with these predecessors, Yu Li is neither the biggest brand nor the first to go to Hong Kong to develop, but among the female stars who have developed in Hong Kong, she is the longest and most thorough, and also the most works.
[Yu Li] (formerly known as Yu Zhuxin), born on December 2, 1963 in Harbin, Heilongjiang Province, height 169, typical northeast girl image, white skin, beautiful long legs, but also quite plump.
In 1975, at the age of 12, Yu Li entered the Hunan Provincial Song and Dance Troupe and became a dancer, dancing for six years. As a result, during a performance in the countryside, he accidentally fell from a 17-meter-high roof and broke his hand bone, and ended his dance career after being injured. [Jet Li was also injured and retired to make a movie.] 】
In 1982, after being introduced by a friend, 19-year-old Yu Li became the heroine of Xia Gang's directorial debut "We Are Still Young". After that, Yu Li successively served as the heroine in several movies such as "Twenty-Six Girls", "Tonight There is a Blizzard", "Human Fireworks", "Love and Hate", etc., and began to yearn for the film and television circle.
Yu Li, who is not a graduate of film and television colleges, is a heroine as soon as she debuts, has not run a dragon set, and even does not have to play a supporting role, such a starting point is extremely high. Especially in the comedy movie "Father and Son" starring Chen Peisi's father and son, Yu Li starred as Chen Peisi's girlfriend and began to have a certain reputation.
In 1985, at the age of 22, Yu Li was transferred from the Hunan Provincial Song and Dance Troupe to the Pearl River Film Studio in Guangdong Province, and finally became an official film and television actor. In 1987, Yu Li starred in Hong Kong director Hui Anhua's only martial arts film "Book of Swords and Vengeance", and began to have initial contact with the Hong Kong film circle.
In 1989, Yu Li was nominated for the Chinese Film Hundred Flowers Award for Best Supporting Actress for the film "Widow's Village". Because "Widow's Village" has achieved an unprecedented sensational effect with "child-inappropriate" publicity, coupled with winning the Best Feature Film Award of the Hundred Flowers Award, Yu Li's popularity has also been further improved.
In 1990, Yu Li officially entered the Hong Kong film industry, and four films were released the following year. Although Yu Li started out with many vase roles of "business and enterprise", compared with the status of the heroine in the mainland film industry that year, it was a world of difference, but with her own strength, she gained more performance opportunities and cooperated with countless Hong Kong film superstars. [In Yu Li's last film on the mainland before she went to Hong Kong, "Love on Ice", the 18-year-old Tranquility played a supporting role for her.] 】
In "Impacting the Heavenly Son's Protégé", Yu Li and Andy Lau cooperated; in "Prison Storm 2", Yu Li and Zhou Runfa cooperated; in "The Fierce Ghost Invaded the Underworld" and "Offline Pillow Man", Yu Li cooperated with Hong Jinbao.
In the 1992 co-production "Heroes of the Narrow Road", Yu Li cooperated with Jiang Wen Wan Ziliang, playing Jiang Wen's sister in the film, and at the same time being Wan Ziliang's girlfriend.
In 1993, Yu Li cooperated with Lu Liangwei Zheng Zeshi in "The Legend of the Hero After the Disaster of 1949", and ren Dahua in "No Police Time"; in 1994, she cooperated with Andy Lau Lin Qingxia in "Sword Laugh", huang Qiusheng Wu Qihua in "Neighborhood Messenger", and Ren Dahua in "The Lie of the Nine Dragons".
In terms of looks and acting skills, Yu Li is absolutely first-class, playing the villain Gu Caiyi in "Sword and Laughter" that year, she can still shine in front of Lin Qingxia, which is enough to prove her strength. However, Yu Li, who has white skin and beautiful long legs, has not become red in Hong Kong, and will always be wandering outside the third line, and will not reach the realm of Gong Li as a heroine as soon as she comes.
Unfortunately, although Yu Li arrived in Hong Kong, she was still in the heyday of the Hong Kong film industry, but it soon began to decline. And Yu Li's biggest problem is her own image, she looks a little similar to the beautiful woman Zhang Minlizhi who came to Hong Kong from Shanghai to develop, and even her figure is the same exquisite puffy shape. The Hong Kong film industry does not need a second Zhang Min or a second Li Zhi, and Yu Li does not want to be the second person.
Zhang Min has Xiang Huasheng behind him, and Li Zhi, who has a marriage contract with Jet Li, also disappeared soon after Jet Li returned to Hong Kong, and Yu Li needs to rely on her own efforts to seek a breakthrough. She also took some bold photos, and there were rumors that she was going to make a tertiary film, and then she also began to make TV series. [Since 1995, Yu Li has also had a 2-year relationship with Taiwanese star Ma Jingtao.] 】
In 1996, Yu Li transformed into a literary film and cooperated with Zhao Wenxuan in "Embroidery and Her Man". In 1999, she collaborated with Ke Shouliang on "Strip Abula", which won the Best Supporting Actress at the Asia-Pacific Film Festival.
Yu Li also gradually began to turn back to the mainland to develop, the Princess of the Invitation Moon in "Absolute Double Glory" and the Three Virgins in "The Legend of Heaven and Earth", all of which are Yu Li's representative works in the television circle. Unfortunately, looking back, Yu Li, who is already over 50 years old, can only play supporting roles for young actors.