Mainland beauties went to Hong Kong and Taiwan to act, Jiang Qinqin and Huang Yi's appearance declined, but Chen Hong Yuli became more and more beautiful

In the last century, Hong Kong and Taiwan companies dominated the role, and mainland actresses played heroines in Hong Kong and Taiwan crews, and being able to play a supporting actress in Hong Kong and Taiwan dramas was a good thing for most actresses.

But mainland actresses go to Hong Kong and Taiwan crews, but their treatment is different from that of Hong Kong and Taiwan actresses. When Fu Yiwei filmed "Tang Taizong Li Shimin", she said that the other actresses were in separate dressing rooms, only she had to share the dressing room with others, her headgear was all plastic headdresses, and she was also excluded by the crew and actors, so angry that she never made co-production dramas again.

In fact, watching the drama, you can see that Yang Jier played by Fu Yiwei, with her dog-gnawed bangs and gaudy costume color, is indeed much different from Tong Ailing's eldest grandson queen's style, if it weren't for Fu Yiwei's natural beauty, he would definitely be pressed by Tong Ailing.

When Liu Xiaoqing, the top big flower girl in the mainland, filmed "The Burning of the Old Summer Palace", she saw that Hong Kong and Taiwan actors all had meat to eat, while mainland actors could only eat steamed buns and pickles.

In fact, the costumes of the Hong Kong and Taiwan crews are not as good as imagined, many mainland actresses go to Hong Kong and Taiwan dramas, they are far less beautiful than in mainland dramas, such as Jiang Qinqin and Huang Yi's appearance has dropped a lot, and the first beauty Chen Hong, Yu Li, the master of the Moon Palace, is becoming more and more beautiful in Hong Kong and Taiwan dramas.

1: Jiang Qinqin, the peak of his appearance is in mainland dramas, and Hong Kong and Taiwan dramas are also beautiful in Qiong Yao dramas

Jiang Qinqin is the first mainland actress to play the female number one in Hong Kong and Taiwan dramas, but comparing Jiang Qinqin's appearance in mainland dramas and Hong Kong and Taiwan dramas, I found that her appearance has declined a lot in Hong Kong and Taiwan dramas, and she is also beautiful in Qiong Yao dramas.

17-year-old Jiang Qinqin has not yet been admitted to the Beijing Film Academy, and has already played the female number one in the Chongqing local drama "Charming Guanyin".

When he was 20 years old, Jiang Qinqin acted in "Xi Shi", and the director Yang Jie deserved to be the director of "Journey to the West", who personally did the makeup and clothes of the actress, and matched the appropriate makeup with the naturally beautiful Jiang Qinqin to create the most beautiful version of Xi Shi.

"The Spring and Autumn Chapter of the Eastern Zhou Dynasty", "Kangxi Weifu Private Interview" and "Kyoto Detective" 3 costume dramas, Jiang Qinqin has amazing beauty in it. Although the mainland crew was poor at the time, the costumes, makeup and lighting were very classical, and Jiang Qinqin was beautiful in these three dramas.

thought that Jiang Qinqin was not suitable for Republic of China dramas, but in "The Story of Little Phoenix Fairy", whether Jiang Qinqin is wearing a blue student uniform or a gorgeous cheongsam, he is so beautiful that he is captivating the country and the city, and light makeup and heavy makeup are always appropriate. It can be said that the most beautiful roles in Jiang Qinqin's career as an actor are all in early mainland dramas.

Back then, because of a magazine cover by Jiang Qinqin, Qiong Yao made Jiang Qinqin play the female lead in the Hong Kong and Taiwan drama "The Sky Has Tears", which also tells the story of the Republic of China, but I feel that Jiang Qinqin is not as beautiful in "The Story of Little Phoenix Fairy" in "The Sky Has Tears".

In another Qiong Yao drama "Huanzhu Gege 3", Jiang Qinqin's costumes are okay, but the makeup skills are too poor, light makeup is to apply nude lipstick, heavy makeup is to apply red lipstick, and then with a blush like a monkey's buttocks, the beauty is not at all the ancient rhyme in mainland dramas, and it is not attractive at all.

In Qiong Yao dramas, in Hong Kong and Taiwan dramas, the service is quite sophisticated, and in other Hong Kong and Taiwan dramas, all kinds of thunderous makeup and lighting directly lowered Jiang Qinqin's appearance.

In the Hong Kong and Taiwan drama "The White-Haired Witch", death eyeshadow with exaggerated lipstick and thunderous eyebrows, coupled with a hairstyle without a sense of design and rough clothing, Jiang Qinqin looks fierce and rustic in this drama, without the guidance of a master of body etiquette, and Jiang Qinqin's demeanor management in this drama is also quite poor.

In the Hong Kong and Taiwan drama "Bodhidharma Patriarch", the popular sunburn makeup was directly put on Jiang Qinqin's face, and all kinds of plastic cheap pompom headdresses were playful but really did not have the feeling of a classical beauty, all supported by Jiang Qinqin's facial features.

Not to mention the co-production drama "Crouching Tiger, Hidden Dragon", the makeup is almost without makeup, which is completely unsuitable for Jiang Qinqin's medium-sized style, and the costumes are also without a sense of design.

The second dream in the Hong Kong and Taiwan drama "Fengyun", although it is the childhood goddess of many people, in fact, if you look closely at the makeup and costumes, they are very general and featureless;

Therefore, Jiang Qinqin actually didn't get much dividends from Hong Kong and Taiwan dramas, and in Hong Kong and Taiwan dramas, she relied on her appearance to support all kinds of thunderous styles, and she didn't meet a crew with normal aesthetics in Hong Kong and Taiwan dramas.

2: Huang Yi, after filming the Hong Kong and Taiwan drama "Huanzhu Gege 3", I can no longer get her appearance

Huang Yi, like Jiang Qinqin, is popular all over Hong Kong and Taiwan because of the heroine of Qiong Yao's drama, so she also took over a lot of Hong Kong and Taiwan co-produced TV series in the later stage, but the gap between her appearance and that in mainland dramas is too big.

The earliest work that brought Huang Yi into the audience's sight was Li Yuhu in the mainland drama "Marrying the Right Man in the Wrong Sedan Chair", the makeup artist of this drama is Yang Shuyun, the makeup artist of "Dream of Red Mansions", with various classical costumes and classical makeup, which made Huang Yi stunned.

Another mainland drama "New Female Concubine" has made more people know Huang Yi's heroic side, and among so many mainland actresses, Huang Yi's men's clothing can be regarded as among the best.

Ou Nu in the TV series "Shaolin Warrior King" in collaboration with Wu Jing, and Xiao Guiren in "Dragon and Phoenix", although they are all soy sauce characters, their costumes and makeup are very suitable for Huang Yi.

In the Hong Kong and Taiwan drama "Huanzhu Gege 3", Huang Yi's little swallow character design is not as good as the first two films, and the makeup artist made her very black, her eyebrows are also very strange, and her hairstyle is not suitable for Huang Yi at all, her little swallow is far less delicate and smart than Li Yuhu.

Although Huang Yi's style in the Hong Kong and Taiwan drama "Crouching Tiger, Hidden Dragon" is a little better than Jiang Qinqin's, it is far inferior to Huang Yi's style in "The Female Concubine", and the makeup does not show Huang Yi's heroic spirit at all.

Not to mention "Fengyun 2", stylist Zhang Shuping's various strange shapes, Huang Yi's second dream in this drama is dressed like a beggar with a chicken nest head, and there is no feeling of a goddess at all.

At that time, many viewers condemned Zhang Shuping's ugly appearance, but Zhang Shuping threw the pot to Huang Yi, saying that it was because Huang Yi was not good-looking! I have to say that too many actresses have overturned here in Zhang Shuping, such as Zhou Xun, who was recently complained about, "The Legend of Ruyi" is Zhang Shuping's design.

3: Chen Hong, Hong Kong and Taiwan dramas have excellent styling, and Hong Kong and Taiwan dramas are more beautiful than mainland dramas

Chen Hong's TV series filmed in the mainland actually did not fully give full play to her beauty, except for the classical beauty of Liancheng makeup in "Liao Zhai", the TV series she filmed in the mainland are average in makeup.

For example, Diao Chan in "Romance of the Three Kingdoms", which made her famous, actually had quite a disaster in makeup skills, in order to show Diao Chan's beauty, Chen Hong's face was painted like a monkey's buttocks, and all kinds of heavy makeup were smeared. If it weren't for Chen Hong's own good foundation, he would have been ridiculed if he was a different person.

In the TV series "Spring Splendid Pig Bajie", Chang'e played by Chen Hong is also indescribable in terms of makeup and lighting, the nude lipstick shows that she has a poor complexion, and she can even see card powder in the close-up camera, and the costume has no sense of design.

and Lin Zhiying Zhong Hanliang cooperated in the mainland Republic of China drama "Wind and Dust Dancing Butterfly", with an aunt's hairstyle and light makeup at that time, it looks like two generations with Lin Zhiying and Zhong Hanliang.

is also a Republic of China drama, Chen Hong's appearance and makeup in Hong Kong and Taiwan dramas are too amazing. For example, in Qiong Yao's drama "Water and Clouds", the makeup is exquisite and the costumes are close-fitting, and the warm colors exclusive to Qiong Yao drama are lit, making Chen Hong more beautiful than Chen Derong in this drama.

In the Republic of China drama "This Life and This World", Chen Hong plays the role of the eldest lady of the Republic of China, with all kinds of gorgeous makeup and clothes, which even put Chen Hong's appearance on the altar, and the TVB beauty Zhou Haimei was overshadowed in front of her.

co-produced with Lu Liangwei and Hu Bing in the drama "New York Storm", Chen Hong was actually pregnant at that time, and her condition was not as good as when she was young, but the light makeup and styling of this drama still made Chen Hong beautiful out of the sky.

The Taiwan version of "The Condor Heroes", Ren Xianqi's version of Yang Guo and Wu Qianlian's version of Xiaolongnu, the costumes were ridiculed by the group, but Chen Hong's Li Mochou makeup and appearance are very normal, which perfectly restores the style of the red fairy Li Mochou in the book, and also makes Chen Hong the most beautiful Li Mochou.

I have to say that compared with Jiang Qinqin, Chen Hong's makeup luck in Hong Kong and Taiwan dramas is really good, and it can always play the role of icing on the cake.

4: Yu Li, the master of the Moon Palace, has a mediocre appearance in mainland dramas, but she is glamorous in Hong Kong and Taiwan dramas

Mainland actress Yu Li is very magical, she acted in movies in the mainland in her early twenties, but the response has always been mediocre. In the mainland, where pure natural beauty was popular back then, Yu Li had no advantage in front of other actresses.

In 1991, Yu Li was fortunately introduced to Sammo Hung and successfully entered the Hong Kong and Taiwan film and television circles.

In the 1995 Hong Kong and Taiwan TV series "New Bao Qingtian", even though there are so many Hong Kong and Taiwan beauties in the play, as soon as Ming Jixue played by Yu Li came out, she was still glamorous.

In the Hong Kong and Taiwan TV series "Peerless Double Pride", she played the role of the palace master of the Inviting Moon, supported all kinds of strange shapes and makeup, and compared the most beautiful Guo Xiang Li Qihong, Qiong girl Chen Derong, and Taiwan's first beauty Xiao Qiang.

In "The Legend of Heaven and Earth: The Lotus Lantern", the Three Holy Mothers dressed in red even stole the limelight from the heroine Shen Aojun. Yu Li, like Zhang Min, is suitable for heavy makeup and gorgeous clothes, this kind of beauty with a strong aura can't be created with decent makeup in mainland TV dramas.

Conclusion: So whether you can shine in Hong Kong and Taiwan dramas really depends on luck sometimes, and meeting a crew that suits you is the icing on the cake;