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When "The House of Unhemp" can't distinguish the boundary between reality and virtuality, how should we let go of the boundary between reality and virtual when reality and virtual are combined, and how to let go and adapt to the cruel real world?

author:Anime Origami Jun

"Unma's House" is produced by MADHOUSE, directed by Imatoshi is a very deep suspense theme of the animation film, director Imatoshi's style has always been unpredictable, the films directed by him are very stream of consciousness, it can be said that it is the kind of type that just hastily watched once and absolutely can't understand, this is a very good classic animation movie with some stream of consciousness, it is not an exaggeration to say, at least it takes many times to see the eyebrows that can be seen.

When "The House of Unhemp" can't distinguish the boundary between reality and virtuality, how should we let go of the boundary between reality and virtual when reality and virtual are combined, and how to let go and adapt to the cruel real world?

Even we don't know now, are the various plots we see and the truth we think we think are really the truth in the story? There are various interpretations and comments on this very in-depth animated film on the Internet, but in the end there is no conclusive conclusion, and perhaps the real truth is only known by the director and screenwriter themselves.

<h1 class="pgc-h-arrow-right" > the boundary between reality and virtuality</h1>

The film "The House of the Unma" is actually a very old animated film, but every year someone will come up with a reading to see how attractive its excellent plot and some fantastic animation style are, and this animated film also won the Best Asian Film Award at the Asian Fantasy Film Festival in 1997.

When "The House of Unhemp" can't distinguish the boundary between reality and virtuality, how should we let go of the boundary between reality and virtual when reality and virtual are combined, and how to let go and adapt to the cruel real world?

From the film festival type obtained by "The House of The Unma", it can be seen that this animated film contains fantasy elements that are not O, but at the end of the story, the director and screenwriter have returned everything to reality, which seems to give a reasonable explanation, but after careful consideration, there are still very doubtful points, which is the most attractive place of this animated film!

But this time I am not to explore what is said behind the plot, but to explore a problem, that is, the boundary between reality and virtuality, in fact, "The House of Unma" is a very advanced animation film, in that era when the network is not as developed as it is now, the director and screenwriter have realized one of the biggest problems we face now!

When "The House of Unhemp" can't distinguish the boundary between reality and virtuality, how should we let go of the boundary between reality and virtual when reality and virtual are combined, and how to let go and adapt to the cruel real world?

That is, when technology is developing faster and faster, everything is shrouded in high-tech and developed networks, at some point can we really be free from the influence of the outside world, and can we clearly distinguish the boundary between reality and virtuality?

<h1 class="pgc-h-arrow-right" > when reality and virtual are combined</h1>

"Unma's House" is a story about the career transformation problems faced by the core member of the girl idol group Kirikoshi After the dissolution of the group, and the story contains a lot of adult elements, of course, not "that" elements, but elements about adult fame, desire, survival, dreams and so on.

When "The House of Unhemp" can't distinguish the boundary between reality and virtuality, how should we let go of the boundary between reality and virtual when reality and virtual are combined, and how to let go and adapt to the cruel real world?

These elements make the whole animated film full, but also make the animated film become adult-oriented, in fact, although this is an animated film, but it is not suitable for minors to watch, because the excessive thought-provoking factors contained in it are basically for adults!

The popular three-person girl idol group Charming Bird disbanded, and the core member of which is also our heroine Kirikoshi Weima was forced to face transformation, under the arrangement of the firm, Kirikoshi Yuewei ma quit the group and transformed into an actor in a TV series, but all this will naturally not be so simple.

When "The House of Unhemp" can't distinguish the boundary between reality and virtuality, how should we let go of the boundary between reality and virtual when reality and virtual are combined, and how to let go and adapt to the cruel real world?

Wei Ma suddenly completely detached from the familiar life and work environment, into a new type of work Wei Ma is under great pressure, her life has become boring and lost happiness, and Wei Ma's work turn, she also received a variety of threatening letters!

At the same time, Wei Ma also found out on the Internet that someone was writing a diary in her own tone and was running a website with the theme of her own idol era, which made Wei Ma anxious, and even in a trance, she often saw another self in the mirror or reality!

When "The House of Unhemp" can't distinguish the boundary between reality and virtuality, how should we let go of the boundary between reality and virtual when reality and virtual are combined, and how to let go and adapt to the cruel real world?

It was myself who had not yet left the girl idol group, and it was my girlhood self full of smiles and happiness! This situation reached its peak after Unma took over a large-scale movie with his superiors in order to become famous! Although The unhealed career has finally entered the ascendancy period, the film has received a very good response, and all the problems at work have become solved.

But Wei Ma's own life is getting worse and worse, is it an illusion that appears, at first Wei Ma feels as if she has begun to have a second personality, and even she began to really believe that there is another self in reality, so the boundary between reality and virtuality began to blur, and Wei Ma sometimes began to be unable to distinguish which side is reality and which one is the real self!

When "The House of Unhemp" can't distinguish the boundary between reality and virtuality, how should we let go of the boundary between reality and virtual when reality and virtual are combined, and how to let go and adapt to the cruel real world?

<h1 class="pgc-h-arrow-right" > how exactly do you put it down and adapt to the harsh real world? </h1>

The animated film also reveals the truth at the end of the story, it turns out that all this was planned by the manager of the firm of Wei Ma, Rumi, who was once an idol, but finally quit the show business circle because of the image problem, and then she put all her own expectations and hopes on Wei Ma's body!

When "The House of Unhemp" can't distinguish the boundary between reality and virtuality, how should we let go of the boundary between reality and virtual when reality and virtual are combined, and how to let go and adapt to the cruel real world?

That's why she wrote columns from the perspective of Wei Ma to build a website, even sent threatening letters to Wei Ma, and did a lot of criminal things, even killing people! Because Liu Mei does not want Wei Ma to transform, and even sells his soul for fame and fortune, in Liu Mei's view, all That Wei Ma has done is a betrayal of his own behavior!

In fact, in this animated movie, in my personal view, there are two people who can't distinguish between the real and virtual worlds, one is naturally the heroine of this work, Wei Ma, and the other is Liu Mei, although Liu Mei is the final result of the identity of the villain, but in fact, in essence, both people are the same!

When "The House of Unhemp" can't distinguish the boundary between reality and virtuality, how should we let go of the boundary between reality and virtual when reality and virtual are combined, and how to let go and adapt to the cruel real world?

Neither Ma nor Rumi could let go of their past idol careers, and for some reasons they had to give up the career they loved, so under the pressure of reality and their own fantasies, they began to be unable to distinguish the boundaries between reality and virtuality.

Is the glamorous self on stage really the real self? Or is it just a "virtual" idol created by the firm! In fact, each of us faces such a problem in real life, but it is not as prominent as in the animated movie!

We live and work with masks every day, see people talking, seeing ghosts talking, facing colleagues and bosses, facing family and friends, when we take off that mask, can you really know who you really are? When you look at yourself in the mirror, who do you think of?

When "The House of Unhemp" can't distinguish the boundary between reality and virtuality, how should we let go of the boundary between reality and virtual when reality and virtual are combined, and how to let go and adapt to the cruel real world?

Maybe putting down the past, putting away the mask to be the most authentic self is the best way, don't let the boundary between reality and virtual become blurred, let your life really become real!

The above pictures are from the Internet, if there is any infringement contact must be deleted!

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