preface:
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The use of brushes occupies more than 2,000 years of China's history and is one of the main tools for calligraphy art writing. Nowadays, the craftsmanship of brushes has also become a world intangible cultural heritage. It can be said that the emergence of the brush has greatly changed the writing habits of the ancients, but also promoted the development of calligraphy art, for which we specially introduced the characteristics of the brush: the brush is made of wolf and other animal hair, with the characteristics of "point, circle, Qi, Jian", the writing method, can produce a very vivid performance of rigidity, elegance, elegance, solemnity, and elegance. Moreover, most of the calligraphy works are written in ink, the color is bright and calm, and the rich changes of dry and wet will produce vivid ink rhymes, making the expression of calligraphy lines more expressive. Therefore, how to use pen and ink has become the key to the basic skills and aesthetics that calligraphers pursue and grasp all their lives. Ancient calligraphers summed up a set of principles and methods for using pen and ink. For example, the pen should be carried with the intention of shoulders, shoulder straps and elbows, wrists and palms flat, five fingers together, and the tip of the pen, so that the lines written can be powerful and not floaty.
<h1 class="pgc-h-arrow-right" > Xuantong Emperor's teacher Lu Runyu passed down calligraphy masterpiece appreciation:</h1>
(Circle cards have been added here, please check out the today's headlines client)
<h1 class="pgc-h-arrow-right" > booker introduction:</h1>
Lu Runyu (1841~1915) was a native of Yuanhe (present-day Suzhou, Jiangsu). In the thirteenth year of Tongzhi (1874), he successively served as the Guozi Supervisor of Wine, Shandong Xuezheng, and guozi Supervisor of Wine. Returned to Suzhou with his mother's illness and ran Suzhou business. Guangxu Gengzi (1900) Eight-Nation Alliance invaded, Empress Dowager Cixi on the way west, endorsement of grass. Later, he served as a Shangshu of the Ministry of Works, a Shangshu of the Bureaucracy, a scholar of Taibao University, a scholar of Dongge University, and a scholar of Tirenge University. In the third year of Xuanun (1911), when the imperial cabinet was established, he served as the president of the Tokutoku-in Temple. After Xinhai, he stayed in the Qing Palace and served as Puyi's teacher. He died in the fourth year of the Republic of China and was given the title of Prince Taifu (太傅) and Yuwen Duan (谥文端). His calligraphy is qinghua and long-running, meaning close to Europe and Yu. However, the atmosphere of the pavilion is slightly heavier.
Lu Runyu can calligraphy, good at calligraphy, Fangzheng smooth, Qinghua Langrun, yi close to Ouyang Inquiry, Yu Shinan penmanship. It leaves more ink in Suzhou. Taste the Lingering Garden, Lion Grove, Master of Nets Garden and other garden books. For example, for the Humble Administrator's Garden, he wrote seven large characters of "Eighteen Mandala Flower Hall", the next paragraph was signed "Lu Runyu Shu Yu Xiaoyu Xiao Huai Ou Fang", and for "YuanxiangTang" wrote a 52-character long joint payment, which said: "The old rain set famous garden, the wind before frying tea, the gin wine left the title, the princes look back at Yanyun, should be happy to travel to Tongmao Garden; Dexing came to Wuhui, stopped outside the flowers, Sang Ma was idle, laughing at my vain search for Hongxue, and there was no good sentence to continue the plum village. "