In the thirteenth year of Tongzhi, Lu Runyu won the championship in one fell swoop in the temple examination, becoming the 101st leader of the Qing Dynasty, and after Xinhai, he stayed in the Qing Palace and served as the teacher of the last emperor Puyi. Lu Runku is gentle and approachable, has no cliff shore, and although he is a minister, he takes it simply. Able to calligraphy, good at kai, in the early years committed to the Tang hand ritual, especially in Ouyang Inquiry, Yu Shinan ruler, the ancient language is wonderful, Yu knot in the heart, Ou knot in the limbs, the big non-handsome also. The characteristics of Lu Run Itch melting and casting the two people, each family's strengths are self-contained.
Lu Runyu Calligraphy Pavilion has a strong atmosphere, pays attention to light and black, is uniform and plump, and is appreciated by the supreme rulers of the Qing Dynasty, and there are many Lu Runyu calligraphy arranged or preserved in the Forbidden City. "Four Screens of Calligraphy" is a genus of the second brother of Zhu Bo, with a sparse layout, a staggered pattern, and a flood of qi. Often withered by the pen, and then with the size of the life, with the staggering of the qi, the change of new, rich and rippling trend. Sixty-four words throughout, Tibetan Feng Yun Elbow, Twists and Turns, Painting Ping, Vertical Positive, Point Work, Hook Sum, Skimming Phase, Picky Care, All Easy Tone.
The cleansing and introvertedness in his calligraphy is transformed into a beautiful pen mark in the "Four Screens of Calligraphy", the pen is graceful and healthy, Zhuang Yan is beautiful, and has a smooth and soothing charm; the outside is soft and the inside is rigid, there is no fire of carving, but there is a hint of sharpness and introvertedness. In the simplicity there is a show, in the show to see the free, in the free place out of joy, to put the pen and work and put, there is concentration and contemplation, to be comfortable. Personable, contemplative, and has a kind of wind.
