In daily life, we often use some words or colloquialisms, such as idioms, idioms, afterwords, etc., but due to the vastness of Chinese and its own development and evolution, the frequency of use of some words or colloquialisms is slowly becoming lower, so some words or colloquialisms we feel are not very familiar. For example, the word "dropped book bag", many people today may know the "inner volume", "Versailles", "hit the worker", "dry rice man" and other popular words nowadays, but may not really know what "dropped book bag" means.
"Dropping the book bag" comes from the "Southern Tang Dynasty Book of Peng's Biography", which records: "Using the childish son of the family, arresting the slave, saying that according to the history of the book, asserting broken sentences, instead of talking, commonly known as 'dropping the book bag'." The gist of these few words is that Peng used his usual time to talk to his family, whether it was to children or servants at home, he had to find chapters and excerpts and quote scriptures, and the world called him "dropping the book bag.". The "drop" of "drop bag" refers to swinging and shaking. This word refers to speaking or writing articles to quote words from ancient books to show off one's knowledge. Sarcastic people love to quote ancient books and phrases, and only by showing off can they learn.
There is also an interesting thing about "dropping the book bag".
Zhang Dai, a Chinese literary scholar in the late Ming and early Qing dynasties, recorded in his book "Memories of Tao'an Dreams" that once he went to a reading house to be a guest, and when it was dark, he wanted to quit and go home, and the master kept him and said: "Please sit down for a while, wait until you see 'Shao Yan' and then go!" Zhang Dai did not understand what 'Shao Yan' meant, so he asked the master to explain. The master said: "We have an official eunuch here who likes to drop the book bag, because Su Dongpo's "Former Chibi Fu" has the sentence 'Shao Yan, the moon is above the East Mountain', so he called the moon 'Shao Yan'. The 'shaoyan' I just talked about refers to the moon. Since then, the title of "dropped book bag" has been passed down.
There may also be some people around us who "dropped the book bag", but the famous patriotic general and lyricist of the Southern Song Dynasty, Xin Abandoning Disease, was also criticized by some people as "dropping the book bag", and it is said that Yue Fei's grandson Yue Ke commented that Xin Abandoned Disease "uses more things", and "more use things" means "dropping the book bag". In fact, the reason why Xin Abandoned Disease was criticized as a "book bag" was mainly because he used a lot of allusions in his own words, and seemed to be suspected of deliberately trying to show off.
Xin Abandoning Disease is a large number of allusions to the use of words we are not unfamiliar, such as the well-known "Broken Line, for Chen Tongfu to give a strong word to send" in the "eight hundred li points under the command" use of "eight hundred li refutation" allusion. (The "Shishu Xinyu Ji Luxury" records that the Jin King Kai had a good cow, named "Eight Hundred Mile Refutation".) "Eight hundred miles" is like its good at running. "Refutation" is the name of the horse. Later poems mostly refer to cattle with "eight hundred miles". "Lu of the Horse" uses the allusion of "Lu" to the horse. ("Romance of the Three Kingdoms, Shu Zhi, And Preparation of the Ancestors": "The number of People returning to the Ancestors of Jingzhou Haojie is increasing, expressing doubts about his heart, and yin yuzhi.") Pei Songzhi's note quotes the "New Language of the World": "Beitun Fancheng, Liu Biaoliyan, feared that he was a man, and did not trust much." I once invited to prepare a banquet, and Ku Yue and Cai Mao wanted to prepare for it because they would prepare, prepare for it, pretend to go to the toilet, and sneak out. Lu, whose horse name he was riding, rode Lu walked, fell into the water of The West Tan Creek in Xiangyang City, and drowned. Be anxious: 'Lou, today is in danger, but you can work hard.' Lu Nai of '' was able to pass by. ”）
What's more, xin's words are used throughout the text, and the "Yongyule Jingkou Beiguting Huaigu" that we are familiar with is like this.
Throughout the ages, the hero has no place for Sun Zhong. Dance hall song stage, the wind is always blown away by the rain and wind. Slanting grass trees, ordinary alleys and strange, humane slaves once lived. Think of that year, Jinge iron horse, swallowed like a tiger.
Yuan Jia Cao Cao, sealed the wolf Juxu, won the Canghuang Beigu. Forty-three years, looking at the middle of the memory, Beacon Yangzhou Road. Looking back, under the Buddha's Shrine, a sacred crow club drum. Who asked: Honest and old, can you still eat?
In this poem, a total of 5 allusions are used, namely Sun Quan during the Three Kingdoms period, Liu Yu, the Emperor Wu of Song in the Southern Dynasty, Liu Yilong, the son of Emperor Wu of Song, Tuoba Tao of Emperor Taiwu of Northern Wei, and the allusions of Lian Po. Why is this word used throughout the text, and what is the purpose of it? We can try to analyze them one by one.
Sun Quan, zi Zhongmou. Emperor Wu of Eastern Wu, founding emperor of the State of Wu during the Three Kingdoms period. Once based on Jingkou, the capital was built here, and eventually became a generation of male lords. Xin Renyi used Sun Quan's allusions to hope that the Southern Song Dynasty would have heroic figures like Sun Quan to rectify the rivers and mountains, expressing his desire to make meritorious achievements, and at the same time, "wuqian" also satirized the cowardly performance of the southern rulers of the Southern Song Dynasty who were partial to a corner of the southern jiangsu, did not want to make progress, and were powerless to restore the rivers and mountains.
Southern Dynasty Song Wu Emperor Liu Yu, Zi Deyu, nicknamed Ji Nu, Han nationality, ancestors were Pengcheng people (present-day Xuzhou, Jiangsu), later moved to Jingkou (Zhenjiang, Jiangsu), the founder of the Song Dynasty during the Southern and Northern Dynasties, known as Song Wudi. Xin Qizhi remembered Liu Yu's heroic feat of "jin ge iron horse, swallowing like a tiger", and implicitly expressed his determination to resist the enemy and save the country.
Emperor Wen of Song, Liu Yilong, son of Liu Yu, era name Yuan Jia. Liu Yilong was so happy that he wanted to seal the wolf Juxu like Huo Went ill (in 119 BC (the fourth year of the Han Wu Emperor Yuan Hunting), Huo went to the disease to expedition to the Xiongnu, annihilated more than 70,000 enemies, and sealed the wolf Juxu Mountain and returned. Seal, build an altar on the mountain to worship the heavens, commemorate the merits. Wolf Juxu Mountain, in the territory of present-day Mongolia. Later generations took Huo's illness as an example, and Feng Wolf Juxu also became synonymous with meritorious service), and established an immortal merit, but he hastily made a northern expedition and hastily sent troops, but instead let the Northern Wei lord Tuoba Tao seize the opportunity and go south with a cavalry group, and Liu Yilong was defeated and returned. This allusion is a classic within a classic, and those who are not familiar with the historical facts of the allusions are indeed difficult to understand. Xin abandoned the disease to use this allusion, intended to satirize those in power, the result of hasty dispatch of troops will only be a big defeat, the Northern Expedition is not a child's play, let alone a tool for selling fame and reputation, and it is necessary to be fully prepared.
Northern Wei Taiwu Emperor Tuoba Tao, nicknamed Buddha Fox. He counterattacked Liu Yilong's Northern Expedition, and his troops marched south, from the north bank of the Yellow River all the way to the north bank of the Yangtze River, and built a palace on the north bank of the Yangtze River, which was later the Buddha's Beaver Temple. In the Southern Song Dynasty, the local people only worshipped the Buddha's Beaver Temple as a general temple, and did not know that it had been the residence of a foreign emperor in the past. By using this allusion, Xin Abandoning Disease intends to use history to allude to reality, to write a peaceful scene in Jiangbei, which has become a jin-ruled area, and the people are satisfied with the status quo, showing Xin Renjie's sarcasm and indignation that those in power who have lost half of the country are still partial to Jiangnan and enjoy themselves.
Lian Po, a famous general of the State of Zhao during the Warring States period. The "Chronicle of Lian Po Lin Xiang Li" records that after Lian Po was dismissed from his post, he ran to the State of Wei, and the King of Zhao wanted to use him again, sent someone to see his physical condition, and Lian Po's enemy Guo Kai bribed the emissary, and the emissary saw Lian Po, Lian Po's rice bucket, ten pounds of meat, and was put on a horse to show that he was still usable. The emissary returned to report to King Zhao, saying: "Although General Lianpo is old and still good at eating, he sits with his subjects, and the three relics (tong fake characters, that is, shit) are complete. King Zhao thought that Lian Po was old, so he didn't use it. Although he is old, his ambition is still there, but he still has great ambitions, but it is a pity that although he has the ambition of blood, he wants to contribute to the country but cannot be used by the imperial court, and the grief and indignation in his heart cannot be expressed.
For this word, it is said that Yue Fei's grandson Yue Ke once had this evaluation: "Micro-consciousness uses things to do. It means criticizing the historical figures and historical events inscribed on this song, and the use of too many dictionaries increases the difficulty of reading and affects the fluency of this word. Contrary to Yue Ke's point of view, Yang Shen, a great talent of the Ming Dynasty, believed that Xin's words should be regarded as the first and highly respected.
In fact, a correct view of the dictionary is the key to appreciating the "Yongyule Jingkou Beiguting Huaigu". In this regard, the upper part of the word uses Sun Quan and Liu Yu to express his longing for heroic characters in a chaotic world, and the image of a lyricist with a big plan and ambition jumps on the paper and comes to life. The next piece of the word uses Liu Yilong's euphemism to express his concern about Han Nongxu's blind dispatch of troops, and uses Tuoba Tao to express his resentment against the authorities' security of partial security, saying that if they do not sincerely recover the Central Plains, the people in the occupied areas will be content with foreign rule, and the consequences are unimaginable. From the perspective of artistic techniques, the use of classics itself is to express their feelings through allusions and satirize facts. It can play a concise and intriguing role; deepening the connotation, euphemistic and subtle effect. In addition, in the era when Xin abandoned his illness, power and adultery were in the right place, and the use of canons could not only express personal feelings with the help of history, but also cleverly circumvent the politics of the dynasty, perhaps playing the effect of "irony (accusation or persuasion with implicit words)" and avoiding persecution because of "direct advice".
Xin Jiaxuan Memorial Shrine
In fact, the most controversial thing about Xin's criticism as a "book bag" is the phrase "Yong yu Le Jingkou Beiguting Huaigu". After the previous analysis, this word is used appropriately, conveying rich ideas in a small number of words, and enhancing the expressiveness and appeal of the work. Finally, to conclude with the words of a certain critic: the words are well-cut, out of the blue, creating a nostalgic atmosphere, expressing a deep ambition, which is its success, and posterity evaluates Xin Ci as the first, under the fame, it is deserved.