China Youth Daily client news (China Youth Daily, China Youth Network reporter Jiang Xiaobin) "We can't see the darkness in the light, because there are countless brave people who block the darkness where we can't see, they are the people's police." On October 27, the First Public Security Theme Original Drama "Heroic Age" of the National Drama Theatre of China premiered at the National Drama Theatre.
"Hero Age" gathers the main creative team of the drama "Gu Wenchang", screenwriter Mu Xing, and director Bai Haotian. On the stage, the command center rolled and broadcast real-time police information. A phone call from the police center rang, and the voice of Wei Haishan, a criminal played by Ni Dahong, came from him, who provocatively said that he was about to blow up the mall and that his peaceful routine was broken. Under the deployment of Director Zheng, played by Han Tongsheng, the audience follows the character into a fierce police and bandit duel.
Ni Dahong tries to walk into the other side of Wei Haishan, finds the criminal motive for the characters, interprets a high-IQ criminal who is "a little poor", and uses psychological warfare to maneuver between many policemen, making this one-to-many game extremely complicated and tense.
Lao Hu, played by Liu Peiqi, is an old police officer at the police station, who is still in his heart and unwilling to transfer his post. Capturing his old enemy Wei Haishan and completing the unfinished business of his apprentice was his only obsession.
Meng Ping, played by Xin Baiqing, can calmly deal with complex bomb devices, but cannot deal with problems in the family. Faced with the rebellious daughter of adolescence, the contradiction between work and family, he does not know how to balance.
Wang Erda, played by actor Zhang Jie, is a grassroots civilian policeman, who has also wandered and retreated, but when he confronts the extremely vicious gangsters, it also shows the professionalism of the people's police who are not afraid of danger and calmly handle crises.
Many police departments on the stage took turns to appear, and actor Liu Jingjing led the iron horse traffic police to form a human wall to protect the safety of the people, adding a beautiful color to this tough guy drama; the members of the explosives swat police team shuttled through the three-story stage structure; in the command center, the information post, the video research and judgment post, the legal inspection post, etc., vividly and truly reproduced the daily life of the people's police.
Tian Qinxin, president of the National Drama Theatre of China, said that "The Age of Heroes" was recorded as the first "high-definition video drama" of the National Drama Theatre in April this year, and now after half a year of polishing, it has ushered in its offline premiere, becoming a new attempt of "double performance integration" and paying tribute to the heroes on the public security front in the new era.
The director of this play, Bai Haotian, adopts the artistic technique of synchronizing real time with stage time, so that the audience enters the theater and enters an immersive experience, and the real-time changing number of people in the shopping mall that constantly flashes on the screen, and the pointer sound of the countdown, are all reminding the audience that the time bomb is about to detonate.
"Acura Heroes and Acura People are the original intention of our creation, and this time we can cooperate with many artists in the theater, reflecting the tradition of the theater's 'passing on the help', jointly telling the image of public security in the new era with temperature, and looking forward to more young audiences entering the theater and finding that the main theme can also be very good." Bai Haotian said.
Stage director Liu Kedong cooperated with the high-tech-related crime plots in the play, and built the entire stage into a nine-palace cube with a frame structure of the building, using a three-story turntable to transform scenes such as shopping malls, command centers, boxing gyms, police offices, and streets.
Visual director Kong Qingyao uses lighting and tones to create a stage atmosphere full of science and technology and modernity, and creates a texture like the future city in science fiction movies with colorful neon lights, LED billboards and other light lines. (Photo by Wang Haochen)
Source: China Youth Daily client