Chinese national musical instruments have a long history and a long history. Among the many national wind instruments such as flutes, pipes, sheng, gongs, pipes, gourd wires, etc., it is the most difficult to learn, and it is difficult to blow a decent song without five to ten years of child skills. "A Hundred Birds and a Phoenix" is one of the top ten famous pieces of Chinese national instrumental music, which was adapted and composed by the famous master of the art of Liu Fengming, and the song expressed the vibrant natural scene with a lively and cheerful melody and the sound of birds and chirping.
In this issue, we invite Mr. Liu Fengming's great-grandson Yezi and his apprentice Wu Anming to be guests, who will teach how to correctly unlock The Phoenix and how to interpret the classic masterpiece of "Birds and Phoenix". Today's music journey is destined to have a different musical language and an unusual perspective of exploration, and we invite you to taste it together.
A golden whistle that has been handed down from generation to generation shines brightly in the eyes, and a good story of family inheritance that has been passed down from mantle to the ear is suddenly in the ears and shocks people's hearts. Chinese artist Mr. Liu Fengming has made a name for himself in the domestic music scene, how will his descendants attract Qiu Sui? While we are looking forward to it, his great-grandson YeZi is shocked by a piano version of "A Hundred Birds and a Phoenix", and people can't help but ask in admiration, why didn't he have the sound of the Geng continuation family? Let's go into this episode together to find the answer.
The reason why the song "A Hundred Birds and a Phoenix" has become an artistic treasure that the masses like to hear and listen to is precisely because it reflects the vigorous artistic vitality and vivid and lively characteristics of folk music. The simulated tone of that piece pushes the mood of the song forward, eventually reaching the pinnacle of jubilation. In this way, it seems that Na Na is the only language that talks about "The Hundred Birds and the Phoenix", is this really the case?
In fact, Ye Zi and Chinese mainland the first Steinway artist and famous pianist Shi Shucheng, have played the piano version of "Birds and Phoenix" respectively, they use superb piano playing techniques, but also vividly and vividly depict a variety of birdsong, but also vividly reproduce the fun of the playing method, wonderful, so that everyone is amazed. In particular, Mr. Shi Shucheng also shared the unique secrets in the performance, teaching on the spot, his teaching method is very vivid and interesting, and he instantly synthesized an emoji, which is really a cute artist.
In today's show, another player who combines Chinese and Western is Guo Yazhi. He took Na Na out of the country, boldly innovating and combining jazz to rejuvenate the different vitality of Na Na's life. Jazz, as an international language, is now loved by more and more people, and the combination of jazz and Chinese national music is a way of inheritance and an example of the fusion of Eastern and Western cultures.
In the short film, Guo Yazhi and Berkeley piano composition professor Ute Arden collaborated to bring this song "Birds and Phoenix", what kind of audiovisual feeling will it have, come and find out.
The sound of the sound is loud and transparent, the imitation is strong, and it is more adept at transformation, which is just to meet the needs of the players' creation. Fuzhou Drum Orchestra challenged and innovated "Hundred Birds and Phoenix" on the spot, and the addition of electro-acoustic elements, birds and songs were more cheerful and agile, which instantly subverted the audience's established impression of "Birds and Phoenix", and showed the charm of music integration to the fullest.
Whether in the past or now, "A Hundred Birds and a Phoenix" has always been favored by the world, and interpreting its musical language is like buds blooming at the beginning of the year, which is a kind of inheritance figuration. The movie "Hundred Birds and Phoenix" plays a story about the old artist Shi Cheng, which is the last work of Wu Tianming, the leader of the fourth generation of Chinese directors, during his lifetime, so it is also known as the master's masterpiece.
Tonight, Wu Tianming's daughter and current director of the China Film Foundation Wu Tianming Youth Film Special Fund Wu Yanyan is a guest, and the interpretation and deeper meaning of the film will be revealed by her.
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